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Shane Meyer – To the broken coast / on the crystal wave / it’s you, oh / hey

On his latest full-length, Buffalo’s Shane Meyer reaffirms his status as one of the area’s most distinct and disarming songwriters. A veteran of the scene, formerly of the slacker-rock outfit Difficult Night, Meyer’s solo work has found its own lane and cruises there comfortably. His new album, released August 1st on Steak & Cake Records, arrives with the wonderfully unwieldy title, to the broken coast / on the crystal wave / it’s you, oh / hey. Failure to edit? Perhaps. But it seems messy on purpose: across ten tracks of sparkling, minimalist jangle-pop, Meyer continues to perfect his unassuming, heart-on-sleeve style, delivering fractured vignettes of life that are gentle on the ear but carry surprising emotional weight.   The core of the album’s sound is Meyer’s intricate fingerpicked acoustic guitar, which provides the foundation for nearly every track. The arrangements are often sparse, allowing his lyrics and uniquely conversational delivery[...]

Sweet Talker – Summer 2025

Grab some sunscreen and soak up Sweet Talker’s scorching new two songer, Summer 2025. The Buffalo hard rock and rollers consists of members of local Buffalo punk and hardcore acts Buried Alive, Exhibition, and Big. Following up last year’s Not Your Daddy’s Rock and Roll, this brief, one-two punch continues to see the band mix hardcore punk with old school heavy metal.   The opening song, “Someone Like You,” hits like a nut shot with a frenzy of galloping drums, buzzy basslines and barking vocals. The track permeates big circle pit energy and will rough you up before downshifting into a shreddy, halftime bridge. Spin this at your Gallagher Beach party bash and watch things get a little crazy.   Rounding out the release is “Tough Tunes,” a time capsule of the days of VHS, corded telephones and Judas Priest. Sweet Talker energizes this melodic, throwback track with NWOBHM power[...]

Dotsun Moon – Tiger

Buffalo’s Dotsun Moon trades the precise architecture of synthpop for the sprawling, emotive wash of shoegaze guitars on the project’s newest release, Tiger.  The recording project of multi-instrumentalist Richard Flierl, Dotsun Moon has always been prolific, but this eight-song collection feels like a deliberate statement. Drawing a direct line to the grandeur of M83’s Before The Dawn Heals Us and the seminal post-punk of New Order, Flierl swaps programmed beats for soaring textures, creating an album that is expansive, atmospheric, and unique. Tiger is our album of the week.   The album marks a significant turning point for the Dotsun Moon project, not only in its sonic direction but in its execution. For the first time, Flierl handles all vocal duties, a departure from the prominence of female vocals featured on much of his previous work. This shift brings a new, personal-feeling cohesion to the album, with his voice acting as a steady[...]

tuesday nite – to just exist

Sometimes, a record feels less like a collection of songs and more like a place you can visit. The new EP from Buffalo’s tuesday nite, to just exist, is one of those places. It’s a room filled with hazy, drifting smoke, where reverb-soaked guitars and echo-laden harmonies hang in the air. Over four tracks, singer-guitarists Sara Elizabeth and Courtney Ann have built a sound that channels the ghosts of 90s dream-pop groups like Mazzy Star and The Sundays while remaining firmly planted in the contemporary indie sphere they so admire. to just exist is our album of the week.   tuesday nite is the kind of band that could only have formed in the strange quiet of 2020. Bonding over virtual open mics and a shared love for the raw-nerve songwriting of Phoebe Bridgers, Sara and Courtney developed an immediate chemistry that feels palpable on this recording. That intimate, two-voice core is the[...]

Stephen Babcock – “Dumb Luck”

The Bab-man (aka Buffalo-based singer/songwriter Stephen Babcock) leans into song-of-the-summer vibes on his latest offering, “Dumb Luck.” Armed with his usual tools of the trade – an acoustic guitar, shuffling drums, and his soulful drawl, “Dumb Luck” touches on not ever knowing if things are getting better or staying exactly the same. It’s a shared Buffalonian experience – to wonder if our “small town” vibes are holding us back or propelling us forward faster than we can handle, so fellow WNYers should find solace in knowing that you’re not the only one wondering WTF is going on with your life. “Dumb Luck” is one of those songs that tackles something potentially heavy without ever losing that upbeat, feel-good feel, and for that reason, we think Babcock’s oeuvre is worth your time.   “Dumb Luck” is available on all your favorite streaming services. Preview it via YouTube (below), and then take[...]

Jacob King – Merry Locker

A fixture in Buffalo’s music scene for several years, folk artist Jacob King has been a restless creative, lending his talents to projects like T.T.T.T. and Hal & Pals while pouring his own steady stream of singles, EPs, ‘zines, and poetry. With his debut solo LP, Merry Locker, it feels like we’re finally getting the clearest transmission from his particular wavelength. The album, released June 27th on his own The New Disposable label, is pure psych-folk, and its sound is as raw and atmospheric as the foggy Lake Erie harbor pictured on its cover. It’s a direct invitation into King’s cryptic, hazy world, and it’s our album of the week.   What struck me first about Merry Locker is the texture. The entire album feels warm and lived-in, humming with the fuzzy crackle of an old vinyl record. The production is lo-fi at times, but never lazy. Most tracks are built around[...]

Root Cellar – Fermentations

For Buffalo’s Root Cellar, the act of creation is a patient one. The chamber quintet’s debut album, Fermentations, arrives via Erie’s Infrasonic Press with a backstory as interesting as its sound. The six expansive tracks were captured live in two distinct sessions at Revolution Gallery, separated by over a year. This lengthy process, engineered and mixed by Shaun Mullins, has produced a remarkably cohesive, hour-long album that breathes with the energy of its live origins yet feels brilliantly intentional in its construction. It’s a fitting title, as the album documents a sound that has been allowed to bubble, evolve, and mature, settling into something complex and potent. Fermentations is our album of the week.   The band’s “post-jazz” description is a starting point, but it hardly covers the ground they explore. The group, formed in 2017, operates at a compelling intersection of influences. There’s the structural sensibility of post-rock outfits like Tortoise,[...]

Science Man – Monarch Joy

Stage dive for cover because Buffalo’s diabolical Science Man returns with his latest hardcore punk abomination, Monarch Joy.   After a 5-year banishment touring the Rust Belt countryside, local scenester heavyweight John Toohill’s project has evolved from the lone multi-hyphenate and a drum machine to a full-blown and fully-realized ensemble. Recorded and mixed by Toohill and John Angelo, and mastered by the latter, the LP marks Science Man’s latest experiment as his most cohesive and focused work to date.   Monarch Joy is sutured together with chunks of hardcore punk, garage and noise rock and injected with expressionistic themes of moral decay, sacrifice and religion’s influence on society. Toohill breathes life into his bastard creation with barking vocals that rage with the ferocity of a feral, caged animal.   The record opens with the unsettling instrumental track, “S.C.I.M.N.” Featuring a grotesque cacophony of screeching horns, droning guitars and tumbling drums,[...]

Stephen Babcock – “Drunk”

Have you ever had a few too many Labatt Blues and not-so-accidentally told your friend off? Yeah, us too, and so has Stephen Babcock & co. It comes with being Buffalo-born.   “Drunk” is his latest offering, a natural continuation of his acoustic-driven indie folk that’s been building up buzz around town this spring. Gentle piano plinks in the background while a tasteful drumbeat taps out a perfectly-driven rhythm. Overtop it all is Babcock’s warm and inviting vocals – even if they are singing about being berated by a drunk bud. The chorus of “Why do you have to get drunk to say what’s wrong? Why can’t you just shoot straight for once?” hits like a Jägerbomb after a day at the Bills game – always remember folks, the truth will set you free.   Check out “Drunk” via the YouTube embed below, or, add it to your Spotify playlist.[...]

The Ant Hill Kids – All Together Now!

Buffalo lofi-folk act The Ant Hill Kids have surfaced again with their second full-length album, All Together Now!, which officially saw the light of day back in March. This collection finds the group digging deeper into their unique “cult-folk” niche, a space where the unstructured spirit of freak folk meets the unhurried, reflective nature of slowcore. From the get-go, the album wraps you in a warm, fuzzy blanket of lo-fi production. It has that unmistakable, intimate feel of a passion project born in a bedroom or basement, where the raw edges are part of the charm. All Together Now! is our album of the week.   All Together Now! takes a noticeably moodier path than the band’s 2024 self-titled debut. The Ant Hill Kids embrace this darker vibe, building their songs around an instrumental core that feels both earthy and subtly inventive. Acoustic guitars pull double duty as the primary instrumentation and[...]

Fear Of Sleep – “Quirks”

Fear Of Sleep combine the flashiness of math rock with a penchant for punk rock energy on their first two singles – “Quirks” and “Crimes.” Fans of previous Buffalo-born stalwarts Feverbox may recognize a few members, and while those super-tight and familiar aspects return with Fear Of Sleep, the group is forging new ground with blistering fretwork, super-sweet melodies, and a fun guitar-driven energy. “Quirks,” with it’s sub-two-minute run time, is packed with nimble riffs, packaged up neatly in a pop rock package, complete with big choruses and overall anthemic vibes. “Crimes” leans more into their punk rock energies, leaning more into riff-rock territory, without sacrificing any of the tasty riffs that make “Quirks” so fun.   Check out “Quirks” via the YouTube embed below – you can find both available songs on Spotify if that’s more your speed.  

Hal & Pals – “Not the Champ (I’m Alright, Ma)”

Former WNYer Halle Ruth Cook’s folk outfit Hal & Pals blends eras on the new single “Not the Champ (I’m Alright, Ma).” The track marries 60s Greenwich Village folk instrumentation–fingerpicked guitar and harmonica–with Cook’s distinctively light and quirky vocal delivery, which adds a contemporary charm to the mix. In just over two minutes, the song paints a picture of strained family ties with evocative, personal lyrics. Fans of legends like Joan Baez and Joni Mitchell with feel at home here, but it won’t be lost on fans of contemporary folk artists like Sierra Farrell or The Tallest Man On Earth, either. A refreshing folk sound with local roots, “Not the Champ” is a compelling listen. Check it out below.  

Devantier Rain – “Melatonin”

German-Cameroonian artist Devantier Rain is back with another standout track, building off of the momentum of March’s “PHANTOM OF THE DRAMA.” Rain’s latest single “MELATONIN” compares the song’s namesake to his relationship. Is it time to stop putting up a fight; time to just accept that the night or relationship’s over? He begs the question “Tell me, we gon’ ride or die?” knowing that the answer’s clear to both parties. Rain’s smooth delivery remains a highlight — his slick voice delivering stories that have you hanging on each line. Check out more from Devantier on Spotify and Soundcloud, and check out his contributions to our Underground and Emerging Hip Hop playlist. 

Thought Trials – EARTHRISE/GAIA

Buffalo post-metal act Thought Trials are here to blacken your heart with their latest, two-song EP/split, EARTHRISE/GAIA. If you’re expecting a quick, six-minute listen – think again… This quartet specializes in the kind of epic, meandering, atmospheric black metal that journeys on and on through a never ending abyss… or at least 17 minutes worth of the abyss.   Guttural vocals from singer Lauren Davis ring out angrily over drop-tuned guitars from Josh Martin and Erin Malone, while an epic drum performance from Chris Wall thunders underneath. Track one “EARTHRISE,” may be the archetypal Thought Trials song – it crescendos endlessly, with an epic (if aptly creepy) climax that cuts straight to the bone. “GAIA” shows the wide width of the band’s range, running the spectrum from ambient to crushing, channeling everything from Explosions in the Sky to Deafheaven along the way.   As with most sprawling and/or atmospheric projects, this[...]

Johnny & the Man Kids – Everything is From Now On

Buffalo’s Johnny & the Man Kids have been a reliable source of garage pop goodness for about a decade now, and their foothold in the local scene is both established and well-deserved. Following up on 2023’s It’s Nice to Meet You Again, the now five-piece indie rock outfit of siblings Johnny, Jake, and Tyler Marciniak along with Andi Pszonak and Alex Bogart have returned with Everything is From Now On, their latest EP and our album of the week. It’s another welcome entry from a band that has gotten deservedly comfortable in the realm of indie rock, showcasing their unique ability to blend songs that feel light and easy with astonishing levels of heart.   That brand is immediately apparent on Everything is From Now On. The EP confidently navigates the band’s strengths, from the riff-driven energy of opener “The Way Things Go,” to the layered, party-like atmosphere of “Mr.[...]