New Music

Low River – “The Man That Death Forgot”

August 14, 2018

Low River, moniker of solo acoustic Englishman Paul Bardsley, drops “The Man That Death Forgot,” a badass death-country barnburner that will get your hands clapping and your boots stomping. Off his new album, One Cat – Many Claws, this rugged and catchy country track shows off its wild side with jangly dancehall riffs and Bardsley’s fantastically spirited and weathered-by-whiskey vocals. Turn this one up full blast and lose yourself in Low River’s exciting musical twilight below. Stream One Cat – Many Claws on Low River’s SoundCloud here and be sure to check out his official site here.

Little Birds – “Know You Better”

August 14, 2018

It’s all sunshine and rainbows in Swedish indie rockers, Little Birds, lighthearted new single, “Know You Better.” Blasting with blinding, enthusiastic rays of optimism, this puppy-love jam will put a big smile on your face with cheerfully buoyant vocals on top of peppy guitars and zealous drums. Follow your heart and check it out below. For more Little Birds tracks, head over to their SoundCloud here.

Emily Brown – “Unseen Girl”

August 14, 2018

The spitfire songwriting skills of Emily Brown idyllically take shape in her latest single, “Unseen Girl.” The Oakland-based songstress encapsulates a medley of pop and folk stylings, adding a rustic twang to her soaring melody lines and angelic vocal harmonies. This track centers around the unsettling discovery that the love of your life is holding out for something better. Brown paints the picture of this dream girl, as if to personify the injustice of it all. Anecdotal lyricism and a hooky chorus will have this track on repeat for hours, and rightfully so. Test out the song below in preparation for Brown’s upcoming album Bee Eater, due out the end of the month.

Buffalo Sex Change – “Creature”

August 9, 2018

Rochester rockabilly duo Buffalo Sex Change stir things up with a zesty new track, “Creature.” Their bluesy vocals and jangly guitar lines drive the track forward, invoking theatrical delivery and an extra zing. The track has some classic, shined up rock and roll elements, meeting gritty vaudevillian vibes with nostalgic affection. Lyrically, they mull over the harsh realities of natural selection, while tragically falling prey to its attraction. The single’s video representation admirably fits the scene, playfully staging the lyrics and dancing it all out. Feast your eyes on their predatory concept below.

New Me – “Something Green”

August 8, 2018

Hauntingly sunny indie pop band New Me crank out the synthesizer in their track “Something Green.” Their buzzing electronica is met with sun-bleached guitar lines, driving drum tracks, and ghostly vocals coated in reverb. It’s chock full of exciting contrasts that keep the listener on their toes, blending dream pop with synthwave and surf rock. The San Diego troupe are a conglomerate of other local acts, lighting up the southern California DIY scene with mingled electricity and vitality. This is the band’s debut release, partnered with “Any God” as the B side. If you’re in the market for something different that’s simultaneously easy on the ears, look no further than New Me.

Prophecy – “One of Us”

August 8, 2018

Atlanta native Prophecy uses kinetic beats and aloof lyricism as his own personal brand of catharsis in his latest track “One of Us.” Music has always been his favored coping mechanism, learning to spew catchy rhymes and thought-provoking phrases to navigate a difficult childhood and upbringing. This track in particular is a tongue and cheek boast of success, taking down the naysayers with unrelenting delivery and hypnotic production loops. Get a feel for the artistic stylings of Prophecy below.

Tragedy Khadafi, BP – “Upper Echelon”

August 7, 2018

A soon-to-be iconic collaboration between Tragedy Khadafi and BP spawns the fierce new single, “Upper Echelon.” The NY natives spit bars like it’s a marathon – both unrelenting and expertly measured throughout the track’s entirety. Trag knows how to come up with gripping lyrics with real staying power, finding stark symbolism in their explicitness with lines like “Icepick you in the throat with a iller note.” All of this vocal fire is met with brassy instrumental support, contrasting rhythmic piano, and a steadying beat. There’s guaranteed to be more where this came from, with a full album collab on the way. Keep an eye out for their upcoming album Immortal Titans, due out August 14 on Common Virtue Records.

Fime – “Hover Hand”

August 7, 2018

Fuzz rock quartet Fime adopt a manta-like inflection in their recent track, “Hover Hand.” With a sound self-described as a mix of Weezer, Pavement, and the Pixies, the band churn and burn through gravely vocals, steadying drum work, and brassy distortion guitar. Lyrically, the song mulls over a depiction of scenes and imagery from the outside looking in. The video for the track captures this well, as a staticky VHS tape runs through rosy visions of weddings, Disney Land, and time spent in good company, coming off as emotive but just a little bit removed from the action. “Hover Hand” is the precursor to the band’s EP Outside, which you can stream in full here.

Pretty Normal – “Scamp”

August 4, 2018

Pretty Normal have really nailed the catchy melodic hook with this one. The band’s new single, “Scamp,” hits hard at the crossroads of slacker rock and fuzzy synth pop. For fans of Wavves and SWMRS, this could be your latest lo-fi fix. That initial misty falsetto is what draws you in, and the meandering, salient guitar lines drive it all home. Despite their lackadaisical sound, this track is strategically dynamic, with each verse inviting a new instrumental element, vocal harmony, or quality of sound. This is the band’s first release since their 2017 debut EP, and that year of growth is palpable through the song’s refined production and gripping melody lines. Give “Scamp” a listen below – this track is so good it could turn your day around.

One South Lark – “Japanese Soda”

August 3, 2018

New Orleans four-piece One South Lark get introspective with their breakout single “Japanese Soda.” It’s got all the makings of a drowsy indie rock hit, featuring jangly rhythm guitar, kinetic drum work, and clarion vocal lines. Quietly brooding lyricism gives the track a slight edge, while musically it unfolds as lighthearted and easy on the ears. It’s the kind of song to put on when you’re not sure what to listen to, covering all bases with universally relatable lyricism and a tireless beat. If this track is right up your alley, keep the ball rolling with One South Lark’s  brand new single, “Excuses.”

DD Walker – “Malibu”

August 3, 2018

With the end of the season all too quickly approaching, we can use all the summery vibes we can get. DD Walker’s breakout single “Malibu” is just what the doctor ordered, in the form of thrumming bass lines, exploratory guitar melodies, and lightly layered vocals that conjure comparisons to Walk The Moon’s earlier material. It’s a culmination of multiple genres and moods, peppering in punk-like urgency, dreamy synthwave, and indie rock authenticity. This track is brimming with wanderlust, begging you to take a drive as the sun sinks below the horizon. The future is already looking bright for DD Walker, and only time will tell what else he has up his sleeve. In the meantime, take “Malibu” for a spin below.

Neighbourhood Youth – “Stay Safe”

August 2, 2018

Melbourne’s Neighbourhood Youth match intricacy with angst in their new single “Stay Safe.” What starts out as a subdued track chock full of buoyant guitar melodies and introspective vocals quickly turns into a fiery and deliberate form of release, coated in a thick smog of distortion. It’s a driving hit not unlike the work of Turnover or Tigers Jaw, with a hazy, sun soaked flare that sets their sounds apart. Bassist/lyricist Sam Nathan sums it up with “finding peace with the realization that some things are completely beyond your control.” Catch the video for this bone-rattling track shot by Nick Manuell below, and keep an eye out for the band’s debut album in the coming months.

Kate Teague – “Good to You”

August 2, 2018

There’s something undeniably holistic about Kate Teague’s latest track, “Good to You.” Striking hard after the rise of her debut single “Low Life,” Teague delivers breezy guitar lines and sweeping vocals reminiscent of delicate ‘90s singer-songwriter ballads. This might be the only indication of her small town Alabama roots, as her luminous vocals are joined with independent bass lines and spunky drum work, leaning more towards the indie rock side of the spectrum than full-out folk. Teague has managed to make an impact with only two tracks from her solo project gracing the air waves thus far. Already, she’s gotten recognition from big players in the game including Gorilla vs Bear,  The Line of Best Fit, and GoldFlakePaint. It’s clear she has all of the qualities of a homegrown hitmaker, and we’re eager to see where her next release takes her.

Harrison – “Atmosphere (feat. Daniela Andrade)”

August 1, 2018

Harrison‘s “Atmosphere” is the second single off of his upcoming LP. The song features fellow Canadian and frequent collaborator Daniela Andrade. We dig the tasteful layering of vocals into the track, mixed with Harrison’s interesting ear for percussion. Sit back and let the swelling synths and stuttering drum work wash over you. If you want to know more about Harrison, do it while playing the cool flash game on his website.

Satin Jackets – “Primordial (feat. Niya Wells)”

August 1, 2018

Here’s some fresh nu-disco for you to wind down the dog days of summer – “Primordial” is another banger collaboration between hit machine Satin Jackets and singer Niya Wells. Pairing smooth disco beats with Niya’s even-smoother vocal delivery, “Primordial” gets it all right. We’re sure you’ll want to tap into your inner-most desires and let loose with this one thumping through your speakers – check it out below. “Primordial” is available everywhere.