Album of the Week

Matt Smith’s Nervous System – Today and Tomorrow Too

December 12, 2024

Matt Smith’s Nervous System, a Buffalo-based project led by scene veteran Matt Smith (guitar/vocals) alongside Roddy Potter (drums) and Colin Pratt (bass/vocals), returns with Today and Tomorrow Too, a six-track EP stealthily released on October 18th. Following two full-length LPs (Close Down The Dream in 2021 and The Age of Reasonable Expectations in 2023), this concise offering marks a shift in approach, focusing on atmosphere and texture. It feels like a compelling next step for a project that started as a mere outlet for Smith’s extraneous ideas. Today and Tomorrow Too is our Album of the Week.   The EP conjures the understated groovy cool of The Velvet Underground and serves it up with a simmering intensity not unlike the sounds of indie rock stalwarts The National. The result is an effort that strays a bit from the bluesy power-pop vibes of their debut in favor of a more introspective,[...]

Big Nobody – Charlie’s Alive

December 5, 2024

Big Nobody is a relatively new name in the Rochester local scene, but don’t be fooled: the members of this fresh garage-pop powerhouse have been purveyors of fine sounds for over a decade now. Featuring members of fan-favorite local acts from both past and present (Total Yuppies, Comfy, Calicoco, Wild Pink), the DIY supergroup’s sophomore album Charlie’s Alive brings the groundwork laid by singer/guitarist Jacob Walsh (on the band’s electrifying debut in early 2023) to new heights. The riffs are louder, the songwriting is still spirited and heartfelt, and best of all–the album invites you in, like you’ve known these guys for years. Big Nobody’s Charlie’s Alive is our Album of the Week.   This is an album for the people. Charlie’s Alive gets the infrastructure just right by enmeshing radio rock hooks that put bands like Everclear and Third Eye Blind on the map with the punk rock inventiveness of[...]

Welks Mice – BLUB BLUB

November 28, 2024

Six years, a pandemic, and a whole lot of life later, Buffalo’s Welks Mice have re-emerged with BLUB BLUB, an EP that trades some of the anxious energy of their 2018 debut for a sound that is softer around the edges, but no less genuine. This time around, songwriter Max Weiss and vibraphonist Andre Welks-Fabretti hone in on themes of optimism and openness, their delightfully economical indie-pop providing the perfect backdrop. It’s honest, it’s tender, and it’s our Album of the Week.   Welks Mice’s unique approach to minimalism is a refreshing breath of air in a local scene dominated by distorted guitars and crash cymbals. Welks-Fabretti’s charming vibraphone melodies make up the majority of arrangements, and Weiss’ unabashed ‘cards face-up’ lyrical delivery is disarming and accessible. The combination is distinct in style, blending the best elements of bedroom pop and anti-folk for a sound that would sit nicely next to[...]

Comfy – Goated & Foreboded

November 21, 2024

Comfy is a band that never stops moving. The now-Rochester-based power-pop outfit of frontman Connor Benincasa has called home to three major cities in the last decade, and has put out three times as many releases. Friends, band members, and collaborators rotate in and out of the band’s roster on every couple albums with Benincasa remaining the band’s only constant. It’s not just churn and burn though–the amount of deliberation that goes into the music is obvious, most notably on the full band releases. Goated & Foreboded–Comfy’s latest LP and our Album of the Week– just might be the band’s strongest effort to date.   Goated & Foreboded listens like something Harry Nilsson would’ve written if he had joined Weezer for the Blue Album sessions. Equal parts provocative and digestible, the album meanders seamlessly from beachy easy-listening (“Wait”) to sludgy garage rock (“Spark”). The range is especially impressive because nothing[...]

Dr. Ooo – MAIL MAN

November 14, 2024

Dr. Ooo has been a purveyor of wordplay in the Buffalo hip hop scene for minute. Drew Hartman’s rap project has been going strong since before Soundcloud was an era. For over a decade, he’s been combining his Rhymesayer-flavored poetic delivery with some of the tastiest boom bap beats and samples this side of the Pharcyde. Our Album of the Week is Ooo’s latest full-length, MAIL MAN, where the delivery thankfully is packed with dope beats and heady lines instead of Spectrum bills.   Mail Man’s kicks off the rapping on “Stranger Things” – a lyrical tour-de-force packed with tight flows, metaphors, and double entendres. Production-wise, we’re in a transported back to that comfortable boom bap place with delicate trumpets that allow Ooo’s wordplay to be the star of the show. “Been a hot shot since we was playing hopscotch / I was sipping Big Gulp and shawty brought me Pop[...]

Beef Gordon – American Paranoid

November 7, 2024

Beef Gordon. stage name and musical alter ego of Rochester native and former Buffalo Sex Change frontman Phil Pierce, has just released the follow up to his 2019 debut Queen Shade & Etc. The album is American Paranoid, and it conceptualizes a dive into the conspiratorial sides of American culture from the lens of Beef himself, taking aim at hot topics like politics, aliens, super stardom, and gluten. Pierce’s satirical brand of art pop won’t be lost on fans of artists like Casiotone for the Painfully Alone, Father John Misty, and Deee-Lite; it borders on shtick but Gordon is careful to preserve the sanctity of his craft. Either way, it’s fun and it works. American Paranoid is our Album of the Week.   Normally, it would be challenging to avoid using “Pierce” and “Gordon” interchangeably, a move that might reduce Beef Gordon to mere costume. But that’s not the case here.[...]

Better Lovers – Highly Irresponsible

October 31, 2024

Jordan Buckley is verified Buffalo royalty… And Steve Micciche… AND Goose (aka Clayton Holyoak). Together, with vocalist Greg Puciato and guitarist Will Putney, they’re Better Lovers – a certified supergroup, most notably (for us Buffalonians), one that rose from the ashes of legendary hardcore act Every Time I Die, who ruled Buffalo hardcore with an iron fist for 20+ years. With Puciato hailing from Dillinger Escape Plan and Putney coming from Fit for an Autopsy, the band’s experience and pedigree speak for themselves. After rave reviews for debut single “30 under 13” and follow-up EP, God Made Me An Animal, as well as a bevy of sold out tour dates, they’ve finally buckled (semi-pun intended) down to write and release their debut full length. They’ve titled it Highly Irresponsible, and it’s full of brutal hardcore, a strong sense of melody, and that “still partying at 4am” energy that we’ve come[...]

Pena – Pocket Sized Pocket

October 24, 2024

Pena is the moniker of Rochester-based Isaiah Welch-Novels, who has just released their latest offering, Pocket Sized Pocket (PSP). Inspired by Rob Crow (of Pinback, Thingy, and solo-project fame), PSP is an understated and mysterious project built primarily around Isaiah, a four-track tape recorder, and his acoustic guitar. Any fan of Crow’s extensive discography knows his work is all-encompassing, including found sounds and a creative aesthetic that some might describe as “low effort” (check Pena’s bandcamp tags for proof)… but others see as genius. Pena follows a similar path – expect perplexing sound clips, room sounds, and other artifacts as you make your way through this intriguing LP.   The album opens with a wash of white noise on “Recycling Song.” Right away, Pena’s hallmarks become evident – noisy, direct-to-tape recordings; lyrical meandering; and pleasant-but-somber guitar riffs that don’t stick around for too long. In fact, there’s only one song on PSP that tops[...]

MANY EYES – The Light Age

October 17, 2024

Keith Buckley is verified Buffalo royalty. In case you’ve been living under a rock for the last few decades, Keith was the charismatic frontman of Every Time I Die, the pride and joy of Buffalo hardcore, for 20+ years. His latest output comes in the form of MANY EYES, which feels like a natural continuation of his iconic presence and eccentric energy. Their debut LP, The Light Age, is a ten-song offering that both acknowledges the past and looks toward the future – fans of of Buckley’s previous work will find plenty to sink their teeth into here, as long as they can take a few new sounds, ideas, and mindsets in stride. While it’s almost impossible to separate Buckley from his previous catalog (especially for us Buffalonians), this does feel like a catharsis of sorts for him – see below:   “This is an expression of who I am…[...]

Matches Laces – Matches Laces EP

October 10, 2024

Chronologically speaking, Matches Laces may be a name that’s new to your ears, but a deeper dive will tell you it’s actually the moniker of a Buffalo music scene stalwart. Mike Santillo has been kicking around town for more than a decade as 1/3 of beloved Buffalo-based indie rockers The Tins. Santillo’s desire to combine organic and synthetic sounds has resulted in a batch of eight new songs, affectionately self-titled the Matches Laces EP. Soothing, vintage-sounding synths fill every space on this release – expect lots of rigid arpeggiation and mechanical drum machine percussion being combined into something surprisingly warm and human-sounding. Matches Laces first strikes a flame with album opener “Didn’t You Lie To Me?” With its pleasing ascending chord progression and Santillo’s falsetto vocals, fans of MGMT, Passion Pit, and Tame Impala will find themselves smitten. Throughout the song, arpeggiated synths twinkle brightly over a simple-but-effective bassline while puffs[...]

Roger Bryan and The Orphans – Days Or Nights​/​That​’​s Life!

September 25, 2024

It wouldn’t be a stretch to call Buffalo-based act Roger Bryan and the Orphans “elder statesmen” – for the last 16+ years, Bryan & co. have been crafting ragged, heartstring-healing Americana. Their latest album, Days Or Nights/That’s Life! (DONTL), is a 10-song continuation of their ever-growing catalogue. Expect songs that sound rusty (in a Rust Belt sort of way), soaked with harmonica, vintage organ tones, and crispy Telecaster-esque crunch that you might expect from someplace where the music tends to be a little more twangy. DONTL kicks off with the rambling “Remind Me,” which immediately highlights the aforementioned instrumental suite that makes Bryan’s compositions so heartwarming. Screaming harmonica soars overtop an open chord jangle, falling into a pocket of alt-country emotion that feels hopeful, lovelorn, and lightly restless. Bryan’s hushed but impassioned vocals are an obvious pull here, and while this is certainly more Wilco-coded than late-90s pop rock, I do[...]

Fuzzrod – III

September 20, 2024

Rochester’s Fuzzrod is a no-nonsense kind of band. In a world full of twinkly and ethereal lo-fi beats to study and chill to, Fuzzrod’s latest EP, III, might function as the exact opposite. Sure, there’s a time and a place for mood music, but there’s no substitute for heading out to the Bug Jar on a Friday night and having your eardrums destroyed by a dimed Big Muff. Fuzzrod aims for a happy medium – produced by drummer Stephen Roessner (as always), III is a rare, fuzzed-out record that focuses on songwriting as much as its fun, punked-0ut live energy. It’s intentionally five (5) songs in length – a “healthy dose to support daily use” for those of us relegated to our nine to fives. “Map of Outside” kicks off the album with a spitty guitar riff, spring-loaded with plenty of retro punk energy. The sludgy tones here are masterfully captured[...]

Siddo. – Romantic Rehab

July 7, 2024

Buffalo indie-punk phenomenon, Starjuice, have been making a name for themselves on many o’ local bills as well as a recent tour across the country.  Despite their busy gig schedule and multiple releases under their belt, lead singer Sidney Flanigan has been releasing quality solo acoustic folk-punk material on the low. You can find these on Bandcamp under the name, Siddo., as well as a couple other previous monikers which she references there. Her latest release Romantic Rehab is comprised of four excellently written songs about hopeless romanticism, learning to move on from those who hurt us and trusting loved ones who care. The first song, “Smoking Cessation” compares quitting a cigarette addiction to leaving behind a broken relationship in the most heartbreaking manner. The song basks in understated indie-folk sadness before building to an emotional outburst with Flanigan’s raspy punk vocals on full display. The short yet satisfying song[...]

Catch the Ghost – Midnight Naps in Cemeteries

July 7, 2024

Catch The Ghost is Buffalo’s first phantom-themed emo-punk band. That’s right, it’s more than just a name – the group’s latest project Midnight Naps in Cemeteries takes haunting personal issues, whether that be vices, fears, anxiety, or people we hate, and compares them to troublesome ghosts that pester to no end. It’s a fantastic metaphorical vehicle that creates some intriguing lyrics as well as unifies the project under one focus. The group’s guitarist, Luke Wheeler said “We’ve always had a really fond fascination with ghost hunting, and Zack Bagans’ style of aggressive paranormal research.” The group actually did an hour-long live stream titled “Hinsdale Investigation,” in which they did some of this paranormal work. They said “Practical ghost hunting applications are crucial for songwriting.” In addition, the two remaining members, Kody Fintak and Nick Benstead, expressed their love for an indie horror video game called Phasmophobia. Funnily enough, the first[...]

Jimso Slim – 3 is the Number

June 19, 2024

Shane Joyce is Rochester’s one man indie rock wrecking crew. Joyce is a talented multi-instrumentalist and his project, Jimso Slim is a jewel in the Western New York music scene. Of his project, Joyce said: “I record and play all of the parts. The only exception is a recent song called ‘Brother’s Dead’ where my friend Russell Brinkman recorded the bass.” He continued, “Everything is recorded out of my basement. I have a drum kit, a few guitars, a bass, a couple amps and a couple microphones. I’m certainly not an expert at recording or instrumentation, but I just do what I can and see what happens.” His latest release 3 is the Number, is an EP composed of, you guessed it, three great indie tunes. On the first track, “Rita Says,” Jimso Slim’s nasally Dylan-esque delivery grabs the listeners attention over a swooning instrumental. Backing chorus vocals add dimension and[...]