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Bucolic – “Daisy”

Bucolic brings a heavier DIY edge to his signature blend of shoegaze with his latest single, “Daisy.” This time around, Seth Carpenter trades in breezy synths for hazy distortion, lethargic vocals, and tunnel-like sound settings. Despite the laid-back feel, the track has its stalwart moments, where commanding vocal strains and luminous guitar lines keep you from completely losing yourself in the drowsy sludge of it all. The song’s message is one of self-discovery, while its hypnotic groove soothes all worries away. Here’s hoping that there’s more where this came from on Bucolic’s upcoming album Rope’s Wing.

Shane Allen – “Life is a Dream”

Singer/songwriter Shane Allen paints an uplifting picture of vitality with his track “Life is a Dream.” Largely concerned with clever lyricism to tell his story, Allen takes the jangly edge of rock, anecdotal qualities of folk, and the homespun zest for life akin to Americana to craft his trademark sound. His number one goal is relatability, using clear-cut imagery and narrative to bridge the gap between listener and artist. “Life is a Dream” comes straight from Shane Allen’s debut EP under the same name that was released this summer. Take the track for a spin below, and check out the whole EP for the full picture.

all-caps LADD – “Computer Kids”

Connecticut four-piece all-caps LADD brood over life’s harsh realities in their latest track, “Computer Kids.” Their sound has a raw, sobering edge that’s not often found in a band of young rockers. Combining souped-up distortion, nimble guitar lines, swift drum beats, and heart-wrenching vocals, the track takes bottled up teen angst and refines it into pure fuzz rock gold. Speaking on arduous and all too relatable topics of loss, hardship, and temporality, they know just how to shake the listener to the core and come out cathartically on the other end. “Computer Kids” comes from all-caps LADD’s most recent release, The Whole EP.

Sights and Sages – “Aghori”

San Diego four-piece Sights and Sages will have you humming along for days with their intensely hooky track “Aghori.” There’s more to this moody alt rock number than meets the eye, featuring a salient, falsetto-fueled chorus, racing drum beat, and a driving bassline to cement it all together. Their affinity for pop melodies does not go amiss here, while still maintaining a progressive edge with polyrhythms and a unique song structure. In the video for the track, Sights and Sages keep things wholesomely traditional by alternative/indie rock standards, showcasing band performance while toying with field of view and perception. “Aghori” comes straight from the band’s latest release, their EP Doubleplus.

Ronnie Lott – “14th Ave”

Rapper/songwriter/producer triple threat Ronnie Lott brings the fire with his fierce new single, “14th Ave.” The native Texan masters an unrelenting flow with a subtle back beat, achieving a sound somewhere between Drake, Big Sean, and Migos. The track is all energy all the time, harnessing a vivacity that both powerful and refined. Lott is no rookie to the game, previously working as Rated R within local San Antonio groups as well as solo. With numerous singles, an EP, and a full-length album under his belt as Ronnie Lott, there’s certainly a lot to sink your teeth into. Get your first taste with “14th Ave” below. [soundcloud url=”https://api.soundcloud.com/tracks/338648973″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Oddnesse – “Are You Down”

Combining a seeping groove with silky smooth vocals, Oddnesse sets their standard for new love with “Are You Down.” What started as an in-studio collaboration amongst L.A. transplants became a newly forged duo with haunting pop sensibilities and storied music careers under their belts. With Rebeca Arango on vocals and Grey Goon heading up production, “Are You Down” takes on a sultry feel that is all together unhurried but dripping with emotion, akin to a Lana Del Rey serenade. Driven by meddling guitar lines, arresting vocal harmonies, and polished up with a shiny coat of reverb, this is the kind of track that speaks volumes even without the help of lyrics. Take in the magic that is Oddnesse below.

The/Wanderlust. – “Moving Mountains”

Orlando’s The/Wanderlust. channel pure optimism in their latest track, “Moving Mountains.” The instrumental indie rockers may not rely on lyrics to get their message across, but their ideas are conveyed as clear as day by way of sunny guitar tracks, all working in tandem. As if pieces of a harmonious vocal quartet, the lead line has a crisp, pinging quality that soars above the rest, while the bass and supporting guitars form a strong foundation. Following this notion of support, band prefaces the track as being written to “encourage the listener to overcome any obstacles that stand between them and their aspirations in life.” “Moving Mountains” comes straight from the band’s recent EP, Adventure Will Find Us. Dig in for more inspiring instrumentals.

Woolbright – “What’s It Gonna Be”

Indie rock with a side of punk grit is what’s for dinner, and Southern Florida quartet Woolbright is serving up a hefty helping in their single “What’s It Gonna Be.” Melodic guitar lines are met with rhythmic fuzz, while frontwoman Candice Maritato’s fervid vocals both soften and sharpen the song’s edges. The band is currently riding the high of their newly released debut record, heading up the east coast while in the midst of a 16 date tour. Even if you can’t make it to one of their famously spirited live shows, be sure to check out “What’s It Gonna Be,” along with the rest of their album Busybody LazyBones via Whelmed Records. [soundcloud url=”https://api.soundcloud.com/tracks/327950672″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Faunaphor – “Standing In The Doorway”

Art-pop duo Faunaphor stitch together raw and dazzling instrumentals in their track “Standing In The Doorway.” Their means of minimalism in this case keeps vocals at the forefront, while ethereal synth and guitar ruminations shine through over more sustained tracks and a pulsing drum beat. The song pays homage to the past, all lit with a dreamy, rose colored glow. It’s brought together with a melismatic saxohpone solo to end the nearly six-minute track on a celestial high note. Stay tuned for more like this on Faunaphor’s upcoming debut album And There I Was, due out September 8th. [soundcloud url=”https://api.soundcloud.com/tracks/319839097″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Ayo River – “Mercedes”

Fresh off a debut album release, Ayo River keeps the ball rolling with a single from the LP, “Mercedes.” The track provides a quirky but hard-hitting narrative of an accidental car crash that singer/songwriter Weston Taylor experienced. Lyrically, he muses over feeling stuck, where other people’s transitions make staying in your hometown feel a bit small and suffocating. Despite this, the overall message is acceptance, with the track’s mantra of “people come, people go, no one really knows” driving home the idea that there’s really no right or wrong way to live your life. Jam to the song’s jangly guitar lines and lofty vocals below, and get the whole package with the full album, Failed State. [soundcloud url=”https://api.soundcloud.com/tracks/338653234″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Love Glow – “Internet”

San Diego’s Love Glow deliver pure effervescence by way of their single “Internet.” The indie rock four-piece land somewhere between Alvvays and Wolf Alice, with Caroline Corn’s sweetly subdued vocals acting as the glue that keeps understated synth lines and guitars set for precision contained. It has an energetic, but composed conviction that leaves worries by the wayside and cares floating away with each sunny guitar strain. The track comes from Love Glow’s latest EP, Honey, with a debut full length album coming soon. [soundcloud url=”https://api.soundcloud.com/tracks/338470625″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

COSBY – “Get Up”

Indie pop four piece COSBY encourages you to be present in the fight for change in the video of their track “Get Up.” The Munich natives layer 80’s synth pop influence with a steady rock beat and powerhouse vocals to hammer home a message that’s as much a call to arms as it is an invitation to dance it out. The band has built up a buzz over their multi-million Spotify streams and tour support of big names like MØ AND Tove Lo, and are now working towards their big break into the US market. With “Get Up” already making waves and an upcoming album on the horizon, the future is looking bright for COSBY. Take in some of their sweet moves in the video below.

Kabiria – “Electronic Geisha”

L.A. duo Kabiria give their spin on progressive rock in their latest single “Electronic Geisha.” An ode to mid-70’s Pink Floyd, the track ruminates over simpler times before the age of electronics by way of driving guitar lines, baiting effects, and lethargically crooned vocals. Coming in at just over nine and a half minutes, Kabiria leave traditional song structure behind in favor of a full-on thematic listening experience, split into three movements. The effect is a compelling pastiche of sound that’s well worth the lengthy listen. Get the full immersive experience below. [soundcloud url=”https://api.soundcloud.com/tracks/333738607″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Nathan Ball – “Waste Of Time”

Nathan Ball ventures further into his musical pilgrimage with his latest single “Waste Of Time.” After straying from his original path, Ball took an opportunity to escape into nature’s tranquility, coming back revitalized and brimming with inspiration. The track boasts meandering guitar lines, smoothly soulful vocals, and a brisk beat, reliving feelings of restlessness and regret. It has the underlying feel of a brewing storm – brooding and clamoring for release. Nathan is currently building up his collection of songs, preparing for a release within the next year. For now, you can delve into his most up to date musings, along with “Waste Of Time,” here. [soundcloud url=”https://api.soundcloud.com/tracks/335915864″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

thanks. – “Loose Gun”

Alt rock duo thanks. blend genres and break routines with their new track “Loose Gun.” What starts off as an indie rock head-bobber morphs into an electronic dance track for the ages. Lyrically, all bases are covered, from youthful indiscretion, political misgivings, and living for the weekend. Their goal is accessibility, stating “Whatever the theme is, we do our best to keep it transparent so it can be interpreted in different ways.” The mix of psych rock, electropop, and cinematic sound settings creates a wide appeal, not necessarily shooting for pop stardom, but striving for a musical veracity that’s wholly relatable. “Loose Gun” comes at the forefront of the band’s upcoming debut full-length, Colfax, set for release this summer. Until then, you can dig into more from thanks. here. [soundcloud url=”https://api.soundcloud.com/tracks/337004218″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]