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The Hold Steady at Town Ballroom (4/8/14)

As advertised yesterday, The Hold Steady played the Town Ballroom last night. Cheap Girls opened (though I arrived too late to catch them) and dozens likely woke up with hangovers on this Wednesday morning. Though the band’s set wasn’t as strong as their harbor show last summer, they did pull off on an extended encore that felt even more invigorating than the main bulk of the concert. And they were, as always, The Hold Steady. Much of the fun and sense of community that surrounds a Hold Steady show comes from the way frontman Craig Finn physically embodies his music. Every song is presented as a tale Finn himself is absorbed by the details of. At times, he is seemingly incredulous at his own narratives. Finger quotes accompany certain lines. Lyrics are repeated away from the mic as if they were side notes. Yet Finn is never detached from the[...]

Tonight: The Hold Steady

One time I heard the Hold Steady described as “Bar Rock for literates,” and to this day, I think that’s the best description I’ve heard of them. Thoughtful lyrics spoken story-like to the tune of hard-driving indie music with classic rock leanings. I suppose that’s an oversimplification, but it’s apt. If you have never heard the Hold Steady, I suggest you check out any of their first four albums (although, in truth, I like Heaven is Whenever just as much as those other releases). The music pulsates and the lyrics have a certain kind of weight that songwriters often strive for, but fail to capture. Perhaps that’s what’s made them so popular over the years. Despite the departure of original member and musical genius Franz Nicolay, the band’s popularity has continued to grow in recent years and the Hold Steady now find themselves on the road supporting their recently released,[...]

The Hold Steady’s First Four Albums (and Their Last Two)

The Hold Steady have been playing music for just over 10 years now.  They started out in 2004 with Almost Killed Me and since then, they’ve released another five full-length albums, including this year’s Teeth Dreams. Popular consensus seems to be that their last two albums, Teeth Dreams and 2010’s Heaven is Whenever, were a significant departure from the standard of quality the band had established over its first four albums, which, in retrospect, now appear to have been part of a classic, near-flawless 5-year run. Figuring out “what happened” to the Hold Steady isn’t easy and opinions will vary. Surely, some people may even enjoy the last two albums as much, or even more, than their earlier work.  The music, to a casual listener, likely doesn’t sound terribly different. The Hold Steady have always played guitar-driven music with a classic rock bent, and with Craig Finn’s easily identifiable half-talking/half-singing delivery[...]

The Hold Steady – Teeth Dreams

The Hold Steady, as their name suggests, have always been consistent. Each record contains the same classic rock bravado, the same gritty tales of skaters and punks, druggies and barflies, “kids at shows” and their “scene leaders.” Jesus is found and lost, beverages consumed and vomited, girls hooked up with then abandoned. And yet, through all the recycled imagery, frontman Craig Finn keeps his storytelling gripping and sympathetic, caring deeply for the life-hungry characters he creates as they binge-and-purge their way through the city’s slimy little sins. Teeth Dreams, a more straightforward affair than some of their records, is no deviation from the Hold Steady’s concentrated vision. Although Finn has stated that the album’s title was inspired by a David Foster Wallace passage, Jack Kerouac still serves as his main literary muse. Soaked in booze and blood, the songs lift themselves up from the barroom floor to reach toward the flickering[...]