Latest Posts

Ryan Adams – 1989

When Taylor Swift finally dropped 1989 last year, it’s success was hardly a surprise. The singer’s new album had felt like the final chapter in her carefully cultivated image as pop’s biggest underdog. Going back to her debut as a teenage country star who’s lyrics read with the vulnerability of a livejournal entry, she was pop music’s ultimate good-girl. But the moment Kanye stepped up on that stage, both were cast in roles in the public eye that would define them for years: Kanye the asshole and Taylor the victim. With every successive album since then, using her every girl persona her private life as the base of her lyrics, Swift increasingly drew a portrait of her life as someone constantly downtrodden, defiantly picking themselves up. In the process, her music became increasingly poppy and her songwriting grew sharper. This finally culminated in 1989, the triumphant pop album that with the[...]

Is Discography Dilution A Problem?

Last week, a rather strange rumor hit the internet. Apparently, The Flaming Lips were going to record a “companion” album to The Dark Side Of The Moon. The idea was that you played the two albums simultaneously and that they sync up, just like The Wizard Of Oz. Well, the whole thing turned out to be a big April Fool’s prank, but it’s not hard to see why people believed it, or why it was a bit troubling. The Flaming Lips have been doing a lot of this lately – and there’s a case to be made that it’s been  too much. Last year’s The Terror was a wonderful album, and it didn’t get the respect it deserved, but it’s just one of a number of things they’ve been putting out in recent years and the quality tends to vary. First, there was that six-hour long song  that no one completely understands the reasoning[...]