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Evil Wizardry – The Garden

On April 25, Evil Wizardry released the condensed, electronic beauty that is The Garden. Evil Wizardry is a Utica-grown ambient, dream pop, noise band. A summary of those genres is: Though there are vocals and lyrics to this 5-song EP, don’t try to listen close without a lyric sheet, or your head might explode. It’s spacious vibes can certainly be appreciated, but everything needs to be taken with a grain of salt. Try to think your way through these songs and you’ll find yourself strangled by the racket rather than cozied in its trippy waves. “Trance Path” begins with a trance drum beat and jangly nineties guitar. Soon, expressive vocal phrases show their heads, though altogether, the song is a warped, making you bend over to listen closer to the somehow distant music. “Trance Path” ends with guitar bouncing up and down from the speakers. Song Two, “Gordon’s First Informal[...]

Julian Lamadrid – “Krule Love”

Naw this isn’t a King Krule premiere, but Krule definitely inspired this new track from whiz kid Julian Lamadrid. Born in Mexico, raised in UAE, and currently stationed in Dubai, JL blends smooth R&B and ambient synthpop on his tongue and cheek tracks. Lamadrid shamelessly delivers one-liners like “you got me harder than a Flintstone.” The song is actually about balancing life between the “sweet love” of your bros and the “Krule love” of your bae. You can pick up “Krule Love” on Bandcamp here, or watch the official music video below.

Database – “Nights Off ft. Tidal Caves”

Database’s latest collaboration with Tidal Caves is the sound of 11:34pm on a Saturday night. The track, “Nights Off” is an electro-pop gem, heavy with swaggerin’ psuedo-obnoxious talk-rap a la UFFY or a good Millionaires, with Kesha’s “whatever mentality” and 90’s house on the chorus. “Nights Off” can be found on of the forthcoming Database album Vivid Exposition. Give it a listen below. [soundcloud url=”https://api.soundcloud.com/tracks/256715822″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

United Fruit – “Where The Sun Beats Down”

Glasgow quartet United Fruit are a tangible burst of energy. Their music is a wall of cacophonous and melodic guitar noise with propulsive rhythms. “Where The Sun Beats Down” is a constant flow with no ebbs. The track is layered thick with guitar noise that never seems to lose its strong sense of melody. It’s hard to nail down an exact genre for these forward thinkers – think a Brit-pop version of emo stalwarts .Moneen. or Foals minus the electronics, all with a subtle tinge of Sonic Youth. “Where The Sun Beats Down” is the lead single from United Fruit’s second album, Eternal Return. Eternal Return’s offical release date is May 13th. [soundcloud url=”https://api.soundcloud.com/tracks/257824737″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Flora Cash – “And Ever”

Flora Cash is a Swedish/American duo from Stockholm/Minneapolis respectively. Electronic songstress Shpresa Lleshaj was so impressed with songwriter Cole Randall’s songwriting talents that she reached out via Soundcloud. One little comment led to a penpal relationship until the two finally decided to get married. Their fairytale union culminated in Flora Cash, which should appeal to fans of Edward Sharpe and the Magnetic Zeroes, Blue Hawaii, or The Head and the Heart. “And Ever” is a gentle, acoustic-tinged electronic song that highlights Lleshaj’s hushed, yet soaring vocals. You can find “And Ever” on Flora Cash’s latest release, Can Summer Love Last Forever?, out now on Icons Creating Evil Art. You can order their debut mini-lp here. [soundcloud url=”https://api.soundcloud.com/tracks/252402398″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Brooke Bentham – “Oliver”

Brooke Bentham is a 19-year-old songstress with a big voice. We’ve been jamming “Oliver,” a track Bentham penned when she was merely sixteen, a time when naïvety and love are almost synonymous. Most importantly, “Oliver” features Bentham’s breathtaking vocals (falling somewhere between Adele and Bon Iver) overtop a sparse, orchestrated arrangement. There are some singer-songwriters whose delivery can stop people in their tracks. Simply put, Bentham is one of them. You can purchase “Oliver” on iTunes here. “Oliver” is out now via Trellis Records. [soundcloud url=”https://api.soundcloud.com/tracks/257449707″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]  

She Makes War – “Cold Shoulder”

She Makes War specializes in no holds barred, female-fronted alt rock. “Cold Shoulder” is a one-two punch to the face, peppered with a squirmy synth line, background ooohs, and of course singer Laura Kidd’s Londonesque delivery. She Makes War is gloom pop at its best – equally glittery and grungy. Think Echo & The Bunnymen meets an English-tinged Bully. The act’s newest release, Direction of Travel, is out now via The state51 Conspiracy. Check it out on Bandcamp.

Grace Joyner – “Real”

Grace Joyner spent several years as a harmony singer for several prominent Nashville-area bands before writing her own material. This turned out to be a good decision. Joyner, like many of us, channeled her hurt into a positive outlet – her music. After finding her muse on an EP, Young Fools, Joyner is back with a debut LP. Joyner’s songs touch on unrequited love, coming to terms with personal failure, and the importance of taking action. “Real” finds Joyner’s lilting vocals riding smoothly on top of synthy indie rock undertones. RIYL if you like Copeland, Lydia, or The Bird and the Bee. Grace Joyner’s latest release is Young Fools, out now on Hearts & Plugs. Her new LP, Maybe Sometimes In C, will be out this May. [soundcloud url=”https://api.soundcloud.com/tracks/257200881″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Parquet Courts – Human Performance

Parquet Courts is one of the rare rock’n rolls bands in the last couple of years to manage a consistent number of good releases in a short period of time. Coming from Brooklyn, they manage a good work ethic and have put out some actually thought-provoking music that isn’t too pretentious. When Parquet Courts first gained traction with their release of album Light Up Gold, it was apparent that this band was special. The quartet has succeeded by making good music with a genuine message that is unfortunately not commonly seen with many bands when they gain any sort of commercial success. The lyrics Human Performance are poetic and that’s what is one of the many polarizing aspects of the band. The intro track “Already Dead” contains is good preparation for what is to come as it transitions into a small spoken word monologue reminding you to just relax wherever you are[...]

Consequences (ex-Real People) Releases Debut EP

One listen through We’ll See How The Year Goes and you’ll realize why Consequences is quite a fitting name. You might remember Sworts as the whirling dervish that fronted Buffalo emo-punks Real People (before their untimely demise last year). This time around, Sworts has traded in his dynamic electric guitar work for an acoustic guitar. WSHTYG is a four-song EP that capitalizes on heartbreak, strife, and the mental games that one must navigate while they struggle through their twenties. “Everything Will Work Out” finds Sworts lamenting “I wish I knew then what I know now.” It quickly becomes apparent that WSHTYG is full of introspective lyrics contemplating the true meaning of love, what it means to be in a relationship, and how another person might define who you are. Throughout the EP, Sworts’ voice wavers perfectly, his high range sitting fragile on top of the otherwise barren acoustic tracks. Tracks like “Irreparable Damage” sound reminiscent of late-90s[...]

Maison Hall – “College Sports”

Have you ever had a weird relationship? One that wasn’t necessarily permanent but you made the effort to enjoy where you were at regardless? “College Sports” by Brisbane (yes, Australia!) collective Maison Hall tries its very best to encapsulate that fleeting feeling. “College Sports” was recorded in an abandoned masonic hall in rural Australia. The band kept it relatively lo-fi, opting for few overdubs and no click track. Despite these conditions and dusty (but uniquely mysterious) setting, “College Sports” turned out to be quite peppy… Not to mention succinct, clocking in at a mere 1:48. RIYL: Diet Cit or Blueline Medic. You can check out Maison Hall’s latest release, the 10-song It Was Never About Me, via Bandcamp here. Don’t ignore that very reasonable price!

No Why – “Disconnect. Decode.”

Cleveland-based indie rockers No Why quietly released duel singles last month and it has come to be the repeat album of the morning at our office. The second song on the mini-ep, “Disconnect. Decode” is for definitely the late 90’s emo fan, combining intricate-growing guitar work with sweet Matt Pond PA-like vocals.  If you are Built to Spill, Mineral, or Appleseed Cast, then you’ll be into No Why. The two songs were written and recorded by the band, and their debut is available via bandcamp. 

Brimstone Blondes Return With New Singles

It’s been a while since we last heard material from plucky Buffalo-rooted glam-rock act, Brimstone Blondes. When we last checked in, the band was a four-piece college-bound band still semi-based out of Buffalo, or at least all their instruments were still in a suburbs basement. Now in 2016, Brimstone Blondes are very much a Purchase band, embracing showmanship, keyboards,  makeup, and glitter. The now five-piece released two songs this week “First Impressions Are Everything” and “Touchdown U.S.A” Recorded with $ell $ell $ell Studios in Manhattan, the A-Side single, “First Impressions Are Everything” is an introduction to lead singer Matthew Danger Lippman’s unique persona and his ability to burn bridges. If you are a fan of the band’s previous works, long gone are the simple garage-rock licks. The Blondes have evolved. Check out “First Impressions Are Everything” below.

NGHTMRE – “Holdin’ On to You (Wet Paint and Wildfire Remix)”

Halifax-based future-bass producers Wet Paint and Wild Fire made a mean remix of NGHTMRE’s “Holdin’ On to You.” The song starts out as an atmospheric crawl, with whispy female vocals, and drops about 37 seconds in with expecting instrumentals. Eventually the remix  turns up with playful synth splices into a grandiose sound.  If you are a fan of Keys N Krate or Flume, then you would dig this remix. Check it out below. [soundcloud url=”https://api.soundcloud.com/tracks/256502217″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

Kevin Morby – Singing Saw

After a stint in the group Woods and a short lived side project The Babies, singer-songwriter Kevin Morby is now on his third solo record, titled Singing Saw. He has grown with each album, establishing a unique voice in a musical realm of familiarity. With pristine instrumentals and a storyteller-like prose, Singing Saw may be his best work yet. Nothing here is overly groundbreaking but, much like Tobias Jesso, Jr., he has managed to take the influence of well-traveled sounds and ideas and make them feel fresh and all his own. At moments throughout the album, you can draw lines back to the likes of Bob Dylan, Leonard Cohen or Lou Reed, but not without a deep look through Morby’s own lens. He expertly weaves together folk, rock, and Americana, pairing it with vintage and folksy lyricism. His signature hushed baritone voice gives everything a calming, almost hypnotic feel. Singing[...]