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Kendrick Lamar – untitled/unmastered.

March 8, 2016

After several rumors surfaced last week regarding a new project, Kendrick Lamar surprise-released a compilation of previously unreleased material in the early hours of Friday morning. untitled unmastered. consists of eight tracks that were recorded during sessions for his 2015 masterpiece To Pimp a Butterfly, but were eventually dropped in favor of other songs. Each song name is simply “untitled” followed by the date it was recorded, spanning 2013-2014. In untitled unmastered. all of the free-form jazz backing and dense lyricism is still present, but without the finely tuned narrative focus that was employed on To Pimp a Butterfly, it plays out like a loose jam session or rehearsal. It has the same inherent feel and inspiration as its predecessor, while at the same time taking on a life of its own by being presented in a new, unhinged context. The content of the album spans an array of subjects, as the[...]

Kendrick Lamar – To Pimp a Butterfly

March 20, 2015

This is an album that will be remembered. Kendrick Lamar’s second major-label album follows the narrative of a poem that Kendrick wrote about his path from a Comptonite into one of the most important leaders to the African American youth. Tied into this poem is another recurring theme, the metamorphosis of a caterpillar into a butterfly. This butterfly is an extended metaphor for a person (Kendrick) who leaves their home (Compton) behind to become a star, and the trials and tribulations that come with that evolution. Although they believe that their stardom frees them, it really exposes them to an industry that aims to squeeze as much money out of them as possible. The butterfly is pimped out by corporate America, and a success story for one is a pawn to another. Kendrick’s poem is told in final form on the album’s final track but we hear it build to[...]

Kendrick Lamar – “The Blacker the Berry”

February 13, 2015

It’s not that often a song comes along and actually makes my jaw drop. Every once in awhile, I come across a great song, but it’s rare one is so powerful to shake me to my core. And that’s why I feel so compelled to talk about the new Kendrick Lamar single, “The Blacker The Berry”, because it is that kind of song. A discordant guitar plays over what sounds like repetitious chanting as the track begins, immediately creating an intense hellish atmosphere reminiscent of the production of Kanye’s recent Yeezus album, all before dropping a beat that wouldn’t be out of place on an old Wu-Tang record. Then Kendrick’s voice arrives, full of righteous anger and vitriol. Over the course of three verses Kendrick takes up the role of a young black man who has watched violence rip apart his culture, violence that ceaselessly plagues the black and poor[...]

Kendrick Lamar – “i”

September 24, 2014

Yesterday morning, rap’s current co-president (along with Drake) debuted the first single off of his upcoming album. Titled “i,” the track was pretty much all about good-vibes. Centered around a chorus of “I love myself,” Kendrick fires out short verses with a rapid flow, essentially declaring that in order for him to give love to anything (the hood..music..his city) he first has to give love to himself. Content-wise, it’s probably most similar to his song “Real” off of good kid, m.A.A.d city. It’s note-worthy because “Real” was looked at by many as one of the weakest tracks on the album. With “i,” Kendrick departed from his ghetto commentary (well, it’s an underlying theme) in favor of a feel-good track, and there’s plenty of backlash about this track because of that. As far as production goes, Pharrell brought back to relevance the quick-pluck disco-guitar with Daft Punk on “Get Lucky,” and it[...]