Latest Posts

Survey Channel – Functional Gloss

March 6, 2025

Buffalo’s ever-evolving electronic music scene continues to yield fascinating projects, and Survey Channel, the alias of Matt Donatelli, stands firmly at the forefront of its ambient exploration. With Functional Gloss, Donatelli delivers his fifth full-length album, adding another meticulously-crafted chapter to a discography that has steadily blossomed since his 2019 debut, Mulberry. In the intervening years, Survey Channel has has become synonymous with a particular brand of thoughtful, exploratory electronica, gathering a respectable following from such a prolific output over the past six years. Functional Gloss is our album of the week.   At its core, Functional Gloss operates within the realm of ambient electronica, yet it’s an ambient experience imbued with a restless energy. While certain tracks embrace beat-driven structures, the album as a whole resists easy categorization, comfortably inhabiting the spaces of IDM while pushing against the conventional boundaries of electronic music. Listeners familiar with titans like Boards[...]

Dumb 100 – All of the Money (Just Like You) / Patience

March 3, 2025

Do we ever stop covering Jacob Smolinski’s musical endeavors (see here, here, and even here)?! The answer is no, because he’s back with another adventure, this time with collaborator Alex Behrens (who we’ve ALSO covered – here), for a project they have dubbed Dumb 100. This two-song mini EP is stuffed with intriguing sounds, beautiful harmonies, and impressive production work, rooted down by a jangly guitar-based backbone.   “All of the Money (Just Like You)” is a stunning intro – a waltz that mashes squiggly synths into electric and acoustic guitar work. Despite the song’s genuine beauty, Behrens and Smolinski don’t shy away from unique sounds – the hum of electric guitar feedback peeks through during the slow acoustic-guitar bridge, while borderline-discordant plunks of guitars smash through the mix like a gigantic 8-bit, bitcrushed bell. Puffs of electronic drums power the acoustic jangle of follow-up song, “Patience,” a song that[...]

gas station. – “More, or Less”

February 24, 2025

In a triumphant few weeks for Triple Hammer Records, gas station. is the latest of their crew to drop a new song. “More, or Less” isn’t quite the pop punk banger you might be expecting if you’re familiar with their canon – instead, the scrappy three piece put down the electric instruments (and their drums, for that matter) in exchange for a tender, acoustic offering. Heavy lyrics about falling down with a fork in your mouth and penning your will at 29 are powerful and are performed with a fittingly somber emotion, set off by the lone acoustic guitar accompaniment plucking its cyclical patterns. The band explains “More, or Less” simply:   “A song about age, meaning, and what have you.”   You can find “More, or Less” on bandcamp (below), or on Spotify or Apple Music. Also, keep up with all of gas station.’s goings-on with this helpful little[...]

Robbery Club – Loot

February 20, 2025

Punk rock will never die – and Buffalo four-piece Robbery Club (RC) are here to prove it. Doesn’t it feel like nobody wants to start up a guitar band anymore? Nobody told RC – and while this isn’t their official debut (and they’ve formed from the ashes of previously-beloved act Ghostpool), it’s a much-anticipated continuation of what promises to be a beloved oeuvre. They’re calling this one Loot, a perfectly succinct, five-song drop of songs made to play at unreasonable volumes in a sweat-soaked basement. Top it off with a healthy dose of existential dread and you have yourselves our album of the week.   The EP kicks off with “Bitter Pills,” an adrenaline-soaked blast of fun emo punk energy – what else? Spitfire guitars, punched-up drumming, and gritty bass will be the calling cards throughout this EP – for a batch of punk songs, you don’t need much else.[...]

Razorface – Razorface

February 17, 2025

There’s a new face in the Buffalo hardcore punk scene and it’s one only a mother could love. Meet Razorface, an enigmatic six-piece who have unleashed an unrelenting audio assault with their debut self-titled LP.   Born out of the demented psyche of Lucas Kaleta (K-Hole, Muddle, Lowest Form), Razorface has been stalking stages and terrorizing venues for the better part of a year with their killer brand of in-your-face, take-no-prisoners punk.   The band captures their special kind of mayhem on this ferocious eight-track rush that will make your head bang and your ears bleed. With help from Biff of Pallet Town who recorded, mixed and mastered the project, each crusty and spastic song feels like an all-out brawl. An example of the band’s sonic physicality is the single, “Self-Inflicted.” The song puts its boot firmly on your neck with wild outbursts of frenzied riffs and trashy drums that[...]

Sleep Debt Ceiling – “Misery is My Calling Card”

February 14, 2025

Buffalo’s emotionally-witty act Sleep Debt Ceiling has returned with their latest single “Misery is My Calling Card.” Similar to the angsty punk sound of SDC’s Demo EP, this track tunes into the raw emotions that come with self-sabotaging. In contrast to their previous release, “Misery is My Calling Card” features fuller production that provides a more studio-quality feel. The new dynamics increase anticipation for the April release of their second EP, Dead Air Trap.   Project head James Stephenson shines a spotlight on the deep-cutting lyrics while staying true to the genre with guttural vocals. This stunning combination is comparable to the works of iconic folk punk artists like The Mountain Goats and AJJ. Following the pattern of SDC’s sarcastic banter, this track deals with anxiety-induced overthinking that ultimately leads to avoiding humanity.   “I don’t deserve your kindness Secretly I hope That you will never realize I am a misanthrope[...]

Velvet Bethany – “Forbidden Fruit”

February 10, 2025

Buffalo-based punk project Velvet Bethany is back with a new music video for their single, “Forbidden Fruit.” Velvet Bethany is the band moniker for singer/songwriter Allison Mitchell, who has been on the scene for close to a decade, playing many  noteworthy indie bills and underground gigs throughout their tenure. The current line-up includes Romcom Victims members Kam Plotner and Nate Miller, who are both featured in the video.   “Forbidden Fruit” begins with a semi-monotonous conversation about different types of fruits then spins into an 8-bit intro where the track finally launches into the punk-y body of the single. The driving sound of “Forbidden Fruit” is coupled with playful vocals, reminiscent of surf-y Le Tigre with a B-52’s staccato delivery. Lyrics-wise, the song is about being excited about a new love, being head-over-heels in the honeymoon stage of a relationship/situationship.   The video was edited and directed by Jacob Smolinksi[...]

Jaugust – Functional Gray

February 6, 2025

In the quiet spaces between other projects, Buffalo-based duo Jaugust refines its voice. Comprised of Anthony Del Plato and Nick Sessanna–musicians already well-known within the city’s indie circles for their work in bands like Everything In Waves, Cooler, and Genesee Hotel–Jaugust returns with Functional Gray, their sophomore EP. Self-produced in Del Plato’s home studio during moments carved out from busy schedules, this collection of songs shares a creative headspace, blending emotional indie pop with a distinct electronic pulse. Functional Gray places Jaugust in conversation with similar acts like The Postal Service and Washed Out, yet establishes their own distinct collaborative approach that expands on the emotional core of the duo’s 2023 debut. Functional Gray is our album of the week.   The new EP is built on a foundation of contrasts, where analog warmth meets digital precision. Jaugust combines digital found sounds, shimmering synths, and understated drum machines with the[...]

Humble Braggers – New Life

January 30, 2025

Humble Braggers have polished up some uncut gems. A heavy-hitter in Buffalo’s synthpop space, the band has just dropped their third full-length album, New Life, which–as the band describes on Instagram–isn’t just a collection of new tracks. Instead, their latest effort is a curated selection of songs spanning their eleven-year history, all of which originate from demos first recorded between 2014 and 2022. The songs, now repurposed and packaged into a tidy ten-song LP, give listeners a peek behind the curtain and a glimpse into the evolution of their sound over the last decade. New Life is our album of the week.   Singer Tom Burtless described the album’s genesis as a retrospective look at their unreleased material around the band’s tenth anniversary mark. Their guiding principle for completing these songs was one of restraint: minimal new elements were incorporated, existing arrangements were largely preserved, and any intelligible lyrics remained,[...]

Autoignition – “Plummet / Picking Daisies”

January 27, 2025

Buffalo based pop-punk quartet Autoignition just released “Plummet / Picking Daisies,” a two-track ripper that’s already found its way into our regular rotation. With anthemic choruses and their heart on their sleeve, these songs hit like a freight train. “Plummet” sees the band come out swinging, with blistering drums setting the stage. The earnest vocals have a sense of pleading, underscored with a slow-moving guitar countermelody. The energy captured on this track is very raw, that is undoubtedly reflective in band’s live performance.   “Picking Daisies” opens with a little more space, but no less energy. With a hooky guitar line, and driving drums, the track churns under the vocals. With echoes of early Blink-182, this is the perfect foil to ‘Plummet.”  High-impact release from a band that is getting a lot of well-deserved buzz. All in all, these tracks are a snippet into the project’s promising future in the[...]

Ian McCuen- As the Oceans Rise and the Empire Falls

January 24, 2025

Buffalo singer-songwriter Ian McCuen combines bedroom folk with jazzy synth pop in their latest album, As the Oceans Rise and the Empire Falls. Highlighting their personal struggle with understanding the socio-political state of the world, each of the 22 tracks speaks to a different emotion. From capitalistic nature to grief and search for individuality, this record has something for everyone.   Track one, “The Overture,” sets the overall tone with a haunting instrumental. It is unsettling and anxiety-inducing in a way that horror films have perfected and wonderfully portrays the turmoil expressed in later tracks. In addition to “The Overture,” nine other tracks act as ‘tone-shifters.’’ These instrumentals divide the album based on feeling and topic – going from unsettling depth (see “Indoctrinated, Propagandized”) to contemplative closure (see “Outerlude” and “Encore”) – with a unique utilization of piano, acoustics, Omnichord, and many others.   The first lyrics are seen in[...]

Ismatic Guru – An Incredible Amount of Overwhelming Information

January 23, 2025

Buffalo’s Ismatic Guru, the hyperactive prog-punk brainchild of John Toohill (aka Science Man) and Bran Schlia (aka Helmsley), has finally unleashed their long-awaited full-length album, An Incredible Amount of Overwhelming Information. This isn’t your typical album release; it’s a culmination of a years-long recording project, a sonic archive of the duo’s relentless creativity. Over the past few years, Toohill (guitars, vocals, lyrics) and Schlia (bass, organ, drums, production) have meticulously crafted and released a series of numbered EPs, each a limited edition cassette run, building a following through their respective labels (Swimming Faith & Steak and Cake) and beyond. Now, those EPs, along with five brand new tracks, have been compiled into a 26-song, breakneck journey that encapsulates their self-described “idiot-prog punk adventure.” The band’s growing fanbase is well-deserved; with over 15k monthly listeners on Spotify and a dedicated Bandcamp following, it seems Ismatic Guru’s brand of chaos is striking[...]

Carmen & Lizzy – Dissolving

January 16, 2025

For the better part of a decade, Buffalo folk-duo Carmen & Lizzy have quietly woven themselves into the fabric of Buffalo’s music scene, having built a following with their heart-on-your-sleeve songwriting, finely-tuned vocal harmonies, and a sound that blends folk intimacy with indie sensibilities. Now a recognized force, the duo–made up of cousins Carmen O’Keefe and Lizzy Bassler–has just released Dissolving, their first substantial offering of new music in over 5 years. This 6-song EP finds the duo gently pushing the boundaries of their established folk aesthetic for a sound that matures alongside their songwriting and keeps the mystifying qualities that put them on Buffalo’s map. Dissolving is our album of the week.   Dissolving widens the scope of Carmen & Lizzy’s discography. While their earlier work, like the 2019 full-length Climate, leaned into a starry-eyed folksy vulnerability, the new EP is a bit more enigmatic and exhibits growth in[...]

Raybees – Reaper, Take My Life For Free!

January 9, 2025

It’s a new year, and what better way to shed that holiday lethargy than with a blast of sonic mayhem? Buffalo’s own basement psych-rockers Raybees are here to deliver just that with their sophomore EP, Reaper, Take My Life For Free!, out January 3rd. This self-released, self-recorded, six-track onslaught picks up where their debut left off, but cranks the intensity and noise up by a good margin. If you’re a fan of the noisy, psychedelic punk rock of bands like Osees and The Jesus Lizard, then buckle up. Reaper, Take My Life For Free! is our album of the week.   Raybees is led by the core duo of Jacob Smolinski (guitar/vocals) and Dan Keegan (who replaced the drum machine of the project’s debut), along with featured players Matthew Danger Lippman (guitar), Kam Plotner (synth), and Brandon Schlia (bass). Something of a star-studded side project, Raybees showcases a completely different[...]

Romcom Victims – Rainy Days

December 27, 2024

Buffalo’s resident jangly powerpop group Romcom Victims have released their sophomore EP Rainy Days – a buzzy, four-song ripper that has found itself on a shortlist of the best Buffalo releases of the year.   The EP opens with “Absent Minded,” which sets a fun, surfy pace right out of the gate. Anchored by floating guitar lines over a tight rhythm section, the vocals instantly command your attention with their light and airy delivery. Dipping in and out of the spaces present in the reverbed-soaked textures, “Absent Minded” is an immediate earworm. The second track “Street Rat” is a churning offering, led by earnest vocals recalling a hypocritical scumbag, or more appropriately, a rat.   The EP is anchored by the title track “Rainy Days.” A definite EP standout, “Days” is a bouncy two-stepper that alternates through slower orchestrated parts with blasts of shuffling drumbeats and an impossibly nimble bass[...]