Latest Posts

The Kartetch – The Fallacy

January 24, 2025

Georgian musicmakers (the country, not the state) The Kartetch specialize in guitar-driven music that compresses elements of shoegaze, indie rock, and industrial music into a primordial, grungy sludge. Their latest EP is called The Fallacy, a four-song offering that will challenge your perceptions of modern alternative music with its wild (but utterly calculated) exploration of what guitar-forward music can truly be. In their words, The Fallacy is:   “Loud guitar music based on principles: ‘Don’t dodge the answers’ and ‘Shoegaze can be with fists.’ However, this may be only a misconception.” Certainly a profound statement from a profound band… But this profundity is on-brand for this mysterious act, and certainly explains a lot as you’re digesting The Fallacy throughout your first few listens.   The Kartetch kicks off the EP with a strong offering, the fleeting “The Sightseeing Night.” Here, we’re introduced to the mainstays of The Kartetch’s sound – unhinged guitar[...]

Rosetta West – Night’s Cross

January 20, 2025

It’s not too often you hear a band like Illinois’ Rosetta West. The prolific duo specialize in blues rock with unique flairs – think Romani folk music and psych rock – that pushes the limits of what one might consider “blues.” Their latest offering is the disarming Night’s Cross, a twelve-song collection that explore themes of death and mortality without ever feeling somber. The album is stuffed with raw and unfiltered rock ‘n roll that’s gritty, rough, and wild – just like rock music was meant to be.   Immediately, Rosetta West kicks off with the drunken swagger of “Save Me.” Slinky slide guitar moans and groans throughout this song, laying down a woozy backbone for frontman Joseph Demagore’s gravel-throat vocals. Structurally, “Save Me” is pretty traditional, at least from a songwriting perspective – laying down a twelve-bar-bluesish chord progression with a rock solid bass/percussion presence. That tried-and-true build is really[...]

T.F. Gambon – As We Dreamt

January 19, 2025

For the last six years and change, T.F. Gambon has been a mainstay of the NYC indie scene with his band Meyru. As any prolific songwriter knows, sometimes you come up with a batch of songs that just doesn’t quite fit your current project, so Gambon funneled his creativity into a folksy eight song album he’s calling As We Dreamt. Recorded in a Brooklyn apartment, Gambon teamed up with his friend and pryor Meyru producer Cal Maro to bring these songs to life. The result is an introspective, heartfelt, and most importantly, sincere collection of songs – a perfect debut for T.F. Gambon, the solo-artist.   “Eyes” is the opening track here and an excellent introduction to Gambon’s sound. A gently-strummed acoustic guitar will be the star of the show throughout the course of this LP, strumming a constant hum through your speakers. A gentle harmonica whines softly in the background,[...]

From Harm – Arcane Pardon

January 15, 2025

Fort Worth-based act From Harm (FH) have something to say – their newest offering, Arcane Pardon, is a six-song EP full of hardcore punk that grinds out an important social message inspired by pagan hysteria. Feeling oppressed? Tired of the way the world’s being run? So is the project’s lifeblood, Jon Chapman – he uses From Harm as his vehicle to express his disappointment with the world. Expect throat-shredding screams with a yelping timbre; hard-and-fast drums pounding rhythmically in your ears; and angsty instrumentals that inspire emotions from anger, to urgency, to straight-up fear.   From the get-go, From Harm impress with their unique blend of brutality and melody. Intro track “And You Shall Receive” is only a minute long, but with a unique 11/4 (?) time signature, it’s an immediate ear-catcher. Stabs of discordant guitar leap into your eardrums with prickly, staccato melodies as another guitar smashes out a doom-inspiring[...]

Scott Clay – Aurora – Remixed

January 13, 2025

Scott Clay has been a featured artist on buffaBLOG before (see here). While you might be used to the “complex but uncomplicated” Americana that he’s been crafting over the course of his six full length releases, Clay has stepped outside of his twangy comfort zone to release something different. Clay enlisted producers Josh Richins and David Murray for a re-imagining of a song off of his 2022 LP Let It All Lay Bare, “Aurora,” which marks his first foray into electronic music with a trip-hop/downtempo approach to an ol’ classic.   Inspired by a friend, Britt Warner, and her experiences viewing the northern lights for the first time, “Aurora” came together eerily quickly, and was a fun challenge for Clay to write from the perspective of someone else. Britt also applied all the video treatment and editing for the song’s stunning visual accompaniment, captured by cinematographer Spencer Johnson. Filmed at[...]

Holy Void – All Will Be Revealed in Time

December 31, 2024

Holy Void has one of the best band bios we’ve ever read – it’s only fitting to start out this psych-rock journey with such beautiful prose. See below:   “A psychedelic hexad emerges from the nidus that is Winnipeg, charting sonic dimensions with a fervour that captures the depth and complexity of the human psyche”   A nidus, by the way, is a place where bacteria flourish and thrive… Or the epicenter where something may develop or be fostered (yes, we had to look that up). But we digress, whether their hometown of Winnipeg is a sludge factory or the perfect petri dish, this crew has certainly spent a significant time culturing their latest offering. The album’s roots started way back during the COVID-19 pandemic – a story you’ve probably heard a thousand times by now… But their patience and persistence has paid off – they’re now sitting on a[...]

Romcom Victims – Rainy Days

December 27, 2024

Buffalo’s resident jangly powerpop group Romcom Victims have released their sophomore EP Rainy Days – a buzzy, four-song ripper that has found itself on a shortlist of the best Buffalo releases of the year.   The EP opens with “Absent Minded,” which sets a fun, surfy pace right out of the gate. Anchored by floating guitar lines over a tight rhythm section, the vocals instantly command your attention with their light and airy delivery. Dipping in and out of the spaces present in the reverbed-soaked textures, “Absent Minded” is an immediate earworm. The second track “Street Rat” is a churning offering, led by earnest vocals recalling a hypocritical scumbag, or more appropriately, a rat.   The EP is anchored by the title track “Rainy Days.” A definite EP standout, “Days” is a bouncy two-stepper that alternates through slower orchestrated parts with blasts of shuffling drumbeats and an impossibly nimble bass[...]

Makeout Tactics – Skunk House

December 23, 2024

Buffalo indie-pop outfit Makeout Tactics has released their first EP, Skunk House. Waxing philosophical, we are presented with a slice of life view of a group of friends in their 20s. Seemingly mundane, these stories and experiences are elevated through their eyes, creating a compelling story that captures our attention.   The EP opens with “311,” laced with a heartfelt urgency that draws you right in. Anchored by the haunting vocals of Akasya Croiser, lyrics float ethereally over the jangly and enveloping guitar lines. The banality of placing a 311 call becomes a plea; a call to action. Second is the driving “Laundromat Thief” which opens with guitars that could play against a gunslinger showdown in a Western. We are then presented with a scenario in which someone has stolen our narrator’s underwear (amongst other things). “Laundromat Thief” is a driving track that underpins our narrator’s struggles. While the drums[...]

Society of Beggars – Levitator

November 30, 2024

Society of Beggars is a Melbourne-based act who just released their latest album, Levitator, a ten-song offering full of dark and brooding rock tunes. Inspired by a period of grief due to the loss of frontman Yianni and brother Jim Michalopoulos’ father, the band holed up in Birdland Studios with over thirty (!) demos to choose from. They whittled the tracks down into the ten songs you hear on Levitator, and the deep emotions attached shine through in the final product. Here’s a little more from Yianni about what Levitator means to the band:   “When you’re feeling that manic energy that comes with grief, it can be all-consuming… Our drummer Dibi and bassist Zoë Alexa’s friendship and musical connection provided the foundation we needed to create.”   The title-track and intro to the album, “Levitator,” feels like the perfect way to kick off this album. A punctuated guitar riff pounds out[...]

Sir Jay – Running From Yourself

November 25, 2024

Sir Jay is a Helsinki-based musician who has been gearing up for the release of his latest album, Running From Yourself (RFY), since the pandemic. With that much time to tweak, tweez, and polish your magnum opus, it’s borderline ironic that RFY sounds so effortless. Taking queues from electronica, soft rock, and psychedelic rock, Sir Jay’s nine latest songs are a group of whirring gems – stuffed with nuance and texture in a way that makes it perfect listening-music for many moods.   Jay was smart to start the album with the swirling ambiance of “Box Animal.” A slow-burning start introduces the listener to Jay’s sonic palate – expect gauzy bleats of synth, simmering string accompaniments, and drums that percolate at a pleasant, reserved pace. “Box” inspires feelings of being underwater – whether it’s Jay’s all-encompassing instrumentals or a poolside vibe is up to the listener to decide. Throughout its three[...]

Love Ghost – Love Ghost x Skold

November 22, 2024

LA-based act Love Ghost is one of the most perfectly-named acts I’ve ever come across. Colloquially known as Finnegan Seeker Bell, he’s been making music since he was barely double-digits, cutting his teeth (and probably losing them simultaneously) at backyard gigs, small venues, and anywhere else that would have him. It’s led to this point in his journey – a collaborative, 13-song LP called Love Ghost x Skold (LGXS). Full of dark alt rock that slaps heavily of mid-aughts emo, Bell, alongside Tim Skold (who co-wrote all the songs and music on the album), tackles heavy topics, like death, witchcraft, and war with a dagger-wielding hand that cuts straight to the bone.   LGXS opens with a mysterious intro before launching into “Nightshade and Cocaine” – here, we’re first introduced to the hallmarks of LGXS’ sound. A tape-aged piano taps out haunting chords before a trap-inspired smattering of electronics creep out[...]

Idaho Green – Gems of the High Plains

November 10, 2024

As purveyors of predominantly WNY-based music, it makes complete sense that we’d review a double LP from Montana-born, Brooklyn-based act Idaho Green (IG). Sarcasm aside, Idaho Green is one of those wacky bands that we would champion over here at buffaBLOG – we’re not intimately familiar with the group, but they seem like the type of loud, lightly-wacky act that pumps out good, passionate songs at a frighteningly efficient pace. Full disclosure, Idaho Green reminds me of a few beloved local acts (see here, or here), and I find that endearing. Buffalo is a secondary market (much like Billings, Montana I’d imagine), so we usually have to create our own fun. A place like Brooklyn seems like an obvious home for a quartet like this, but thinking about IG dressing up in stage outfits and getting wild in some dive bar in Montana makes me smile.   The double album[...]

Aberrant Kingdom – AK

November 10, 2024

Sure, as bloggers, we’re supposed to be the wordsmiths. But Pittsburgh-adjacent-based stoner sludge act Aberrant Kingdom seem to have hit the nail on the head:   “We play loud, heavy, strange songs in sweaty rooms.”   One listen through their latest album, the 10-song AK (ostensibly, short for Aberrant Kingdom) and you’ll see what they mean… This hard hitting trio of James May (guitar/vocals), Ian Tepper (drums), and Pat Herron (bass) craft the kind of music that seems tailor-made for sweaty basement venues and sweltering attic shows. Falling somewhere on an intangible spectrum between Black Sabbath, early Nirvana, and Primus, AK is full of quirky compositions delivered through a prog-rock lens with a dash of that wild, Les Claypool energy… And of course soaked in a grunged-out, Big Muff (TM) style fuzz.   The album opens with an eerie whirring of feedback as Herron starts hammering out a sludgy bass line. Soon the[...]

Wylie Something – Picnic

November 4, 2024

Buffalo local, Wylie Something, the songwriting vehicle for musician Jacob Smolinksi, is inviting you to a BBQ of freshly grilled tunes for the soul, with an all new record titled Picnic.   For an appetizer, we’re served our first track “Feel Like Jake.” For listeners looking for a classic taste, they may find that the jam-band like vibes of this song call back to the sounds of The Grateful Dead or the bluesy swing of Bob Dylan, while more modern-day listeners might enjoy the heavy indie-psych influence. “Jake” listens like a blue sky with whisky clouds on a slow day, where the smiles are warm and drinks are iced cold. This feeling is captured perfectly in the slow swaying guitar strums, the woozy bongo blips, and Jake’s soulful baritone belting – feeling like a hazy meditation without a care in the world.   This feeling continues into track two, “Stuck[...]

Carter Brady – Shopping Cart

November 3, 2024

Nostalgia is a powerful feeling, and the 90s influenced music coming from Carter Brady harkens back to those halcyon days of JNCO jeans and Pogs. His latest offering is the 13 song Shopping Cart, a guitar-forward LP full of upbeat and sunny-dispositioned songs that are reminiscent of simpler times. When the topic of 90s rock comes up, dark and moody grunge-era bands typically come to mind – think Alice in Chains or Nirvana… But Brady doubles down on that sunshine-y, late-90s sound (think Third Eye Blind, Weezer, or lighter Foo Fighters fare) that thrives in its four-chord simplicity, allowing for earworm melodies and rhythms to develop. Expect Brady’s music to go down real easy – the kind of songs that you’d hear at a dive bar on a Friday night, when you’re a few drinks deep and ready to dance.   Brady kicks things off with “We’re Talking” – a great[...]