Loser Demon – EP3
Loser Demon’s EP3 is fresh off the presses, and a stunning follow up to last year’s EP2. In it, the group internalizes new influences and sounds, morphing their musical output into an emo-tinged indie rock. Their 2025 indie punk release is covered here by longtime contributor, Nick Sessanna. To note, EP3 marks Loser Demon’s third release in three years. Its contents are tightly-knitted, warm, and relatable.
The EP opener “New Year, New Hell” has a bright guitar lead that matches the lyric, “Goin’ everywhere and nowhere.” The rhythm section pops with energy and is sufficiently well-rounded in both performance and production. The slightly buzzing bass allows the urgent guitar to shine in the mix. The baritone, sometimes falsetto vocals, soar like a hunting hawk.
Song three, “Expensive Speech,” has a mechanical opening before exploding into something slower and bigger than previously heard. The song is fuzzy, yet alarming. The medium-brilliancy and wash of the cymbals is a solid benchmark of the lovely tones used throughout the EP. Before the band jumps into a quicker tempo, the singer asks, “If love requires patience of two participant souls / Then why is my dog always trying to rush me?” I mean, as a dog owner myself, I think he’s got a good point.
After experiencing the locked-in, encapsulating rhythm section of the second single, “Doesn’t Feel Like Home Anymore,” we come to track six, “The Conveyor.” The snare is pleasingly snappy and the guitars sit right on the edge of clean and dirty. About a third of the way through “The Conveyor” is a slick, syncopated drumbeat. “A life is never whole without the unexpected…” is a wise warning provided by the frontman a minute before the song fades out.
EP3 is overall energetic and connecting, sitting right in the sweet spot of emo-inspired indie rock. This collection is FFO The Dismemberment Plan, Pavement, and Modern Baseball. Support Loser Demon’s great effort by listening via Spotify, Apple Music, and Bandcamp!
Categorised in: Album Reviews
This post was written by Jake Sessanna