New Music

Club 8 – “Another Faux Pas in the Cathedral of Hate”

What could we even have left to say about perpetual buffaBLOG staples, Club 8? The band is so, so good at writing simple and accessible indie pop with an ethereal touch – they certainly haven’t reinvented the wheel on “Another Faux Pas in the Cathedral of Hate,” and frankly, that’s why we keep coming back for more. At a brisk 1:39, the song comes and goes before you know it, but not before packing it with a punchy snare, twinkling guitars, and just-barely-ghostly vocals that sit in a sweet spot in the mix.   “Another Faux Pas in the Cathedral of Hate” is available on Bandcamp (below), or Spotify/Apple Music.   Another Faux Pas In The Cathedral Of Hate by Club 8

Night Talks – “Shadows On The Run”

LA-based band Night Talks keep it sleek and polished on their latest alt rock banger, “Shadows On The Run.” Inspired simply by a relationship that’s run it’s course, “Shadows On The Run” plays with crispy production and powerhouse vocals to build something that would fit comfortably on a shelf next to Paramore, LCD Soundsystem, or The Killers. We wouldn’t be surprised if we heard this one on The Edge (or Sirius XMU for you satellite heads)… So give it a listen now and tell everyone you heard of it on buffaBLOG before it was cool.   “Shadows On The Run” is available now – try Spotify or Apple Music.   Night Talks · Shadows On The Run

Kouskous Heaven – “Thinker Bell”

Eat your heart out, Disney Adults. Likewise for fans of small balls of crushed durum wheat semolina tossed with flour. Kouskous Heaven is here to blow your friggin mind – “Thinker Bell” is their latest offering, and it’s… insane. Math rock is the name of the game here – guitars and basses and drums obliterate the senses, offset by an absolutely stunning (and oddly, soothing) vocal. Almost like a Midwestern Emo Primus existed specifically in the year 1995. I refuse to elaborate on that statement any further.   Needless to say, Kouskous Heaven is one hell of a band and this song is surely going to turn some heads. Spotify embed below.  

Devreaux Scales – “Fall Forever”

Devreaux Scales, aka Matt Lavin and Jeremy Nunes, slammed together “Fall Forever” out of some really spicy guitar work. An urgent guitar pulls at your ear – octave chords are layered thick with chorus tones before dissolving into a bevy of harmonics, acting as the song’s powerful centerpiece behind the understated (but catchy) vocals. As the first cut from the duo’s upcoming album, Drain To Live, we can’t help but get excited for the rest of the swimmy sounds these guys are whipping up.   Check out “Fall Forever” via the YouTube embed below, or, head over to Spotify.    

Sisters – “I can’t see”

“I can’t see” is the latest track from Sisters, a half American/half British band. I’m unclear if the parentage of everyone involved is the union between a Yankee and a Brit or if some people are British and some are American, but I digress. The frenetic bass track that underpins the song through the first part is catchy as fuck and it eventually calms down for a bit before picking back up toward the end. I’m not sure what they classify themselves as, but this felt like the perfect amount of post punk for 2025 and, if their continued touring is any indication, probably in the years to come too.   You can hear “I can’t see” below from Soundcloud or over on Spotify. I was creeped out by the album art but after some time staring at it I dig it. It reminded me of a a cross between[...]

Sister Wanzala – “Winter Dominos”

Sister Wanzala describes their latest single as “cold funk” and … hopeful, romantic, or… tragic (depending on whether you squint). I wasn’t quite sure what I was in for, but I dove in and was greeted by the loveliest guitar tones and dulcet baritone vocals. They claim that everything is done at home on microphones that “should probably be in landfills,” but boy howdy does that not fit the description whatsoever.   “Winter Dominos” settles into an almost mournful groove and, dare I say, an almost jazzy mouthfeel? Somewhere between Alex G and Frank Sinatra almost feels like a cop out, but the more I say it the more it just makes sense and I stand by that assessment.   The Soundcloud embed is below, and the Spotify link can be found here. Be sure to add it to your winter blues playlist and give their back catalogue a listen[...]

RQTBL – “Joyce”

I was initially too blind to see what RQTBL stood for (Racquetball, for the uninitiated) but now I get it and I’m digging their latest single, “Joyce.” Probably about someone’s Mom or Grandma, right? Sounds like a Mom name. Nope, it’s about addiction and the toll it takes on your psyche (and we’re hear for it). Thrashing about with what I can only describe as diabolical sounding guitars, these Aussies are here to rock your face off and no I won’t elaborate further (just listen).   You can hear “Joyce” below from Bandcamp or over on Spotify. You can hear more of their sick punk tinged riffs and more on their 2025 album “Nosebleed Choir.” They very helpfully have their lyrics on their Bandcamp page for the song; I have a terrible time parsing lyrics sometimes!   Joyce by Racquetball

Giuseppe Cucè – 21 grammi

Hailing all the way from Sicily, Italian singer-songwriter Giuseppe Cucè released a cathartic, intense album called 21 grammi. The album title, which translates to 21 Grams, refers to an old theory about the human soul: during the exact moment of death, the human body, according to legend, would drop 21 grams in weight. This loss of exactly 21 grams is apparently the soul and all that cannot be measured – memories, faith, love, and so on – escaping the body when one reaches Death’s Door. 21 grammi, released by TRP Vibes and produced by Riccardo Samperi, relentlessly attempts to explain the human experience, with Cucè himself stating, “Within those 21 grams there is everything: what we have loved, what we have lost, and what still keeps us alive.”   The album begins with the sprightly “È tutto cosi vero.” Immediately coming to mind is the work of Forro in the[...]

The Feather – “Two”

We last heard from The Feather back in April with their track “BB,” a single off of their album of the same name. Fast forward a few months and now we have “Two,” set to be part of BB DX -the deluxe version of the original BB. Initially recorded along with the original slate of tracks for the album, it feels like adult contemporary had a lovechild with indie pop. This is a deliberate choice, as per Thomas:   “…The chorus reminds me a bit of some Phil Collins vocal lines, and it brings back memories of the music my dad used to play at home when I was a kid. The song is about being in a relationship, unconditional love, the fear of losing it, and above all, the bond between two people in the darkest moments.”   Honestly, the synth and guitar with the tight drum fills did[...]

Acorn Morocco – “Tight Tech (SOS)”

The latest track from hip hop veteran Acorn Morocco is a great combination of traditional boom bap integrated with driving dance elements. When you factor in Acorn’s thoughtful analysis of where culture meets conflict, you find yourself with a track that’s a good listen at all layers. Spacey sounds and Mark Ronson-esque funky brass paces “Tight Tech,” elevating the new single single to one that would be quality even without Acorn’s incisive lyrics. Always one to lend his voice, Acorn is as sharp as ever with the commentary with the verses here. His subject line ranges from traditional sports show fodder (black quarterbacks/white cornerbacks), to more elaborate theories on conflicts throughout the world. All the while, a female voice sample repeats the song’s namesake, providfng an uncanny, robotic reflection to the very human issues Acorn presents in his lyrics. The hip hop veteran has a hefty output of songs in[...]

Lord Jane – “These Last Few Weeks”

Lord Jane is a five-piece hailing from Ireland – their latest single, “These Last Few Weeks” has been devastating us for the last few weeks (in all the best ways). With a wry-but-catchy guitar riff; an explosive, shoegazy chorus; and an ethereal vocal from ostensibly Jane herself, “Weeks” is one of those quietly powerful songs that is assuredly going to elicit some feels.  Sometimes we just have to hear from the artist, as they say it best themselves… See what we mean:   “This song is an apology to ourselves, and the people that care about us, for all the wasted time. It’s about the guilt that follows when the Fog finally lifts. The apologies and excuses that need to be made for missing deadlines, ignoring calls, neglecting responsibilities. The fear of the guilt often plays a role in how long the Fog sticks around for. Sometimes we get comfortable[...]

Soul Bandit – “Supermoon”

Soul Bandit is ready to get you going with the hypnotic, ghoul-pop pulse of latest single, “Supermoon.” A simple, modulated refrain of “You are my lucky star” is pounded into your head, overtop of squelching bass synths, glitched-out keyboard leads, and swirling atmospherics… Complete with la-la-la-las to make it a full package. This is perfect for a night drive in your car… Or for dancing like Wednesday Adams in that one scene in Wednesday. It may be closer to Thanksgiving than Halloween, but it’s never too late to be a little bit witchy.   “Supermoon” is on YouTube (below) and Spotify.    

Fuckleberry Hinn – “Neither/Nor”

I’m always in for a good name pun and Fuckleberry Hinn delivers in spades (if you’re missing it I’m not sure how to help other than look up Twark Main or Com Truise). Name aside, Fuckleberry Hinn’s latest track lives up to the expectations I placed on them after seeing their name; “Neither/Nor” could have just been a whatever song and I still would have enjoyed listening, but thankfully that’s not the case!   The vocals in the beginning reminded me a little bit of one of my personal favorites, The Dodos. Acoustic guitar leads into a whole mess of sounds that feel almost chaotic but are grounded by the repetition of the lyric “Neither/Nor.” It eventually ends on a fade to black, which feels appropriate – though I can’t say why, it just does.   You can hear “Neither/Nor” embedded below on YouTube, as well as Apple Music and Spotify. Fun fact:[...]

Church Ladies – “I’m a Zombie”

Church Ladies are on a quest, but give conflicting accounts of exactly what that is while maintaining two things: they will “COMBAT THE DARK LORD 100% OF THE TIME OR YOUR MONEY BACK” and releasing catchy as fuck tracks. The duo’s latest is “I’m a Zombie” and it’s two minutes of jangly hopping-up-and-down house-party-type music. Go give it a listen and if your day doesn’t feel at least 5% better… Idk man, try listening again.   You can hear the track below from Spotify and… not really anywhere else I could find. The Dark Lord’s forces must be hard at work to keep the music of Church Ladies away from us, hopefully that changes and we can find their music everywhere soon.    

Picture House – “View From Heaven”

“View From Heaven” is a hooky dreampop nod to Brian Wilson from UK-based band Picture House. Appropriately poppy and coming in under three minutes seems like a good ode to the guy who helped put the “California Sound” on the map. The guitars are jangly and, dare I say, twee? As per the band “View From Heaven” is also a “…nostalgic ode to missed opportunities and alternative paths through life…” It feels like the voice of the song definitely loved and lost someone too, which gives a nice emotional gut punch that (at least for me) always gives me one more reason to love a song.   You can hear it below from the band’s Soundcloud conveniently embedded below, as well as Spotify and Apple Music.   Picture House · View From Heaven