Album Reviews

Chief Broom – Hidden in Plain Sight

The story of Chief Broom (CB) is sadly a tragic one. Centered around the songwriting of Shadrach Tuck, this revolving cast of Boise, Idaho natives create songs that focus on “the fragility, monotony, beauty and horrors of everyday life.” Crafted in the wake of the death of co-founder TJ Tuck (Shadrach’s brother), Hidden in Plain Sight (HIPS) is a continuation of his musical journey – a fitting, if closing chapter on the life of a man who touched the Boise music scene in profound ways. TJ’s presence is felt all throughout HIPS – Shadrach and his revolving cast of characters (including mainstays Will Cheeseman and Frankie Tillo) saw to it that TJ was immortalized through painstaking attention to detail. Both TJ’s drumming and artistic vision are integral to HIPS – recorded by band father Terre Tuck’s at his home studio, this album has the sincere feel of a homebrew creation with a grand[...]

Casual Confrontation – Marriage Culture

Casual Confrontation is the stage name of Frankie Diez, a Romanian born artist who grew up in Puerto Rico and Miami before landing in Nashville. He’s here with his latest album, Marriage Culture, a sprawling and expansive 17-song offering that promises a look at the institution of marriage from all sides. A producer and classically trained pianist, Frankie has released and produced three albums previously under his own moniker and also had cowriting credits with other artists. He touts his songwriting and producing prowess and that he also “…aim[s] to help artists say exactly what they want and need to say in the form of a song, giving them a space to let their words, feelings, and emotions flourish without boundary or judgement.” This sentiment translates well in Marriage Culture – Diez explains below: “‘Marriage Culture’ explores the concepts of marriage as an institution, one’s desire for connection with others[...]

Idledaze – Sandbox

Sandbox is a seven song EP from Whitewater, Wisconsin-based one man band Idledaze, released in anticipation of a full length album due out spring of 2024. Idledaze performs as a solo act but also does cover projects as a the Idledaze Trio with a setlist that spans everything from Alice in Chains to Zeppelin. Sandbox as a whole trends toward a bluesy flavor with a country-tinged edge, especially with the fun 90’s feeling video made for the track “Hot Feet” that you can see over on YouTube. Interspersed throughout the rollicking bass lines and meandering guitar is Idledaze himself amongst a montage of oil paintings and a Chicago go-go dancer (hence the name, not a reference to Quentin Tarantino’s favorite body part). Evidently a big oil painting guy, the album art for Sandbox is based on artwork done by his sister. The first track “In The Mood” feels like an[...]

Ravetank – Echoes From Feedback Mountain

When you get a heads up that an album you’re about to enjoy is classified as “absurdist noise folk,” you kind of already know what you’re getting yourself into… Or maybe, its more likely that you don’t actually have any possible clue. Either way, the latest LP from Bath, UK-based duo Ravetank is a journey in ambient noise and never ending discord. Ranging from whirring wind sounds and quiet meditations all the way to ear-destroying squalls of feedback and atonal guitar monstrosities, Echoes From Feedback Mountain (EFFM) is certainly a mediation on the fine line between noise and melody. After a full listen to EFFM, you might be surprised to learn that Ravetank is only two people. They recorded the backbone of EFFM live in order to capture the most authentic possible presentation of their sound. From there, they added a series of overdubs, including “bass, some guitar, feedback loops, and contact mic’d[...]

James Beastly – Junk Values

James Beastly. The man, the myth, the legend. One listen through the blistering punk/alternative/slacker/??? vibes of his latest album, Junk Values, and you’ll be thinking the same thing. He’s self-described as “too indie to be punk and too punk to be indie” and we couldn’t have said the words better ourselves. Junk Values is just that eclectic. Either way, James’ iconic personality and unique tastes truly shine through on this collection of ten, genre-defying songs. James evokes wild punkers like WAVVES and FIDLAR (are both of those bands capitalized? Maybe we should start capitalizing JAMES BEASTLY) on album opener “The Arc of Youth.” Proco Rat (TM) guitar tones lay underneath cosmic and psychedelic guitar leads while James takes center stage with his unhinged but still-digestible delivery. This is punk rock for the ages, and James nails the aggressive vibes here perfectly, but it’s just one step on the journey you’re[...]

Couch Cult – The Couch Cult EP

Couch Cult started the same as many new acts – a passion project that rose, like a phoenix, out of the ashes of the pandemic. This particular trio watched, ostensibly, from a basement window as the world woke up again. This re-awakening of the world inspired their latest album, an almost self-titled affair they’ve entitled The Couch Cult EP. They explore themes of “altered perception, introspection, and the struggle to find authenticity in an ever-changing post-pandemic world,” a common and relatable struggle for those of us still trying to pick up the shattered pieces of a world we’ve been forced to leave behind. The album opens with “Psilo,” a not-so-obvious nod to the psilocybin found in a certain variety of mushrooms. There’s been lots of disassociation post-pandemic, and this song, thematically, hits the nail on the proverbial head. But rather than focus on one’s failures, this song urges the listener[...]

Made of Mana – Made of Mana

Made of Mana (MoM) is a jazz-infused quartet from San Francisco, and their self-titled EP was recently released July 28 – in anticipation an LP coming later this year. MoM is made up of four lifelong friends (Phil, Sean, Dane, Alec) who have worked together previously with MoM being their latest and greatest effort. The band’s influences include Jimi Hendrix and John Mayer – you’ll be able to tell when you hear blistering guitar solos aplenty and good ole fashioned finger work. I gotta say, this album is smooth; the first track (and latest single) “Tired of Waiting” is a masterclass in jazz-adjacent rock with the tightest of guitar/drum combo I’ve heard in awhile (listen for the solo around 2:40). Speaking to the track, the band had this to say via their website: “We spend so much of our lives being told to be patient, when we really need to[...]

Unca John – Midlife Crisis Vanity Project

Midlife Crisis Vanity Project (MCVP)… Without even writing any words of my own, the title kind of says it all. Unca John is a Baltimore-based singer-songwriter hiding behind his secret identity as an economics professor. He’s emerging out of the shadows to debut his art, the ten-song MCVP. It’s full of classic rock, jangly pop, and retro song structures that have a wholesome exterior disguising a darker depth within. Expect lots of sardonic wordplay and dark humor from Unca John as he navigates a confusing time in his life through disarming song and dance. MCVP opens with the quick-witted pop rock of “How The Hell?” “Hell” also happens to be one of the album’s strongest tracks – pairing cascading, plucky keyboards with crunchy and catchy guitar chords and rhythms. John explores falsetto accompaniments and honeyed harmonies here alongside his tried-and-true songwriting approach. It’s tough to give a true comparison to other artists, but[...]

The Freeloaders – Cheap & Used

Pittsburgh-based act The Freeloaders are a band that knows their roots. There’s never a wrong time to acknowledge where you come from, and this quartet certainly does that (and does it well) on their latest LP, Cheap & Used. This ten song collection is full of songs that nod to rock and roll heavyweights like The Rolling Stones, Tom Petty, and Neil Young while also channeling 90s guitar rock like Radiohead, Cracker, and the Jayhawks. The Freeloaders have an all too familiar origin story – as childhood friends who grew up playing covers of the aforementioned bands, they cut their teeth perfecting the classics… That is, before the pandemic hit. Whether it was an itch from being stuck at home or just a change of heart, this quartet decided to buckle down and start creating their own songs. Cheap & Used is the result of that burning desire to make art, an[...]

Liquid Pennies – A Wake-Ending

St. Petersburg based act Liquid Pennies specialize in an indie-psych sound that toes the oh-so fine line between concise and abstract. After hammering out a new batch of tunes on stage, in between shows, and even on a live radio performance, they’re back with a four-song EP they’ve titled A Wake-Ending, which was recorded with Ryan Boesch of Candor Recording (of The Melvins, Eels, Andrew W.K., The Foo Fighters, and Nora Jones fame). Boesch helped the band encapsulate the fervor of their live sound – something they nailed on this interesting and wild group of new songs. Opening song “Discretion” opens with a whirr of feedback hum before launching into a shoegaze inspired guitar jangle from guitarist Chas Binns. Very quickly, you realize A Wake-Ending is going to be a wild ride, as rolling and rollicking drums from Christian Kovar start rattling the space between your ears. Dylan Carney’s bass acts as[...]

Bathe Alone – Fall With The Lights Down

Atlanta musician Bailey Crone, better known as Bathe Alone, recently released the latter half of her double EP Fall With The Lights Down (Velma). That, along with, Side A: (Louise), August 4th, completes the homage to her great-grandmothers; whose pictures adorn the cover of the album and their respective EPs. Speaking to this (and the iconic ’70s era photos that adorn the covers), Crone had this to say: “I was browsing my dad’s Facebook and he had uploaded all of these family photos… She just looks super unhappy and out of context being on a boat… Then there’s another photo of the other great-grandma in a yellow vest with a picnic basket next to her. I thought these photos were so weird and powerful.” We’ve covered Bathe Alone before at the blog, which you can find here; Nick called 2020’s single “Calm Down” a “beautiful slice of dream pop.” Fall With the[...]

Talking To Shadows – Lost

Talking to Shadows continues to amaze their listeners with their second EP, aptly titled Lost. Recently released on Bandcamp and streaming everywhere on July 21st, 2023, Lost absolutely solidifies the band’s reputation as riffy shoegazers. Cat Van Glide’s ethereal vocals take off over the scenes made by Gregoire Palmer’s perplexing guitar work, whereas Ron Weldon’s driving basslines and Alex Hughes’ energetic drumming give a strong establishment for the band’s sonic investigation. Together, they make a divider of sound that encompasses gatherings of people, submerging them in a cathartic, reflective, and melodic experience. Opening with “Soma,” the album immediately envelops listeners in a captivating soundscape, as Cat Van Glide’s ethereal vocals intertwine with Gregoire Palmer’s masterful guitar work. The album’s progression leads to the soulful and powerful “Exit Wound,” a seamless blend of shoegaze and dreampop that resonates with perfection. “Give Me Some of You” injects an energetic burst reminiscent of[...]

Porcelain Tongue – Goodbye Peggy

Porcelain Tongue is here to talk about loss – the tellingly-titled Goodbye Peggy is their latest offering, a stark title for a hard look at what it means to lose somebody you love. The sophomore release from this Boise-based quartet is a shoegaze-tinged approach that implements significant elements of both emo and straightforward indie rock. Opening track “Support” is archetypal Porcelain Tongue. These dudes have clearly spent many a beer-soaked night in a room with each other – certainly two effective ways to deal with the loss of a loved one (drinking and playing music, that is). Lines like “You say you’re fine, but I know you’re lying” encapsulate these hard-to-talk-about feelings perfectly, while the band wrenches and bends through a number of tempo changes, almost like an irregular, grief-stricken heartbeat. Fuzzed-out bass pushes this one forward, while guitars soar and scream in unison – it’s the perfect way to open an[...]

The Cast-Iron Canaries – Propagaga

It’s hard to believe that the 90s were 30+ years ago, but here we are in 2023… And that means grimy punk rock act The Cast-Iron Canaries are celebrating a milestone anniversary of their 1993 EP, Propagaga. Although the band thought their work had been lost forever, engineer/producer Jonathan Burnside stumbled across the project at Razor’s Edge Studios in the Haight Ashbury district. Since discovering this lost gem, they just put out a special reissue of the album earlier this month (7/14), and we’re lucky enough to have the chance to revisit this fun time capsule of early 90s punk rock. Fans of The Misfits, Manic Street Preachers, Sex Pistols, and even Reel Big Fish (!) can find lots to love about this EP. Song one, “Eternal Prom Queen” starts out with a guttural scream followed by the hallmarks of The Cast-Iron Canaries’ sound. Expect buzzing guitar noise; oi-oi-oi singalongs; and[...]

Shaven Primates – Birds Aren’t Real

Shaven Primates are a five-piece from Oxford, UK who hit our inboxes with the “alt thought” experiment of their latest EP, Birds Arent Real. The band exists to push the boundaries of independent rock music, typically challenging both ears and brains simultaneously with a mix of dark wave, art rock, and post punk layered atop of a solid prog bedrock. This latest batch of five continues that trend – a highly conceptual (and borderline conspiratorial) offering with plenty to think about, both musically and lyrically… All it’s missing is an exposé on the moon landing (which is, without a doubt, fake). Album opener “Fade Away” touches on the presence of fascism in social media – as the band explains it, it was: “Inspired by the Louis Theroux interviews with YouTubers Nick Fuentes and Baked Alaska.” The ideas portrayed here are cleverly veiled with pointed (but not finger-pointed) turns of phrase, which helps the[...]