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Panda Bear – Panda Bear Meets the Grim Reaper

Since his 2007 album Person Pitch, Noah Lennox’s Panda Bear has been the gateway drug into Animal Collective. Both outfits feature the same qualities: zone-out repetition, upfront rhythms, a swirl of ineffable sounds, and summer camp sing alongs. Their success both lies in combining something confusing with something instantly gratifying, a perfect distillation of modern times. But where Animal Collective’s music seems to occupy a beautiful but more chaotic place, Lennox has always gone for the sweet spot. Originally too hesitant to bring his own songs into the group, Lennox did so upon the urging of other members, and it all eventually came to a head on Merriweather Post Pavilion. Now it seems like Lennox’s music as Panda Bear, at least popularity wise, has surpassed that of his band’s. Following 2011’s Tomboy, an album Lennox wanted to revolve around just guitar, rhythm, and drums, on Panda Bear Meets the Grim Reaper,[...]

Panda Bear – “Boy Latin”

Panda Bear’s music has always felt like daydreaming, or recapturing that awe struck feeling of childhood. Those deceptively simple repetitions and stoned tempos seem like they could go on forever, and are on full display here. While Animal Collective’s Centipede Hz, and fellow band member Avey Tare’s latest album were too Saturday-morning-cartoons for even their music, the tracks on Panda Bear Meets The Grim Reaper are great and one of the first releases to look forward to in 2015. “Boys Latin” and its polyphonic lines are like a cubist painting, where everything is broken down into little facets to reveal a bigger picture. Then the next section is the choir boy of one, and the only words you can understand: “Dark clouds resurface again, and a shadow moves in.” In a more just world, this song would be played at FAO Schwarz during every holiday. Watch the video below.