Latest Posts

King’s Evil – “Private Failure”

King’s Evil is the long-postponed collab between two beloved Boston songwriters – Sami Martasian (Puppy Problems) and JM Dussault ((T-T)b). Projects like this have a way of never coming to fruition, which makes “Private Failure” that much more poignant, and a little ironic right? Releasing new music is a very public success, after all.   I digress – this one is as bare bones as it gets. A chiming guitar rings out hypnotically while Sami sings a haunting melody. Floor toms are slammed periodically. It’s a testament to what it means to be a DIY artist and has all the hallmarks of what makes underground indie rock so great… One listen to this and it will bring you back to your halcyon days of drinking a warm PBR in someone’s shitty basement, but there’s a really good band playing a really personal song and nothing else seems to matter in the[...]

Circus Trees – “Tensions”

Circus Trees know how to write a heartbreaker, and “Tensions” is the reason we’re making that claim. With a riff that would put American Football to shame and winsome vocals that hold lots of pain, this duo makes perfect use of the quiet/loud songwriting method to great aplomb. Fans of Now, Now Every Children; Tancred; and Rainer Maria will love the devastating vibes here.   You can find “Tensions” via bandcamp (below) or Spotify.   Tensions by Circus Trees

Jerry Kingsman and his Model Horses – Year of the Horse

Jerry Kingsman and his Model Horses (aka Vanity Club aka Sal Constantin and a ton of his friends) are an explosion of youth. They have a devil-may-care, je ne sais quoi aura – but their existence is intentional and their ideas are fully realized. Sure, their greatest inspiration may be a Smiths cover called “Heaven Knows I’m Doing Your Mom,” but we’re thankful for low-hanging mom jokes in this case… Their latest album, Year of the Horse, reminds us of simpler times – when creating an album was the most important thing you could do with your time. Jerry & co. built a nine “song” offering, running the gamut between sweaty garage rock, salty surf tones, and full-on skits that make this experience as much performance art as it is an album   The first real song on Year of the Horse is “I Don’t Want To Work,” and it’s[...]

søftbleach – “brainfreeze”

Who would have ever thought that math rock and pop would make an undeniable duo? London’s søftbleach certainly did, and they seem to have cracked the code on latest single, “brainfreeze.” Guitar nerds will love the noodly riffage here, and your girlfriend will love the pop-centric lyrics about being a cold-hearted ice queen… Wrapped up in a cool little brain freeze metaphor, of course. They claim this one has been a fan favorite – now it’s also buffaBLOG approved.   “brainfreeze” is available on Spotify (below).  

mariek – “House on the Hill”

I’m a sucker for an emo-coded bedroom-pop song – mariek nails that vibe on latest offering, “House on the Hill.” Guitars jangle robotically – offering those droning, open-chorded voicings that make Midwest emo so enthralling. It’s paired up with a tasteful percussive backbone; twinkly DI-tone guitar leads; and breathy vocals that suit the vibe perfectly. This one will slot right into any playlist with heavy Clairo, Now Now, and Palehound vibes.   “House on the Hill” is available via YouTube (embedded below), or, on Spotify.    

Digital Crush – “Amnesia”

Digital Crush split the difference between indie sleaze and hyperpop on latest single, “Amnesia.” Dirty, grunged-out synths are the highlight here – both offset and complimented by the lightly autotuned, innocent-sounding vocals. Ironic, as this song is actually about the right-of-passage of having a walk of shame. As Digital Crush explains it – “Disappointment. Repeated mistakes.” At least now, you’ll have this cool ass hyperpop banger to drown out the world as you stumble on home tomorrow morning.   Check out the music video for “Amnesia” below.    

Devereux Scales – “Antihuman”

Something about post-punk music feels… Anti-human, right? Maybe it’s the icy stabs of guitar, or, maybe it’s the robotic rhythms and monotone vocals. Either way, Devereux Scales explore those textures on latest single “Antihuman.” This is post-punk through and through for the aforementioned reasons. Fans of The Cure or Depeche Mode, or even newer age bands that discovered chorus pedals i.e. Turnover circa 2016 would enjoy this a lot.   Check out “Antihuman” via the bandcamp embed below, or, on Spotify.   Antihuman by Devereux Scales

Jesse & The Spirit – cloudspotting

It’s both hard to believe and easy to envision Jesse & The Spirit (aka Jesse James) being around for more than a decade. With multiple acclaimed projects to their name (including the one we’re focusing on in this review, Jesse & The Spirit; sludge-gaze band Dolly Sods; freaked-out electronica act The Niagara River; and even their pre-pandemic post-rock bliss-out in Tomoreaux), they’re approaching, or has, by default, already achieved Buffalo indie rock royalty. James’ latest album is called cloudspotting, James’ umpteenth release, but one that feels anchored in multiple ways. Distinctly Buffalonian (we’ll get to that in a minute), cloudspotting not only chronicles James’ return to Buffalo, but also happens to host James’ 100th original J&TS song. 100 songs is nothing to sneeze at, especially for a prolific songwriter like James, who has split songwriting duties in so many bands throughout the years.   James’ approach for Jesse & The Spirit[...]

Club 8 – “The Sweetness Of Honey”

Will we ever get sick of Club 8? Probably not. We’ve written about them an umpteenth number of times (enough to use the word umpteenth unironically), and we’re happy to keep doing so as they continue to reinvent themselves. “The Sweetness of Honey” is another standout in their already impressive oeuvre. The Swedish duo play around with samples this time around, layering their stunningly simple indie pop with 70s inspired string sweeps, random vocals, and a 90s inspired breakbeat. It’s beautiful, as per usual with this talented duo, and would fit on any playlist comfortably next to your favorite Phantogram and Sylvan Esso songs.   This one is available on Spotify and Apple Music.    

Gorro – “LEMME B FREE”

I’mma keep it creamy with y’all – we don’t know anything about Gorro. Who are they? No idea. Social media? Not many hints. Musical talent? Oh yeah baby.   Gorro’s latest offering “LEMME B FREE” is a simmering, bubbling blast of post-punk bedroom-pop energy. Cool basslines, airy vocals, drum machine neuroses – how could anyone complain? About “LEMME B FREE,” Gorro offers this profound insight into the song’s conception, creation, and overall thesis:   “making music is fun”   Check out “LEMME B FREE” via the YouTube embed below, or, on Spotify.    

Sun Spoiler – “Reek”

Sun Spoiler said it best when describing new single, “Reek:”   “Locked myself in a room July 4 and made this song after being informed my 10 day lovebombing Gemini delusional situationship started dating someone else while I was out of town. Pure catharsis.”   If that’s not modern dating distilled into a perfect pull quote, I don’t know what is. “Reek” has the perfect musical backbone for these anger-inducing events too – sludgy, stanky, heady – not unlike that sweaty, barricaded songwriting oasis on that fateful July 4th. Expect lots of reverb, disgusting distortion tones, and a vocal delivery that would get you soaked in saliva in the front row of Sun Spoiler’s basement-show set.   “Reek” has a music video – check that out below.    

Bennett.io – “111”

Bennett.io is here to scratch that lo-fi electronica itch with latest single, “111.” Glitchy production, shuffling percussion, and breathy vocals are the M.O. here, offering a simmering soundscape not unlike that of Sylvan Esso, Zero 7, and late-90s house music. A cursory look at Bennett.io’s Instagram shows a performance in a Dipsy costume (yes, Teletubbies), so if you’re into niche references while performing and/or feeling chill asf, add “111” to your playlists immediately.   “111” is available via YouTube (below) and Spotify.    

Sophie’s Body – “Eyes”

“‘Eyes’ is about seeing people you don’t want to see, in places you don’t want to see them”   Sophie’s Body addresses that hyper-specific cringe that comes along with awkward eye contact on their latest single, “Eyes.” The Boston-based crew’s particular brand of bubble-grunge is the perfect, innocent-but-not-naive approach for this subject matter, pairing both jangly and fuzzed-out guitars with a lilting vocal presence. Gotta love when a band embraces pop and shoegaze in the same breath – your mom who likes Veruca Salt and your cool older sibling who likes Slowdive could probably both agree on “Eyes.”   “Eyes” is embedded below via bandcamp – here are some Apple Music and Spotify links too, if that’s your preferred method of music consumption.   Eyes by Sophie’s Body

Hera Lind – “Finsbury Park”

Icelandic/Londoner Hera Lind channels the complicated emotions of the dreaded situationship in latest offering, “Finsbury Park.” Defining a situationship/relationship/nebulous partnership is an unfortunate part of dating in the hellscape that is 2026 – even singer/songwriters run into complicated emotions, unrequited feelings, and uncertainty in their personal lives, evidently. Hera’s melancholy approach encapsulates her ennui perfectly – the skeletal indie folk backbone is equally as fitting.   Peep “Finsbury Park” via the YouTube embed below, or, via Spotify.    

Scarves – “Strays Forever”

Seattle. Chris Walla. It’s a pedigree made in heaven for Scarves on their new album, Strays Forever, more specifically in this instance, the title-track from said outing. The band holed up at the world-famous Hall of Justice studio with Walla and let it rip, adding flutes, strings, and whatever else into their airy indie-pop ,”Willy Wonka” style. The result is something ethereal and relaxing – for fans of Hop Along, Built to Spill, and Jay Som.   Check out “Strays Forever” via the YouTube embed below, or, on Spotify.