Latest Posts

Jupiter Flynn – “Monsters and Men”

October 6, 2023

Berlin-based artist Jupiter Flynn brings us her newest single “Monsters and Men,” and it’s quite the banger. The narrative of the track is a reflection of women the world over – the very real and present fear of men in all walks of life (from relationships to walking alone at night). With an impressive accompaniment of guitar and piano, her voice manages to shine through whilst simultaneously carrying the appropriate amount of foreboding for the subject material; “I’m not scared of the dark/I’m scared of monsters and men.” Fans of Mitski, Olivia Rodrigo, or Girl in Red would find a lot to enjoy here. Not merely a grouping of female artists, but the fabric and feel of their songs shares a lot of common ground. You can hear, quite frankly, that Jupiter has been through some shit and she’s here to share her experiences in her wonderfully dark yet hopeful[...]

B. Miles – “Backseat Lover”

October 5, 2023

B. Miles is thrilled to bring you her new full-length release backed with a full band. Titled Different Pages, it marks a watershed moment for the singer/songwriter, with songs filled with self-revelations and piercing perceptions (find our previous features on B.Miles’ release Here and Here). To celebrate the LP’s release, Miles bring us her second single from the album, the vulnerable and delicate indie-pop cut “Backseat Lover.” The new song puts Miles’ deeply emotional experiences on display with intimate lyrics that evoke a romance facing a unspoken schism, ever widening, while simultaneously being incomparably close to that person as they slowly fade into shadow. Miles’ vocals are hypnotizing as they rise and fall creating the same spiraling effect that her thoughts do while she lies awake next to her love. She spills out the lyrics with breathy intimacy, “That these pillow thoughts keep turning in my mind” even imagining the[...]

Philine Sonny – “Drugs”

October 5, 2023

Philine Sonny’s highly anticipated new EP Invader will be released March 1st of 2024 and is the successor to her beloved debut, Lose Yourself. Coupled with Invader’s announcement is “Drugs,” the stirring, vivid, fanciful exploration of a life not lived but gone wanting. “Drugs” fills your veins and clouds your mind with warm hazy reverbed guitar and surreal layered vocals. This is epitomized in the opening moments, the song strikes you with choral vocals that put you off balance and makes your heart skip a beat, inducing an altered state for you to inhabit for the duration of the song. Philine’s lyrics are vivid and yearn for the unlived shadow life, filled with unfettered whims and fulfilled passions. Growing up in a small town in Germany, Sonny’s roots are in her bedroom where she developed her sound, art and lust for a life outside that small town where she never[...]

Michael Simon Armstrong – “Semantics”

October 4, 2023

Not too much was given to us about Los Angles based artist Michael Simon Armstrong, but based on a couple listens of his latest track “Semantics,” he’s obviously quite talented and worthy of a listen. The title track of his September EP, it’s filled with HUGE sounds on par with artists like indie darlings Slow Pulp, Sufjan Stevens or boygenius. With strong guitar licks and Armstrong’s forlorn yet steadfast vocals, it eventually gives way to strings and an impressive horn accompaniment. With a strong following of 23k and decent plays since the September 27 release, MSA is absolutely an artist you should check out if you haven’t already. I hate to say “punching above his weight,” but having never heard of him until now and being a bit overwhelmed with the sound (in a good way!) I feel as though this is accurate. Check out “Semantics” and the rest of[...]

French Cassettes – “Medium Horny”

October 4, 2023

“Medium Horny” is the newest single from Bay Area quartet French Cassettes; it’s quite the banger. With a only a couple singles since 2020’s LP Rolodex, this is a fine return to form for FC with a full gamut of wistful lyrics and (as I like to call it) “focused yet lazy guitar licks.” Evoking bands like Hot Hot Heat at their more cerebral or perhaps Vampire Weekend, FC lures you in with dulcet tones and bedroom talk – “I’m more than lazy but less than exciting but medium horny.” Speaking to their influences for the track, front man Lorenzo Scott Huerta had this to say: “The first verse is Johnny Marr, middle section is Jeff Lynne and Bill Evans, the outro is Elliott Smith. I’ve never heard a full Evans song in my life… I don’t think, but I’ve heard he does ‘chord solos’ and I loved that idea[...]

James Wyatt Crosby – “Ashamed”

October 4, 2023

Toronto based musician James Wyatt Crosby sings about how shame should all feel the same in his new single, “Ashamed.” Released as a single at the end of September, it’s a fine guitar-forward track focusing on the vocals. With the unfortunate times we live in, shame and regret are rather in vogue. Crosby takes these fun feelings and crafts emotional yet hopeful call to action – are you passive in a relationship or have you done something unseemly and hurt someone you love? As JWC remarks on the song: “I guess you could say it’s a song about laziness and inaction…you can be ashamed about practically anything!” The vocals seem to be JWC as far as I can tell, but also sounds like an “Alvin and the Chipmunks” effect with the speed-up/slow down of his voice as compared to his other tracks (or it’s someone else entirely; either way the[...]

BYLAND – “Monstera”

September 30, 2023

If you’re looking to feel emotionally crushed, we’ve got the perfect new jam for you. BYLAND (aka Alie Renee Byland) makes her triumphant return with the heartbreaking “Monstera,” ostensibly about losing a once treasured musician-to-musician relationship. With all the fervor of Big Thief, Belinda Carlisle, and even Manchester Orchestra, the crunchy guitars and impassioned vocals from Byland drive this one into goosebump-inducing territory. The song’s unique lyrical content might read like a love/breakup letter, but Byland explains otherwise: “… [‘Monstera’] isn’t quite a love letter, but it is not an apology… I wasn’t just changing my address – I was breaking a promise.” Be sure to check it out via the YouTube embed below before adding it to your Spotify and/or Apple Music playlists.

Kai Undrell – “Can It Get Any Better…?”

September 30, 2023

England based musician (and filmmaker, evidently) Kai Undrell of Sheffield dropped his lead single “Can It Get Any Better…?” September 22 in anticipation of his debut EP Full Fat Fear due out October 13. Citing influences from Arcade Fire and Scissor Sisters, “Any Better…?” sounds like what would happen if Elton John started making music in the early aughts but was a bit more reserved. This is definitely a piano forward song with some tight bass licks in the background with Undrell showcasing his delightful vocals (seriously, that man has some PIPES). It’s honestly quite refreshing to hear a piano/synth piano clone starring as the main instrument (with a beat to boot) in contemporary music. While I’m not sure if the question the song poses is ever answered (or if it’s even supposed to be), Kai Undrell absolutely is worth a listen and someone to look out for. Be sure to check[...]

The Seshen – “Waiting For Dawn”

September 30, 2023

Bay Area based six piece The Seshen bring us their newest single, “Waiting For Dawn,” an absolutely scrumptious amalgamation of sounds impeccably crafted and mixed together. Singer Lalin St. Juste is on an altogether different level than most vocalists as she weaves her incredible voice throughout the track, guiding us and pulling us like a siren’s call. The song itself is a deep dive into the feelings after a significant life transition, partially born from the divorce between St. Juste and fellow bandmember Aki Ehara. Fans of Grimes if she kept her electronica sensibilities and joined an indie band would find a lot to enjoy here but that’s just the tip of the iceberg and doesn’t quite do The Seshen justice. Be sure to give “Waiting For Dawn” a listen over on Spotify, Apple Music, or YouTube. If you you’re feeling the vibe, be sure to check out their album Nowhere[...]

Dawn Park – “New Material”

September 30, 2023

NYC based duo Dawn Park bring us their latest single “New Material,” the most recent follow up to their June EP Petulma. We originally covered a single from that very same EP here and had good things to say about them then, and that hasn’t changed in the ensuing months. Improving on their previous release with deeper experimentation with mixing and some additional complexity, “New Material” was written about: “…the feeling that we need to make some sort of dramatic, drastic change to fix whatever is going on in our lives.” I particularly enjoyed the fuzzy bass tone throughout the track, it’s difficult to describe but it just scratches an itch that’s probably related to hertz (or maybe some undiscovered childhood trauma). A lot of bands can get it wrong or overdo it; definitely not the case here. Be sure to give “New Material” a listen on Spotify, as well as[...]

Brimheim – “Literally Everything”

September 27, 2023

Danish act Brimheim (aka Copenhagen-based musician Helena Heinesen Rebensdorff) gives into her “most pathetic impulses” on latest single, “Literally Everything.” We appreciate her candidness, because it has resulted in one hell of a song. The blasts of vintage synth are a highlight here, as they come in unexpectedly and buzz your eardrums in the most perfect way. All the while, the rest of the understated alt pop stays effortlessly low key, including Rebensdorff’s beautiful vocal performance. Fans of PJ Harvey, Caroline Polachek, and Weval will love this. Check out “Literally Everything” on Bandcamp, Spotify, and Apple Music.

Tamra – “Flood”

September 27, 2023

There’s something so familiar about the midwestern emo-tinged indie rock coming out of Tamra… Familiar in a good way, of course. “Flood” is their latest single, a two-minute meandering set off by a repeating rhythmic motif that will have you air drumming in no time. Guitars laden with a tasteful crunch carry the brunt of this track, while emotional-but-sincere vocals ride along top in a passionate (but not too passionate!) delivery. Its understated nature is what makes it so perfect – let the waves of nostalgia wash over you in that all too familiar way. Fans of Braid, Manchester Orchestra, and even City & Colour will enjoy what Tamra has to offer. The YouTube embed is located below, but “Flood” can also be found on Apple Music and Spotify as well.

Sonic Blume – “Falling Behind”

September 27, 2023

“I’m sleepyhead, I’m cheesy bread.” Within the first five words of “Falling Behind” by New Jersey-based act Sonic Blume, it feels like they’ve summed up the collective millennial/gen z experience. Sounding somewhere like the child of “Where Is My Mind?” by Pixies and modern day dream-pop emo (aka dream-o), “Behind” is as emotionally crushing as it is validating. Driven by its wry guitar lines and eclectic lyrics (seriously, there is some genuine wordsmithing going on here), this one struck a chord with us on multiple levels. You can find “Falling Behind” pretty much anywhere music can be consumed, including: Spotify, Apple Music, and Deezer.

Illiterate Light – “Always Always”

September 20, 2023

There’s just something fun about the latest single from Virginia-based duo Illiterate Light. Playful, ebullient, and generally upbeat, “Always Always” is built around an inescapable vocal hook that digs into your brain, latches on, and refuses to let go. With a sound that perfectly meshes southern-tinged indie rock (think My Morning Jacket, Band of Horses, or Fleet Foxes) with the synth-laced hooks of Foster The People or Passion Pit, we think “Always Always” is a shoe-in to refresh your tried-and-true playlists. You can find this fun little ditty on both Spotify and Apple Music.

Mali Velasquez – “Shove”

September 17, 2023

Tennessee based Mali Velasquez (check our last feature on her here) has turned many heads with her single releases leading up to her debut album I’m Green due out October 13 via Acrophase Records. “Shove” is a gorgeous continuation of that trend – the track is reflective, cathartic, haunting and lush. Delicate picked guitar lines circle themselves and lock into a heart stopping drum rhythm that creates an atmosphere that feels like an ouroboros of cannibalistic anxieties. Mali’s wavering, earnest vocals possess an emotional quality that arrests the listener, and that quality only expands and consumes you more as she layers more of her singing onto the track. The way those vocals entwine with the bass creates an otherworldly experience that both possesses you and manifests the emotional themes of her songwriting. Fans who love Big Thief, Phoebe Bridgers, Elliot Smith, Julia Jacklin or Soccer Mommy should definitely find lots[...]