Latest Posts

Ginger Winn – “Socrates”

“Socrates” is the latest track from Ginger Winn off of her latest album Freeze Frame. Amusingly, her Spotify bio reads “people tell me I have a haunting voice.” This proves accurate, as she manages to pull that off in spades, with the added vocal effects probably unnecessary but certainly rachets up the haunting… ness? The track itself is a poignant-feeling vocal-forward track where Winn gracefully allows guitar, synth and bass to accompany her. Speaking to the track, Winn had this to say:   “Socrates is about the unknown legacy we all leave behind. The song is inspired by this idea about philosophy and planting seeds for a future we’ll never see…”   You can watch the music video on YouTube below or throw it on your Spotify playlist regular rotation. The rest of the album is worth a listen to, especially “Hyperallergic,” as I felt this also showcased her vocal[...]

Cerrone x Christine and the Queens – “Last One”

Who said disco was dead? Evidently not Cerrone nor Christine and the Queens! “Last One” is the pop disco collab between the two French artists – an amalgamation of Cerrone (who has been around the block a few times but still very much in the game) and Christine and the Queens -the pseudonym of Rahim Claude Redcar.  You won’t be disappointed in the lyrics, bass lines, synth, or any aspect of this track. Just listen, are you even actually working right now?   You can hear the track below from YouTube as well as over on Spotify. You will need to call your otolaryngologist if you aren’t bopping your head to this track. I’m not saying you have to like everything you listen to, it’s a free country (sort of), but if you aren’t at least bopping a little bit you’re probably need to get that checked out.  

Big Society – “Guarantee”

Big Society‘s new track “Guarantee” brings an intro that, while purposeful or not, gave me a JRPG soundtrack vibe. Intro included, the British trio, music students the lot of them, have crafted a delightful pop track that is on the surface a whimsical pop song but… just listen (spoiler alert, the lyrics take a turn within the first minute). Nestled into those twee guitars and synth you’ll find quite the gem.   You can hear the track below on YouTube (for free) or over on Spotify and Apple Music. Be sure to add it to your “more than the sum of its parts and a little dark” pop playlist. Their debut album will be out… sometime. In the meantime, listen to the other two tracks “Foolish” and “Every Stage of a Genuine Heartbreak” for a better idea of what to look forward to (and even some folk tinged action too).[...]

The Kerosene Hours – “Who’s That in My Room?”

“Who’s That in My Room?” can either be a frightening or exciting experience, but in this case it’s the latest track from The Kerosene Hours – much closer to exciting rather than frightening.   Aaron Silverstein (no relation) is the brains behind this act and brings a bass-soaked post-punk vibe with sampling and synth mixed in. It had a goth rock mouthfeel that feels fresh – a line that Silverstein walks quite confidently.   The song itself delves into disassociating as we change, living in the times we live in (check the news) and coming to terms with it. Silverstein’s vocals feel appropriately haunting and bring a spunky energy that is sometimes difficult to conjure when you’re singing about the dreariness of this life we live in.   You can hear the track below from Soundcloud or over on Spotify and Apple Music. The Kerosene Hours · Who’s That in[...]

Damon Omen and $cream-Capone – “Viola”

New York producer Damon Omen brings sounds from the underground on his latest team up with grizzled veteran rapper $cream-Capone. The collaborators’ recent single “Viola” balances a booming bottom half, melodic retro piano and the streetwise words of $cream Capone. Capone’s senses are never doubted, weighing temptations of the environment with lines like “No ouija board but the Devil’s sending information.” Omen’s bass knocks your ears off your head, but it’s earned not given. You’ll get caught up with that piano before the boom brings you back to earth. You can check out the tight visuals for “Viola” on YouTube, and more from Damon Owen on Spotify. While you’re there, check out our Underground and Emerging Hip Hop playlist, updated weekly and featuring Owen/Capone and other great rising artists.

JOMEGA – “WANTED MORE”

The soundtrack to Summer 2025 is brought to you by the DMV. Moving parallel with the return of legendary Virginia rap duo Clipse, DMV rappers and (another set of) brothers JOMEGA dropped a new track that could have made an appearance on Hell Hath No Fury. Their new single “WANTED MORE” features pounding keys heavily influenced by the Neptunes production style on early Clipse work. Kris and Keagoe are right at home on this beat, attesting to their grind with a snarl that would make Pusha T proud. Nod along with this one on Spotify and check out JOMEGA while you’re there. You can press play from our Underground and Emerging Hip Hop Playlist, curated with new songs every week.

The Dog’s Body – “Skeletons”

The Dog’s Body describe “Skeletons” as the “weird” single on the album, which we can fully get behind. The angular and jaunty post-punk-ish jam deals with the ugliness of death, and perfectly so. Guitars swirl like a maelstrom, vocals pontificate plainly-but-effectively, and drums sound like they’re about to bash through your speakers at any second. If you’re a fan of band-in-a-room type sounds, The Dog’s Body has got you covered in spades.   Side note: for all you audiophiles out there – this one was recorded live to two-inch tape. That’s real band shit.   Check out “Skeletons” via the Spotify embed below.  

Nadia Faye – “Smoke in the Room”

Nadia Faye has been on fire with her recent releases – perhaps both figuratively and literally. Her new single “Smoke in the Room” (ostensibly from being on fire) picks up where her previous single (“Swallowing Spit“) left off – pairing Faye’s lilting vocals with shimmering indie-pop instrumentals. Expect tape drum machines working perfectly with gauzy synths and ever-present pillows of guitar working in tandem with Faye’s confessional lyrics about a love lost.   “Smoke in the Room” is on YouTube (below) and Spotify.  

ThrAnk – “Bubblegum”

U.K. producer ThrAnk maximizes the potential of an old Denzel Curry freestyle with his latest track, “Bubblegum.” Samples are a core component of the ThrAnk production experience. Vocal samples are often paired with reimagined drum breaks, breathing a classic energy into the production to create standout tracks. “Bubblegum” is a track built from an old “Breakfast Bars” Denzel Curry freestyle. ThRank pairs Curry’s brashness with light flutters and fuzzy drums, providing a peaceful balance to “Bubblegum.” Fans of Curry will definitely get down with this, as will BoomBap fans who’s be excited to hear crispy production supporting one of the game’s best. Check out more of ThrAnk on Spotify – you’ll also find him on our New and Emerging Hip Hop playlist. 

Stimulus – “sEMi”

Is keeping it less than 100 the realest thing you can do? Berlin-by-way-of-Brooklyn rapper Stimulus makes the case that the ways in which you aren’t 100% are what define you, make you unique, and ultimately empower you. He kicks off the track trying to push away self-doubt with the line “I got woes. And they keep me on my toes…keep my mind off these ‘no’s.” His identity gains focus line-by-line throughout the track, realizing that no one is really 100% at all times. London area producer K, LE MAESTRO creates a masterful confluence of sounds to support Stimulus’ rapping. Twinkling piano, civil rights samples, and a steady raindrop drum rhythm pace Stim’s reflections on his imperfections  – being “semi.” Fans of Joey Bada$$, Bas and modern, introspective hip hop are going to vibe with “sEMi.” Stimulus’ art direction is also super tight – take a quick spin through his recent[...]

JahleelFaReaL – “No Stressing”

Austin rapper JahleelFaReaL drops a feel good anthem just in time for a long July 4th weekend with his latest single “No Stressing.” This track is sunshine in audio form. Jahleel’s accessible vocals lead the audience into his backyard with open arms with the same good neighbor energy that Chance the Rapper brought in the early 2000s.  Pair this track with a summer day, a rum cocktail and something to pass around. Boasting a big sing=along chorus from featured artist Jalisa, Jahleel’s radio-ready track can be added directly to your summer hip hop playlists for when you “just wanna drink and party with loved ones.” If you’re digging “No Stressing,” check out more from JahleelFaReaL on Spotify and follow our Underground and Emerging Hip Hop playlist for more new music.

sundayclub – “Bannatyne”

Hazy Manitoba duo sundayclub have a dreamy new single “Bannatyne” which pairs well with this dreary morning in Western New York. The band’s aura encapsulates the transition in life from minimal responsibility youthfulness and being lost as a young adult, with “Bannatyne” fitting well within the the umbrella. Specifically, “Bannatyne” covers the excitement and nervousness of a new relationship with a light, bedroom pop backing.  Fans of Soccer Mommy, Snail Mail, or Japanese Breakfast would be into this one. Check out the video for “Bannatyne” on YouTube and be on the lookout for these guys. With this being the band’s first single, sundayclub has a pretty promising jumpstart.  

Kisu Min – “Je Suis”

Polish quartet Kisu Min have a new single out that’s been dominating our office speakers since it’s release on Friday. Formed in 2016, the band has been pumping out consistent post-punk indie tinged jams with “Je Suis” following suit. The band’s latest track tackles the subject of struggle and uncertainty, a theme we can all relate to in these trying times in the world.  The bounce-y “Je Suis” is off the band’s forthcoming album, Rudolf Steiner House, will be out at the end of September via their label Antena Krzyku. Check out the video for “Je Suis” over on YouTube and give the band a follow on Instagram.

Zach Bailey x Rachel Baldwin – “Knock Knock”

Pop rock producer Zach Bailey debuted a new track last week, collaborating with singer Rachel Baldwin for a fresh spin on a 2025 love triangle. Their latest team effort, “Knock Knock” is about two friends finding out they share the same romantic interest, finding out, and ultimately dumping his ass. Vibe-wise the track has a bit of an early 2000s teen comedy movie vibe sprinkled with Carly Rae Jepsen’s self-awareness. Check the track out below and give Zach Bailey a follow over on Insta.

Band Argument – “specs”

Just like most of the disagreements you’ve had with your bandmates, it’s tough to put your finger on what’s really going on when it comes to mathy three-piece Band Argument. My previous statement is assuredly, if awkwardly-said, a compliment, and with a storied pedigree like theirs (Oso Oso, Weatherbox, Miss New Buddha), it’s no surprise this trio was going to throw together something wild. Shimmery atmospherics bloom in your headphones while the band hits with angular stabs of guitar. Nimble drumming and bass work are simply the cherries-on-top of this wild, but surprisingly (and pleasantly) understated jam.   Peep “specs” via Band Argument’s bandcamp page below – it’s also on Spotify.   if the accident will by Band Argument