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Alessandro Ciminata – “Wasted On Each Other”

Can’t ignore the phat hooks on this latest jam from Alessandro Ciminata. This Londoner specializes in pulsing electronic indie rock fleshed out with perfect synth patches. “Wasted On Each Other” boasts a huge, catchy chorus – Ciminata’s distinct vocals are delivered in borderline staccato bursts, exploring themes of burn out, love, and longing. This one is excellently-composed and certainly worth a listen – if you dig his stuff, stay in touch by following him on the ‘Gram.

Napoleon Gold feat. Haiva Ru – “Love Don’t Cut Me Down”

Napoleon Gold dropped one of our favorite songs of 2019 with “Love Don’t Cut Me Down.” Featuring a haunting vocal take from Haiva Ru, “Love” is the truest of electro pop bangers with a chorus that will stick with you for days and days. We’re revisiting this one because it recently got the music video treatment – full of gauzy visuals and lots of dancing. This is one you don’t want to miss – check the video out below and then add it to your Spotify playlist.

Port Juvee – “Hope to Lose”

We’re thinking Canadian act Port Juvee will melt your faces with the frantic, swimmy punk of “Hope to Lose.” Reminiscent of Diiv, Nothing, or Beach Fossils, “Hope to Lose” exudes sounds of desperation, delivered with frantic drums, spaced-out vocals, and the perfect amount of lo-fi energy. Fans of cold NYC post-punk and California surfy vibes will dig this one. Check them out on Bandcamp if you’re feelin’ it.

Little Trauma – “Come Back to Me”

“Come Back to Me” is palpably emotional. Little Trauma is self-described as melodramatic goth pop… And to be honest, we couldn’t describe it better ourselves. Full of unabashed yearning and an incredibly endearing vocal delivery, this one combines the best elements of The Cure into modern indie pop. It’s something unique and sincere – check it out below or add it to your Spotify playlist. Come Back to Me by Little Trauma

Fresh – “Cinema Woes”

London punk act Fresh are a… *ahem,* fresh, burst of bright, sunny energy. “Cinema Woes” is a minute and a half of jangly punk with an urgent, emo feel… Think Japandroids in spirit with some Hold Steady sentiment for good measure. Fans of the aforementioned acts, An Horse, or Hop Along are gonna dig this one. “Woes” is over before you know it and it leaves us wishing for more. Check it out below and be sure to add it to your Spotify playlist. Cinema Woes by Fresh

Dogs in Stereo Debuts New Video “Traffic Circles”

Imagine you need a playlist for a trip through some quicksand deep into the Earth. Buffalo’s lo-fi slacker rock and rollers Dogs in Stereo are ready to accompany you throughout this plodding, inevitable journey, where you say goodbye to the world around you and simply succumb. If there’s beauty in that, “Traffic Circles” will bring it out. Dreary guitars and vocals capture a fed-up, aimless energy. Joe Cardina’s project nails the depressing, grey feeling of hoping that there’s no hope with this track, reminding you to take your Vitamin D this SAD season. Dogs in Stereo goes bleak here, but it’s just one of many sounds they pull out of their bag of tricks. Varying synths and harder punk sounds highlighting other releases. Dogs in Stereo’s Idle EP hits the streets 11/15, and you can catch the release party at Mohawk on 11/14. Check out the visuals, with Shauna Presto’s direction.

The Manx – “Weird Girl Stuff”

Get weird with LA-based art punks, The Manx, as they debut the visuals for their spastic new single, “Weird Girl Stuff.” Off their latest LP, Malibu Slime, this unique quintet shows off their sweet side with a romping beat that twists, turns and shivers with electro blasts and jolly vocals. Taking it to another level are director, Jennifer Ruiz, and animator, Amy Q. Huang, who punctuate the track with vibrant visuals and awesome animations that will charm your socks clean off. Do yourself a favor and give this wonderfully oddball video a watch below. For more of The Manx, check out their Spotify here and Facebook here.

The Molice – “Moving”

The Molice are a funky, post-punky trio from Tokyo, Japan who have been resident Buffalonians for quite some time now. Their new music video for “Moving” is a montage of their time here thus far, culminating in a big performance for the Music is Art Festival. You might also recognize footage from Mohawk Place, Nietzsche’s, and a bunch of other cool Buffalo locations, all tied together with beautiful Buffalo-based cinematography captured by Lance Claypool (Pentimento). Beyond the video – “Moving” is a jittery and angular blend of funky indie-rock energy with a sugary chorus sure to get stuck in your head. If you dig The Molice, add them to your Spotify playlist or consider donating to their GoFundMe.

Eerie Shores – Wicked Disposal

It is no secret that SUNY Fredonia produces a lot of talented artists, especially musicians. There have been countless acts over the years that have staggered their way up from the Chautaugua County college to leave their mark on Buffalo. One of the latest outfits to make that journey is Eerie Shores. Formed in 2017, the band has finally found it’s footing and now identifies as a five-piece. It is with this identity they have found their groove and have released their debut EP called Wicked Disposal. Upon first listening, it’s apparent that this band wastes no time getting to what it does best, which is heavy, detuned riffs. The EP opens up by hitting you right in the mouth with “Days and Weeks,” a 6-minute heavy rock jam with quite the catchy chorus. From there, the group showcases a bit of their softer side on “Ghosts (Dried Out),” as[...]

Lake Jons – “I Don’t Care”

Lake Jons is a Helsinki-based duo who walk a fine, fine line between producers extraordinaire and full-on band. “I Don’t Care” is a perfect example – gauzy synth flourishes and jittery percussion tracks lay underneath their tasteful vocal lines. They’ve found a way to inject an organic feel into the otherwise mechanical nature of electronic music. Let their airy brand of synth-driven indie pop envelop you. Check it out below and add it to your Spotify playlist.

ARCHE – “Back to the Sun”

Last time we checked in with French indie poppers Arche, we were waxing poetic about their debut video “My Only.” This time around, they’ve replicated their impeccable aesthetics in their newest offering, “Back to the Sun.” Swimmy guitars and ethereal vocals are omnipresent here, accompanying the often kitschiness of the music video flawlessly. Check it out below or add them to your Spotify playlist.

Joseph of Mercury – “Pretenders”

Feeling the funky nu-disco groove of “Pretenders” by mysterious Canadian artist Joseph of Mercury. Pairing a funky bass line with guitar ambiance and a Morrissey-tinged croon, “Pretenders” is the kind of song that has classic appeal with 2019-flavored contemporary energy. Fans of Daft Punk or the Smiths will def dig this one – check it out below and add it to your Spotify playlist.

Szymon – “Blue Coloured Mountain”

Mmmm, a tasty one from Szymon – “Blue Colored Mountain” is an eclectic shuffle, matching falsetto mastery and humble synth twinkling with a perfect drumbeat tempo. This one, sadly, is released posthumously – Szymon tragically took his own life after years of battling depression and mental illness… But for that reason, it’s all the more reason to dig into his incredible discography. Help celebrate an incredible musician and life – add it to your Spotify and check it out below.

ACUA – “Keep Spinning”

German psych poppers ACUA scratched just the right itch with their latest offering, “Keep Spinning.” Full of twinkling guitars, dreamy vocal longing, and bassy splashes of keyboard, “Keep Spinning” would fit comfortably on a shelf next to Turnover or Radiohead. These talented musicians did a lot of running around to make this stunning music video, so make sure you give it a thorough watch. Like what you hear? Add them to your Spotify playlist.

Diamond Thug – “The Woods”

This one is sure to get you into a mood – Diamond Thug goes right for the heartstrings with the industrial and synthy slog of “The Woods.” The South African crew explores themes of isolation and disconnection through their use of dark and dreary synths and singer Chantel Van T’s ethereal vocals. All the while, imagery of dark forests, moons, and the night sets the scene. Check it out below – here’s where you can learn more if you dig it.