Latest Posts

Errol Eats Everything – “Round N Round”

Industry veteran Errol Eats Everything steps back into the booth with a new persona and a cyclical short story to tell on his latest single, “Round N Round.” Channeling Jay Electronica through his deep voice, vivid imagery, and impressive internal rhymes, Errol talks through the cycle of gun violence and its impact on communities – cultural commentary that Errol espouses throughout his releases. “Round N Round” features a dastardly jazz loop on which Errol certainly eats. The Errol Eats Everything character is coupled with a Boondocks/hip hop Boss Baby character to ramp up the interest and immersion in Errol’s performance – Check it out on IG for the full experience. “Round N Round” is the second single from the NYAM! EP with an album to follow in February – follow Errol on Spotify to keep tabs on that and other releases. Listen to “Round N Round” alongside other recently-featured underground[...]

quickly, quickly – “Enything”

Portland, Oregon based quickly, quickly is the brainchild of Graham Jonson, and “Enything” is their latest song. I was briefly disappointed as I thought this was going to be a celebration of Enya (jk), but was genuinely very impressed with the lo-fi bedroom pop mouthfeel. The cavalcade of instrumentals, both big and small, reminded me of a lovechild betwixt Elliot Smith and Sufjan Stevens; parts jazzy and folksy, but altogether a most satisfying endeavor. If you aren’t taken in by the music video below, you’ll at least be able to enjoy crescendos that come out of nowhere and fade back.   You can watch the music video for “Enything” below on YouTube. You also have your pick of  Bandcamp and Spotify so you can throw this on your bedroom pop playlist (of which you should have many from us, right?).  

Fright Years – “Do What You Wanna”

Edinburgh based Fright Years brings us their latest track with “Do What You Wanna.” The rare, bass-heavy track that celebrates the idea that we can find joy in expressing ourselves without fear or judgement. The intro reminded me of “I Am One” from Smashing Pumpkins first album, Gish, with the heavy emphasis on the bass and drums. The guitar comes in the help carry us through the rest of track just before a minute has elapsed, but, in all honesty, I could listen to this chunky bass riff allllll day long.   You can hear “Do You Wanna” below from YouTube or add it to your punky/psychedelic-adjacent playlist on Spotify. The single also includes “Aftersun” and “Stars” and are also worth your time, showing the true range of the band.  

georgia, georgia – “friends”

It’s been a minute since we last heard from Italy-based musician georgia, georgia. We last covered her here back in October and, much like then, we’re quite stoked to hear her latest offering “friends” (back then it was “things you do”).   Other than thumbing her nose at capitalizing, Giorgia Piva has crafted an impeccably catchy dream pop track where the guitar and synth play second fiddle to her vocals. She makes the entire affair sound effortless even with her wispy-yet-strong vocals. Fans of Phoebe Bridgers or Clairo would find a lot to enjoy here, as would anyone who enjoys a well crafted song from start to finish (… so, probably everyone).   You can hear “friends” below from bandcamp or add it to your Spotify playlist of perfect pop songs delivered in a whisper song voice.   friends by georgia, georgia

Label Mou – “Sparkling Lights”

Label Mou, Italy-born and based in Germany, brings us her latest track “Sparkling Lights.” Mou’s vocals deftly weave through the house beats that underpin the track. The song was released as a message of support to people impacted by the Los Angeles fires (of 2025). Lyrically, “Sparkling Lights” is “an imaginary story of a devastating natural disaster, inspired by the strength found in love and the transformative power of reconnection, even in the face of overwhelming challenges.” While at first glance this may seem a little on the nose, the track itself was written a few years ago and was purposefully and thoughtfully released.   You can hear “Sparkling Lights” below from YouTube and can throw it on your “chill house around the house” mix on Spotify. I found a few other tracks she was featured on, as well has her past project Might at Night, but this was the[...]

honeygaze – “Heartthrob”

“Heartthrob” is the latest single from Philadelphia hyperpop band honeygaze. A combination of EDM, pop, punk, and then some, that comes together better than the sum of its parts (and not some (or perhaps some(?)) Frankenstein mish mash). Encompassing anywhere between Charlie XCX or “scawy monstews and nice spwites :3″ from Fraxiom, it’s quite the gap!   The track itself reminded me a lot of one of my personal favorites: Silversun Pickups – in particular, the fuzzed out guitar which keeps this rooted in indie rock. The synth and voice modulation keep the track interesting but not to the point where the band loses the plot and you’re left wondering what you’re listening to. Not that there’s anything wrong with that! Sometimes you need something so out of pocket that it haunts your dreams. In this case, honeygaze reigns in the wildness of hyperpop to create something left-field, but melodically[...]

Spectaculous – “Tempo”

Whimsical compositions and biting lyricism prove to be the secret formula on the debut single from Madison, WI artists Spectaculous. Five years in the making, bandmates Dequadray White (vocals) Jason Kutz (keyboards), Ben Ferris (bass) and Mike Koszewski (drums/percussion) are executing a realized, distinctly unique project. The Spectaculous four recruit additional instrumentalists for “Tempo,” a piece with carefully composed classical music elements (including parts for flute, clarinet, oboe, etc.) in a hip hop package. The bubble gum, Fairly Oddparents palette and Dequadray’s sharp pen combine for a one of a kind listening (and viewing) experience. “Tempo” comes with a fully animated video from DaBolis House that you’ve gotta check out. You can follow the band’s future output, including plans for multiple EPs, on Spotify.  Check out our Underground Hip Hop playlist while you’re there.

Autoignition – “Plummet / Picking Daisies”

Buffalo based pop-punk quartet Autoignition just released “Plummet / Picking Daisies,” a two-track ripper that’s already found its way into our regular rotation. With anthemic choruses and their heart on their sleeve, these songs hit like a freight train. “Plummet” sees the band come out swinging, with blistering drums setting the stage. The earnest vocals have a sense of pleading, underscored with a slow-moving guitar countermelody. The energy captured on this track is very raw, that is undoubtedly reflective in band’s live performance.   “Picking Daisies” opens with a little more space, but no less energy. With a hooky guitar line, and driving drums, the track churns under the vocals. With echoes of early Blink-182, this is the perfect foil to ‘Plummet.”  High-impact release from a band that is getting a lot of well-deserved buzz. All in all, these tracks are a snippet into the project’s promising future in the[...]

Chrome Waves + A-F-R-O + Jeristotle – “My Mind is My Biggest Gun”

UK beatmaker Chrome Waves recruits rising artists A-F-R-O and Jeristotle on his latest boom bap single “My Mind is My Biggest Gun.” Chrome takes us back to his 90s roots on this track – spotlighting some tasteful DJ scratches and a simple, menacing sample flip for the rappers to take aim at. A-F-R-O sounds like GZA or a DOOM collaborator when he gets the mic, realizing the song title with internal rhyme schemes and vivid imagery. Jeristotle takes a visionary approach to the second verse, channeling lucid dreams, thought leadership, and other philosophical musings. Chops, scratches and other beat seasonings transition the song from verse to verse, giving listeners a hypnotizing head-nod along the way. Add this one to your playlists focused on masterful boom bap and lyricism. Check out more from Chrome Waves, A-F-R-O and Jeristotle on Spotify – you can find them and more on our Underground Hip[...]

Disco Nap – “Do It”

Chicago-based act Disco Nap know how to groove – evident on their latest offering, “Do It.” Glassy guitar tones, a bumping bassline, and an absolutely insane drum presence power this one forth, channeling contemporaries like Crumb with their jazzy blend of indie rock. More of a mood than a song, “Do It” challenges notions of contemporary songwriting with a deep-seeded feel that transcends tried-and-true verse-chorus-verse methods. It’s set off by an omni-pleasant vocal presence that never overpowers – laying a soothing melody over this neurotic but soothing jam.   You can find “Do It” on Spotify, but be sure to preview using the Soundcloud embed below.   Disco Nap · DO IT

Cold Camp + The Dirty Sample – “Excellence”

Our Rocky Mountain brethren have crafted a subzero lo-fi hip hop soundtrack for the Buffalo winters. Hailing from the mysterious northwest range is Cold Camp, a hip hop collective headed by veteran producer The Dirty Sample. Their latest effort, “Excellence” features crunchy boom bap drums, a cold piano sample, and a mischievous narrator ready for trouble in the high peaks. Things are a bit less interesting topographically here, but the icy aesthetic and frigid lyrical references Cold Camp bring down from the Rockies is the perfect accompaniment to a January walk in the city. An extended version of “Excellence” appears on the aptly named We Hate Summer project. Check it out for more lo-fi, icy hip hop production – and check out everything Cold Camp and The Dirty Sample on Spotify.

Rokeaux – “Heauxtel”

Virgin Islands rapper Rokeaux channels Damien Marley and Drake influences for his hypnotic new track “Heauxtel.” Anchored by Rokeaux’s anthemic hey/ohhs and killer reggae guitar lines, you can classify this track as Caribbean Hip Pop. “Heauxtel” (“hotel”) discusses a no-strings-attached relationship, leaving emotions at the door in pursuit of red-blooded desires. Lighthearted but thematic, “Heauxtul” works for late night playlists, tropical dance sessions, break-up mixes, and more. The track is the latest single in a string of new releases from Rokeaux – catch his full catalog on Spotify. Interested in more 2025 Underground Hip Hop? Check out our playlist on Spotify. 

Lala Salama – “Kuva Susta”

Helsinki-based trio Lala Salama embody the quiet/loud dynamic perfectly on their latest single, “Kuva Susta.” The Finnish band transition seamlessly between percolating verses and overblown choruses, channeling shoegaze greats while never losing sight of indie-pop melody and accessibility. The vocals here are ethereal and mysterious, and fit just as well in the massive, fuzzy chorus tones as they do in the beautiful, understated verses. Here’s a bit from singer Rosa Jules about where they’re coming from on “Kuva Susta:”   “‘Kuva Susta’ represents Lala Salama’s more sensitive side; it’s an emotional depiction of longing, memories of the past, and the difficulty of letting go.”   “Kuva susta” is available on all your favorite platforms. Be sure to click the bandcamp embed below, then add it to your Spotify jams.   Kuva susta by Lala Salama

Kylie Rothfield – “Old Man”

Kylie Rothfield lays it all out on the line for us on her latest ripper, “Old Man.” Written alongside queer indie alt-popper Mothé, “Old Man” is a biting attack on the sometimes nefarious motives behind dating with an age difference. Rothfield’s lyrics are ruthless but fair, and she bolsters them with plinking keyboard sounds and chunky guitar, cooking up a fantastic, simmering indie rock backbone. Rothfield herself is the shining star here – her vocals are soulful and filled with sincerity.   You can find “Old Man” on your favorite streaming service (we recommend Spotify). Preview using the YouTube embed below.  

Walkman – “Joint”

Pittsburgh’s Walkman got a voice for boombap, an ear for beats and a set of lungs ready to burn at all times. His latest effort “Joint” is an ode to smoking good and serves insightful peek into the day-to-day of this up and comer. “Joint’s” boombap give it a nostalgic edge that places you in the 90s as Walkman waxes weed-flavored poetic. A pitched down hook repeats “my eyes’ low for as long as I remember,” in between verses where Walkman laments on criticisms from outsiders (“call me unexceptional for smoking a joint,”) while also boasting refreshing self-awareness  (“I’m immature and a tall tale teller.”) Listen to more from Walkman on Spotify ahead of his upcoming summer album release – you can catch him and other freshly minted artists on our Underground Hip Hop playlist.