Latest Posts

Kayze – Renaissance

June 25, 2026

Kayze (rhymes with “blaze,” for those wondering) is proud to announce the capstone of a long-term project, The Dialectic Series, an achievement in and of itself, but extra special because it hits so hard. Kayze specializes in cinematic hip-hop, the perfect vehicle for his lyrical attacks on modern culture, often highlighting the juxtaposition between the demands and expectations of our overarching society and increasingly rare personal accountability. As the final offering in The Dialectic Series, Kayze purposely chose an industrial-but-ethereal approach, emphasizing production that feels intentional and smooth. Moreover, the seven songs across Renaissance give you the feeling of finality – a mission accomplished for Kayze and a genuinely fulfilling listen for everyone else.   Renaissance begins with “Memories,” a hazy, synth-pop introduction that pairs the powerful, aforementioned production with Kayze’s comfy drawl and pop-oriented vocals. “Memories,” perhaps unsurprisingly, explores the lingering weight of the past – its nostalgic underscore plays[...]

Planer – Feel It Too / Dial

May 8, 2026

Minneapolis-based quartet Planer recently released a two-song split featuring two new songs, “Feel It Too” and “Dial.” The band specializes in a sludgy amalgamation of ’90s grunge; Midwest, DIY-style emo, and post-rock. Influenced strongly by the Big Muff and Rat (TM) warriors of the ’90s – think J. Mascis or Kevin Shields – with a healthy dose of contemporaries like Cloakroom, Superheaven, and Citizen. Ruthlessly sincere and with a true, genre-confirming DIY energy, Feel It Too / Dial feels timeless and contemporary all the same.   Opener “Feel It Too” is perfect post-rock-influenced emo. A simple, descending guitar lead is all it takes to know this one’s going to crush your spirit in the best way. Heavily distorted guitars jangle atop a sloshy drumbeat. Vocals sigh and moan with genuine hurt. The song itself even implodes on itself, gradually degrading over time into nothingness… But Planer’s real strength comes from their penchant[...]

The Sven Curth (Huge) Trio – Live at your local Waterhole

March 3, 2026

Sven Curth and his cronies let loose a wicked live set in Live at your local Waterhole. Alongside featured keyboardist Chris Carballeira, these enviable musicians tailored a set of 60s and 70s rock – and blues-inspired masterpieces. This live set is fun-filled, kindly rebellious, and consistently full of next-to-the-bonfire coziness. Overall, The Sven Curth (Huge) Trio do justice to classic rock. No joke – they all know how to play! Always peaceful yet engaging, these performers offer a captivating sonic experience that has us raising our gaze away from our phones and up at the proverbial stage.   “How Come?” is the first track on this live recording. There’s a thumping shuffle on the drum kit. The bass guitar walks us along on a loose leash. Joining other songs on this collection that question important societal norms like marriage, Curth sings, “How come everyone’s looking for a partner?” Though Curth[...]

Brock Davis – Nothing Lasts Forever

February 17, 2026

Americana is a timeless genre – one that feels inherently tied to history, nostalgia, and feelings of belonging. Santa Cruz-based singer/songwriter Brock Davis has found a home in that genre, especially on new album Nothing Lasts Forever, a 14-song offering that deals with heavy-but-relatable themes like the transience of life, love (and all its implications), and everything in between. A real-life health scare may have shaken Davis (luckily, he’s okay), but if anything, it seems to have steeled his resolve to create something heartfelt and real. The phrase “Nothing Lasts Forever” might be literally true in a vacuum – but at the very least, these songs will live on eternally, and they certainly have the classic songwriting backbone to withstand the slow, cruel hands of time. Here’s a little more from Davis himself about what Nothing Lasts Forever really means to him:   “As I was searching for an album title,[...]

Rayhan – EP 5

February 14, 2026

Here in Buffalo, we consider Toronto our neighbors to the North, so we were pleased to receive the latest EP from Canadian artist, actor, and comedian Rayhan Jabbar. On his latest offering, a three-song EP he’s titled EP 5, Jabbar flexes all of his creative muscles into something all-encompassing and undefinable. Between art, acting, and music, if you had any questions about Jabbar’s multi-talented nature, this EP shifts wildly between hip hop, indie pop, and… Bollywood? You read that right.   Obviously as fellow snow belt dwellers, a song like “Windchill Minus Twenty” might appeal to us, especially as February temperatures plummet to that point regularly… Although we’re probably talking Fahrenheit here in the US – that’s probably much, much colder where Rayhan’s from. Here, he uses  a tough and glitchy beat to rap about how “selling drugs is a right of passage,” and the journey from being a drug-slinging youngster[...]

Singing River – Shoutin’ Good Time

February 5, 2026

It’s hard to believe it’s been nearly 10 years to the date that we featured Hawker M. James’ Long Playing Lo-Fidelity as our album of the week (yeah, we know, we’ve been at this for a long time)… But if it’s any indication that we’ve been on our BS for the last decade, we’re delighted to feature Singing River, which shares members (Mike specifically, more on that later); still NY-based, still making incredible music. They’re here with Shoutin’ Good Time, an Americana affair that pairs blues, country, indie rock, and folk into a rip-roaring, rowdy time… Like something you’d hear in a horn-soaked saloon. Project masterminds Mike James and Anthony Kuhn (and their accompanying band, in total, a six-piece ensemble) layer this EP thick with big guitar energy, bolstered by harmonicas, sleezy horns, and genuinely good vibes. It’s wrapped up in a nice little bow that pays homage to traditional[...]

Stinkus – I love you, trackstar

November 19, 2025

By now, you should recognize Stinkus as a buffaBLOG favorite – we reviewed 23 last year, and have covered multiple singles leading up to their 2nd album this year (!), I love you, trackstar.   Before we get started, I think it’s important to cover the following: Tyler Thompson, Stinkus mastermind, acquired the nickname “Tink.” “Tink” eventually turned into “Tinkus” (as these nicknames tend to do). As a reminder to have fun and to not take the project too seriously, Thompson added an “s” to Tinkus, arriving at the playfully coy “Stinkus.” Thompson is a writer/producer based in LA – with a prolific pedigree, it’s not hard to see why Stinkus slaps so hard… But in all seriousness, Stinkus is Thompson’s project where anything can happen, free from industry notes. That sincerity, realness, and carefree, “have fun” nature comes through beautifully on I love you, trackstar. Now that you know[...]

Vicious Clay – Bleecker Street Revisited

November 14, 2025

There’s something visceral about the music that comes from Vinny Silva – colloquially known as Vicious Clay. The multi-instrumentalist plays all the instruments on the album: drums, bass, guitars, vocals, and percussion, and it’s palpable – the music here is raw and emotional… Truly an artist’s singular vision. Over the course of 10 songs, Silva explores sneering rock ‘n roll sounds, dipping into garage tones; retro rock swagger; and bluesy emotions.   “Dark” is a fitting way to start the album – reminiscent of Stone Temple Pilot’s “Vasoline,” the song begins with a cacophony of swelling sounds before Silva rips a crushing line – “Feels so hopeless in the dark.” The groovy, guitar riffing here feels spindly and spidery, whipping and winding around your eardrums with nimble virtuosity, pairing raw chords with strong, start/stop rhythmic play. “Dark” is a fitting way to start the album, but it is certainly the[...]

Gabriel Royce – Traveler

November 1, 2025

Gabriel Royce wrote an album that means something to him.   Inspired by his oldest daughter, Emery (and even featuring the voice of his father), Traveler is the culmination of a decade-long dream. There’s something to be said about a self-produced album like Traveler and the 2am nights that were spent to put out something of this magnitude. Across 12 songs, Royce builds a literal world – or rather a galaxy, parlaying space travel concepts into metaphorical lessons about life. This is truly a love letter to his daughter; an album that comes from a place like that is special.   Album opener “Blastoff” is more of a mantra than a song, but fittingly, starts with the voice of his father and ends with the voice of Emery. It sets the “space” scene perfectly, leading into song two, “Light Up The Sky.” Royce pulls no punches here – an ultra-polished song[...]

Crows Will Cry – Maelstrom

October 24, 2025

With electrifying instrumentals and haunting vocals, Crows Will Cry truly lives up to its name. The Buffalo-based act is known for its post-rock, ambient, and cinematic elements and genres, spinning trance-inducing webs of sound woven into powerful melodies. Their latest LP, Maelstrom, is a ten song offering that features a broad selection of both instrumental tracks and songs with hauntingly stunning vocals, showcasing the band’s interesting dichotomy – captivating rhythms and beats versus vocal-driven melodies.   The tracks that do have lyrics are amazingly written. Songs like “You,” “Solace,” and “Fire” provide the audience with deep and emotional lyrics about feeling alone, betrayed, and abandoned. The raw energy that is exhibited throughout Maelstrom shows the band’s immaculate ability to display both intense and emotional feelings through music.   A standout track is definitely “Chemical,” with dynamic and fun beats and harmonic, almost robotic vocals. The track is emotionally charged and builds as[...]

CERULEAN SAPPHIRE – soft attention

October 21, 2025

CERULEAN SAPPHIRE (CS) appear out of a blue-hued aether with their latest, self-produced album, soft attention. Based around a self-proclaimed concept they’re calling “Mediterranean Melancholy,” CS was created by a Finn who grew up in south Spain, surrounded by a suite of different cultures. Like its creator, soft attention lives in the spaces in between – a liminal, escapist, and dreamlike offering that harkens back to the ’90s in a Pure Moods type of way while keeping its finger on the pulse of modern day synthpop.   Songs like “orientate in paris” are archetypal CS. The music here is some holy mixture of synthpop, ambiance, and shoegaze – equal parts Cocteau Twins, Everything But The Girl, and Slowdive. Ghostly, otherworldly vocals float heavenly above Casio-tone keyboard tones – buzzing, bubbling basslines; machine-like percussion; and gauzy synth pads create a sleepy haze. This is music to meditate to – or at[...]

Kitty Coen – Conversations with the Moon

October 19, 2025

When you think of country music, images of gothic, alt-country songstresses don’t typically conjure up… But that’s Kitty Coen. Landing somewhere “between a saloon and a séance,” Kitty’s take on country doesn’t fully eschew the “dirt road, big truck, cold beer” aesthetic… But expect to hear some glassy-eyed songs about cocaine and dancing on graves too. The result is the stunning, 12 song offering, Conversations with the Moon, an eclectic, but ultimately super-listenable record that has enough country appeal to vibe with regular listeners; an equal amount of old-school country badassery to impress your parents; and enough angst to get indie rockers like me to pay attention. Like Stevie before her, Kitty fancies herself sorta witchy – check out a little bit more about what this album means to her below:   “This record came from those nights when you feel like the only thing listening back is the moon… It’s[...]

WaterPenny – Buttons For People

October 15, 2025

WaterPenny defy classification… But if we had to quantify, we’d peg them as Western-tinged, blues-influenced rock n roll. Lane (lead guitar & vocals), Wes (guitar & vocals), Cihan (bass), and Sean (drums) are the quartet of musicians that comprise this enigmatic and unique act from Washington, whose latest album, the nine-song Buttons For People bridges the gap between classic rock fervor; sweaty, emotional blues; and modern day indie rock   The album kicks off with “Not Yours or Mine” that highlights exactly what this group succeeds at. Swampy slide guitar moans and groans in a mid-tempo meditation before the group explodes into a jammy outro, melting faces with a stanky rhythm and blistering lead guitar. Elsewhere, they channel Led Zeppelin (or maybe Cage the Elephant) on “Iteration” and album closer “Undone,” sounding like a perfect mix of the aformentioned bands. The band has no problem spreading their wings either – lead[...]

CAR287 – Looking Through the Lens

September 17, 2025

On their latest album, Looking Through the Lens, the Canadian rock band CAR287 takes us on an wild journey. Feelings of both hopefulness and hopelessness, anger, and heartbreak bubble up – examined from multiple lenses, both within the self and others. Here’s a little more from frontman Jay Yarmey about how the album came to be:   “This album is about perspective – how we see ourselves, our families, our city, and the memories that shape us... It’s rooted in Winnipeg and in the experiences we’ve lived, but the themes are universal – everyone can find a piece of themselves in it.”   “Opening Song” is, self explanatorily, the first track on the record. It intrigues the audience with the anticipative hook, “dreaming of pulling away from here.” The passion within the track could inspire just about anyone to make a positive change in their life. In fact, while you[...]

Freidrich$ – Wish

August 29, 2025

Who is Freidrich$? What is Freidrich$? Is it even possible to know Freidrich$? We’re not exactly sure either, but the enigmatic individual known as Freidrich$ (F) is hot off the release of their latest offering, Wish. Clad in smeared and streaked face paint, Freidrich$’s existence may seem like it lies somewhere between Slipknot, ICP, and/or Ghost, but the 10 tracks on Wish are actually a lot more grounded in heartfelt emotions, blending elements of trap, bedroom pop, and dreamy atmospherics to create something all his own.   “The Moviegoer” is our introduction to Freidrich$’s unique style. A crushing Red Hot Chili Peppers (!) sample forms the backbone of this song; Freidrich$ goes as far as to call them out by name mid-track, a fun and interesting way to reference where his sample came from. Moreover, we start to vibe on F’s vocal style – haunting, self-referential, and incredibly personal lyrics, delivered[...]