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BYLAND – “Monstera”

If you’re looking to feel emotionally crushed, we’ve got the perfect new jam for you. BYLAND (aka Alie Renee Byland) makes her triumphant return with the heartbreaking “Monstera,” ostensibly about losing a once treasured musician-to-musician relationship. With all the fervor of Big Thief, Belinda Carlisle, and even Manchester Orchestra, the crunchy guitars and impassioned vocals from Byland drive this one into goosebump-inducing territory. The song’s unique lyrical content might read like a love/breakup letter, but Byland explains otherwise: “… [‘Monstera’] isn’t quite a love letter, but it is not an apology… I wasn’t just changing my address – I was breaking a promise.” Be sure to check it out via the YouTube embed below before adding it to your Spotify and/or Apple Music playlists.

Brimheim – “Literally Everything”

Danish act Brimheim (aka Copenhagen-based musician Helena Heinesen Rebensdorff) gives into her “most pathetic impulses” on latest single, “Literally Everything.” We appreciate her candidness, because it has resulted in one hell of a song. The blasts of vintage synth are a highlight here, as they come in unexpectedly and buzz your eardrums in the most perfect way. All the while, the rest of the understated alt pop stays effortlessly low key, including Rebensdorff’s beautiful vocal performance. Fans of PJ Harvey, Caroline Polachek, and Weval will love this. Check out “Literally Everything” on Bandcamp, Spotify, and Apple Music.

Tamra – “Flood”

There’s something so familiar about the midwestern emo-tinged indie rock coming out of Tamra… Familiar in a good way, of course. “Flood” is their latest single, a two-minute meandering set off by a repeating rhythmic motif that will have you air drumming in no time. Guitars laden with a tasteful crunch carry the brunt of this track, while emotional-but-sincere vocals ride along top in a passionate (but not too passionate!) delivery. Its understated nature is what makes it so perfect – let the waves of nostalgia wash over you in that all too familiar way. Fans of Braid, Manchester Orchestra, and even City & Colour will enjoy what Tamra has to offer. The YouTube embed is located below, but “Flood” can also be found on Apple Music and Spotify as well.

Sonic Blume – “Falling Behind”

“I’m sleepyhead, I’m cheesy bread.” Within the first five words of “Falling Behind” by New Jersey-based act Sonic Blume, it feels like they’ve summed up the collective millennial/gen z experience. Sounding somewhere like the child of “Where Is My Mind?” by Pixies and modern day dream-pop emo (aka dream-o), “Behind” is as emotionally crushing as it is validating. Driven by its wry guitar lines and eclectic lyrics (seriously, there is some genuine wordsmithing going on here), this one struck a chord with us on multiple levels. You can find “Falling Behind” pretty much anywhere music can be consumed, including: Spotify, Apple Music, and Deezer.

Illiterate Light – “Always Always”

There’s just something fun about the latest single from Virginia-based duo Illiterate Light. Playful, ebullient, and generally upbeat, “Always Always” is built around an inescapable vocal hook that digs into your brain, latches on, and refuses to let go. With a sound that perfectly meshes southern-tinged indie rock (think My Morning Jacket, Band of Horses, or Fleet Foxes) with the synth-laced hooks of Foster The People or Passion Pit, we think “Always Always” is a shoe-in to refresh your tried-and-true playlists. You can find this fun little ditty on both Spotify and Apple Music.

Floyd Thursby – “Teenage Ladybug (feat. Mademoiselle)”

I am neither teenaged, nor a ladybug, but “Teenage Ladybug” by Floyd Thursby and collaborator Mademoiselle made me feel things. A simple song with a bluesy guitar backbone, “Ladybug” pairs Thursby’s wry songwriting with Mademoiselle’s matter-of-fact, hush-hush vocals. With lyrics about living in trees and smirking while perched upon a daisy, it’s tough to literally relate to “Ladybug…” But something about it feels real to me all the same. It’s very possible that this song is just a joke, but if you really think about it, teenage ladybugs really don’t get any respect. No respect at all. Probably. You can find “Ladybug” on YouTube (below), Bandcamp, Spotify, and Apple Music.

Ostrology – “Only A Dream”

Is aural LSD a thing? If it isn’t, we think Ostrology has invented it with new single “Only A Dream.” If you could take Mac Demarco and turn the “Demarco” knob all the way to 11, you might have a good idea of what to expect. Warped and warbly to the max with wild lyrics to match, “Dream” is disorienting in all the right ways. Is the song out of tune? Could it even possibly be in tune? Is that even a guitar? Question upon question will build upon themselves – needless to say, we’ve never heard anything like this. Toke up with some dank bud and give this one a listen, we’re pretty sure it will change your life. Check out the equally trippy YouTube video below. You can also find it on Soundcloud.

Vast Robot Armies – “Like A Bug”

Vast Robot Armies (VRA) has been kicking around for the good part of a decade and that storied experience shines through on latest single, “Like A Bug.” With heavy nods to the band’s pedigree, friends, and collaborators (Sometimes Why, The Life And Times, Shiner, and Sundiver just to name a few), “Bug” is a cavalcade of dark grungy guitars, plunking electric pianos, and booming drums. Having evolved from a solo project to a full-fledged collaborative band, VRA has run the gamut of different forms and shapes – if “Bug” is any indication of their future trajectory, buffaBLOG will be paying attention. Check out “Like A Bug” via YouTube (below), or stream it on Spotify or Apple Music.

Ravetank – Echoes From Feedback Mountain

When you get a heads up that an album you’re about to enjoy is classified as “absurdist noise folk,” you kind of already know what you’re getting yourself into… Or maybe, its more likely that you don’t actually have any possible clue. Either way, the latest LP from Bath, UK-based duo Ravetank is a journey in ambient noise and never ending discord. Ranging from whirring wind sounds and quiet meditations all the way to ear-destroying squalls of feedback and atonal guitar monstrosities, Echoes From Feedback Mountain (EFFM) is certainly a mediation on the fine line between noise and melody. After a full listen to EFFM, you might be surprised to learn that Ravetank is only two people. They recorded the backbone of EFFM live in order to capture the most authentic possible presentation of their sound. From there, they added a series of overdubs, including “bass, some guitar, feedback loops, and contact mic’d[...]

Goalie Fight – “Kids’ Table”

Like many Midwest-emo inspired acts (think Modern Baseball; American Football; Football, etc.), Goalie Fight started with a sports-inspired name and gradually started pumping out some tasty riffage. We’re recommending their latest single, “Kids’ Table,” for your listening pleasures. Spindly guitar twinkling here is in the forefront – equally sparkly, mathy, and jangly, it produces a surprisingly driving beat that the drums and bass accompany perfectly. Bringing to mind the wordsmith narratives of The Front Bottoms or the aforementioned Modern Baseball, the mile-a-minute musings here are witty and intriguing, perfect for any basement show-going wallflower. You can find “Kids’ Table” on Spotify and Apple Music as well. On Ice! by Goalie Fight

James Beastly – Junk Values

James Beastly. The man, the myth, the legend. One listen through the blistering punk/alternative/slacker/??? vibes of his latest album, Junk Values, and you’ll be thinking the same thing. He’s self-described as “too indie to be punk and too punk to be indie” and we couldn’t have said the words better ourselves. Junk Values is just that eclectic. Either way, James’ iconic personality and unique tastes truly shine through on this collection of ten, genre-defying songs. James evokes wild punkers like WAVVES and FIDLAR (are both of those bands capitalized? Maybe we should start capitalizing JAMES BEASTLY) on album opener “The Arc of Youth.” Proco Rat (TM) guitar tones lay underneath cosmic and psychedelic guitar leads while James takes center stage with his unhinged but still-digestible delivery. This is punk rock for the ages, and James nails the aggressive vibes here perfectly, but it’s just one step on the journey you’re[...]

Personal Style – “False Memories”

Personal Style is a three-piece punk band from Buffalo made up of Bryan Johnson, Evan Wachowski, and Stephen Floyd. Their latest jam is a crunched-out indie-punk song they’re calling “False Memories” – with ultra chunky guitar distortion, punchy drum sounds, and nimble bass plunking, the trio brings to mind fellow genre luminaries like Parquet Courts, LVL UP, and Cloud Nothings. Of particular note here is Johnson’s soaring vocals, which he uses perfectly to cut through the angular punk grime with plenty of tasty melodies. “False Memories” was recorded at Mammoth Recording Studio here in Buffalo with Justin Smith and Mike Santillo. Be sure to check it out (as well as song two, “Heartbeat Memorial”) on Bandcamp below. False Memories b/w Heartbeat Memorial by Personal Style

Daniel Ryn – “Boketto”

Daniel Ryn brings his genre-bending alt-pop to the masses with latest single, “Boketto.” The song started like many others – a COVID era experiment that came about as an “indie computer” prototype; soon, Daniel transformed the project into what it is today, including a unique live band set up. The song was inspired by rock and grunge but sounds very 2023 to us – here’s what Daniel had to say about it: “My next release ‘Boketto’ is a special one, as it’s the first time I bring the recording home to the label I’m in. We produced this at the label’s studio, what started out as a pop tune gravitated into a rock alternative one. It’s the song that reminds me that I used to like this type of music so much and I’m glad to finally have a rock song again.” You can find “Boketto” on Spotify, Apple Music,[...]

Couch Cult – The Couch Cult EP

Couch Cult started the same as many new acts – a passion project that rose, like a phoenix, out of the ashes of the pandemic. This particular trio watched, ostensibly, from a basement window as the world woke up again. This re-awakening of the world inspired their latest album, an almost self-titled affair they’ve entitled The Couch Cult EP. They explore themes of “altered perception, introspection, and the struggle to find authenticity in an ever-changing post-pandemic world,” a common and relatable struggle for those of us still trying to pick up the shattered pieces of a world we’ve been forced to leave behind. The album opens with “Psilo,” a not-so-obvious nod to the psilocybin found in a certain variety of mushrooms. There’s been lots of disassociation post-pandemic, and this song, thematically, hits the nail on the proverbial head. But rather than focus on one’s failures, this song urges the listener[...]

Eversame – “Warm Flower Sided Road”

Eversame is a quartet based out of Žilina, Slovakia. Their music spoke to us all the way across the Atlantic for it’s longing mix of shoegaze, emo, and jangle pop – one listen through “Warm Flower Sided Road” will give you an idea of what we mean. Delicate-but-hurt vocals lay overtop a Midwest-emo backbone, complete with acrobatic bass lines and wistful guitar strumming. Mid-song, a crunchy (but still chiming) guitar punctuates the gloom, which absolutely crushes the listener emotionally. Fans of Petal, Tancred, and Sunny Day Real Estate will love this one for sure. You can find “Warm Flower Sided Road” on Bandcamp (below), Spotify, and Apple Music. tell me where the flowers are by Eversame