Latest Posts

Housewife – “Matilda”

Brighid Fry (she/they) is the brains behind Canadian based indie pop (and buffaBLOG frequent – see here and here) act Housewife. “Matilda” is the latest track fresh off the Girl Of The Hour EP and it’s well worth a listen. Falling somewhere into the bedroom pop or alt-pop genre, you’ll have a good time here if you enjoy acts like Clairo or Men I Trust.   The song itself has an interesting backstory worth getting emotionally invested in – see below:   “Matilda was inspired by my bike getting stolen a couple years ago. I was an avid cyclist for years and really loved that bike (and had nicknamed it Matilda). I remember a while after it got stolen, I was out on a day that was perfect biking weather and just getting hit with how much I miss cycling. Obviously, the song isn’t just about a bike, but also[...]

Django Duyns – “Leather Skin”

“Leather Skin” is the latest track from Amsterdam artist Django Duyns. I’ll be completely honest, I didn’t know that this sound had a name of “pop noir,” but evidently “pop noir” is a sound I didn’t even know had a name *shrug emoji*. If you listened and thought this sounded vaguely reminiscent of Arctic Monkeys; you aren’t alone. Delightfully subdued guitars underpin the entirety of track along with Duyns’ sultry vocals. The rest of the three track single is also well worth you time, as you’ll certainly feel an evolution of the pop noir sound, and not just another rehash.   You can hear “Leather Skin” below from YouTube or over on Spotify. I didn’t see this on Soundcloud or Bandcamp, but could be found over on Deezer. Keep your ears out for Django Duyns’ debut album, as that is coming down the pipeline and will be available soon.  

Stimulus – “swiTCH”

Brooklyn-born, Berlin-based Stimulus blends house and hip hop on his buzzy new single “swiTCH.” The DJ/rapper’s been making waves throughout the city, first discovered by Mark Ronson and then featured on Sway in the Morning. Combining “Brookyln raps and Berlin beats,” “swiTCH” juxtaposes Stim’s laid back, spoken word delivery with an enchanting house beat and some fuzzy indie synths. You can throw this on your house mix as well as study beats – Stim’s got range. Lyrically, he challenges the technocrats; questioning the influence of algorithms and social media on our opinions and encouraging living in the physical world. “swiTCH” even features a delightful horn section down the home stretch – elevating an already-catchy track into something more dynamic. Listen to more from Stimulus on Spotify and check out more exciting new artists on our Underground Hip Hop playlist.

Sorce Manifesto – “strange waters”

Take a dive into the obscura underworld of Sorce Manifesto on his latest track “strange waters.” The up and coming rapper stays heavy on the lyricism, interplaying with the beat and “jumping off the meter” as he works between the song title, his origins, and more with line after line of headiness. Beat-wise, we’ve got an Adult Swim/DOOM/Madlib-influenced piece; heavy on a sampled guitar line with cartoonish voices popping in and out seemingly at their own devices. “strange waters” get a feature from TaeeFye, who juxtaposes the track’s buttery beat with gruffer vocals. Together, the rappers cover the bases of a tight underground hip hop track: Crate digger production, heady wordplay, and authentic grittiness. Go for a dip. Check out Sorce Manifesto on Spotify and more exciting hip hop artists on our Underground playlist.

Burnadine – “Tension”

Gotta love when we catch a band debuting with a song like “Tension,” and that’s exactly what we stumbled upon with this buzzing Texas trio. “Tension” feels spring-loaded – whether its the ultra-tight drumming, chock-full of fills; the ready-to-burst guitar angularity; or the superpowered vocal performance, there’s so much energy here from a band that seems so ready to hit the ground running. Be sure to stick around for the phaser-laden guitar solo tucked neatly into the bridge before the band’s final explosion of energy.   Check out “Tension” via YouTube (below), or, add it to your Apple Music or Spotify collections.  

Swansun – “Loving Vincent”

Swansun really, really love Vincent – and we think we do too because they inspired this great new song, aptly titled “Loving Vincent.” “Everything’s been so different since I’ve been loving Vincent” is as excellent of a rally cry as we’ve ever heard, bostered by ebullient, garage-y indie rock set off by a squiggling background synth. What’s more, while we’re usually more into doom-and-gloom, this outright expression of love seems ultra-sincere without ever heading into cheese territory – a rarity when penning a love song. You can sense the excitement of a fresh and healthy love simmering inside this South Jersey act’s music – fans of Clap Your Hands Say Yeah! or if The Strokes and The Shins started a side project will be super stoked on this.   Check out “Loving Vincent” via YouTube below, or, add it to your most twee Spotify playlist.  

Snoozer – “That’s All I Know”

This isn’t our first run in with the Kelly bros (aka, PA-based Mike and Tom Kelly) and their project Snoozer. We’re delighted to share their next offering, the trippy lo-fi alt pop of “That’s All I Know.” With bonkers, warped vocals; interesting and captivating production choices; and the recurring motif of “that’s all I know” hammering into your ears, this one could have fit perfectly into that weird Fatboy Slim/Primitive Radio Gods era of ’90s eccentricity – but it also sounds fresh, fun, and ready to take over 2025. Plus – my day job is at General Mills here in Buffalo and they mentioned putting their milk in their Cheerios, so this was an auto-include in our blogosphere. Cereal-related jokes aside, this is a one-of-a-kind offering from a really interesting band, and we think you’re going to agree.   Follow the link below to peep this Snoozer song on YouTube,[...]

Adetola – “OHKAYE”

Rising Nigerian-American rapper Adetola drips coolness on her Phonk-infused new single “OHKAYE.” Adetola taps into the Indie Sleaze resurgence with “Bop It” samples, a big phonky bottom half and immediately quotable lyrics. On “OHKAYE” the LA-based artist is bored of her potential hookups, demonstrating her uninspired demeanor on the the “Okayyyyyyyy” hook. Her star’s been on the rise since 2022’s 227 EP, and “OHKAYE” follows some other buzzy singles “WWZ” and “FLASHING.” Her vibe will fit in well alongside Charli XCX tracks and the older Azalea Banks hits. Come for the hook, stay for the Bop It sample. Check out the latest from Adetola on Spotify and listen to more exciting new artists on our Emerging Hip Hop playlist.

Jorge. – “Dumpling”

U.K. rapper Jorge. blends a soulful rapping delivery with delicate R+B instrumentals and affections for his latest track “Dumpling.” Spinning the narrative of a young kid trying to feel out a more experienced woman, “Dumpling” shows off Jorge’s innate storytelling abilities. Jorge’s vocals are sometimes strained, at other times powerfully backed by more punctuated voices. It’s a great fusion of traditional hip hop storytelling and an R+B/rap fusion – ripe for additions to your more chill, lovey playlists alongside acts like Anderson.Paak, Miguel and Jhené Aiko. Check out more from Jorge. on Spotify and tune into him and other exciting new artists on our Emerging Hip Hop playlist. 

Kylie Rothfield – “Temporary”

Imagine receiving accolades from Faith Hill AND Alicia Keys. Unless your name is Kylie Rothfield and you’re reading this (if so, hi!), then… Our guess is you probably haven’t. “Temporary” is her latest track and it’s a well crafted pop song about a relationship that doesn’t seem to have much staying power (ouch). How did I come to this conclusion? Exhibit A: “You can’t afford to take me out/get high so we can mess around/you’ll probably still let me down” (double ouch).   Rothfield’s vocals do most of the heavy lifting but are accompanied by clean guitars that sound so pleasant and dreamy. The juxtaposition with the subject matter adds a lot, but I hope no one ever sings about me like that. Though I suppose I wouldn’t mind if it sounded as good as this track.   You can hear  “Temporary” below from Soundcloud or over on Spotify. Send[...]

Rasha Jay – “SAY”

Cards on the table, when I get these songs sent to me I would say that the majority of the time I’ve never heard of the artist. My “liked” list has grown exponentially and it seems as though that has happened again with Rasha Jay‘s track “SAY.” She comes out swinging (vocally) and never really lets up with her impressive pipes. With more vocal-forward offerings, sometimes the instrumentals can go by the wayside, but that is positively not the case here; there’s a nice guitar (or synth, difficult to tell) that repeats throughout alongside a bass that has the *perfect* tone.   A self described “wild child” haling from small town Maryland, her musical style is all over the place – from this rockier/bluesy track to something a little more soulful, as well as R&B (but always LOUD). Indie rock fans looking to branch out a bit but still stay[...]

Avery Friedman – “Photo Booth”

“Photo Booth” is the latest from New York, NY musician Avery Friedman. It has a phuzzy beginning that comes back around for a couple passes, while keeping a playful, upbeat tone. There’s a smidgen of keys that combine with Friedman’s vocals for a wholly satisfying track start to finish. It has an almost bedroom-pop vibe that I can get on board with, as would anyone who enjoys Phoebe Bridgers or Adrianne Lenker’s catalogues. Speaking to the track, Avery Friedman had this to say:   “I wrote this song after a vibrant night out with my friends last winter – a night memorialized by many chaotic photo booth strips… This night out in particular felt like an encapsulation of spin-the-bottle-type ‘second adolescence’ that many queer people experience when coming into themselves after their adolescent years pass.”   You can hear it below from SoundCloud, as well as Spotify if that’s more[...]

ZENtheRapper – “Copernicus”

Mystical and ever-conscious ZENtheRapper keeps it true to his name on his latest single “Copernicus.” The track draws its name from the early astronomer that identified the sun as the center of the solar system, rather than the Earth. You may have known this – I needed a refresher. Anyhow – ZEN incorporates Copernicus’ learnings into his bars, discussing his place in the big picture. “Copernicus” features classic boom bap drums and a tasty piano lick – a solid foundation for ZEN to melt your brain on. ZEN’s flow might be in the shadow of his transcendental subject matter, but the frenetic pace and energy with which he delivers his Googleable lyrics should also be highlighted. Give the track a listen below, and check out ZEN on our Underground Hip Hop playlist.

Soot Sprite – All My Friends Are Depressed

Music can and has been used for a multitude of reasons since we started keeping track, and probably before that too (so I’m told); good, bad, ugly, funny, sad, noble, and a zillion other words to pad my word count. Calling attention to the mental health crisis falls into the “noble” category, which English band Soot Sprite does with their latest single “All My Friends Are Depressed.”   You can’t deny the buildup and fervor Elise Cook et al bring to the track, especially in the first minute. Guitars and bass feature heavily while Cook’s vocals bring some stability to the chaos. Indie shoegaze comes in many shapes and flavors, but fans of acts like Wolf Alice and Alvvays would find a lot to enjoy here.   You can hear “All My Friends Are Depressed” below from Soundcloud. I would also recommend the music video on YouTube if you’re into[...]

Dumb 100 – All of the Money (Just Like You) / Patience

Do we ever stop covering Jacob Smolinski’s musical endeavors (see here, here, and even here)?! The answer is no, because he’s back with another adventure, this time with collaborator Alex Behrens (who we’ve ALSO covered – here), for a project they have dubbed Dumb 100. This two-song mini EP is stuffed with intriguing sounds, beautiful harmonies, and impressive production work, rooted down by a jangly guitar-based backbone.   “All of the Money (Just Like You)” is a stunning intro – a waltz that mashes squiggly synths into electric and acoustic guitar work. Despite the song’s genuine beauty, Behrens and Smolinski don’t shy away from unique sounds – the hum of electric guitar feedback peeks through during the slow acoustic-guitar bridge, while borderline-discordant plunks of guitars smash through the mix like a gigantic 8-bit, bitcrushed bell. Puffs of electronic drums power the acoustic jangle of follow-up song, “Patience,” a song that[...]