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		<title>Vicious Clay &#8211; Bleecker Street Revisited</title>
		<link>https://buffablog.com/vicious-clay-bleecker-street-revisited/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vicious-clay-bleecker-street-revisited</link>
		
		<dc:creator><![CDATA[Nick Sessanna]]></dc:creator>
		<pubDate>Fri, 14 Nov 2025 05:31:34 +0000</pubDate>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[album reviews]]></category>
		<category><![CDATA[nick sessanna]]></category>
		<category><![CDATA[vicious clay]]></category>
		<guid isPermaLink="false">https://buffablog.com/?p=70880</guid>

					<description><![CDATA[<p>There&#8217;s something visceral about the music that comes from Vinny Silva &#8211; colloquially known as Vicious Clay. The multi-instrumentalist plays all the instruments on the album: drums, bass, guitars, vocals, [&#8230;]</p>
<p>The post <a href="https://buffablog.com/vicious-clay-bleecker-street-revisited/">Vicious Clay – <i>Bleecker Street Revisited</i></a> first appeared on <a href="https://buffablog.com">buffaBLOG</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>There&#8217;s something visceral about the music that comes from Vinny Silva &#8211; colloquially known as <a href="https://www.instagram.com/viciousclay" target="_blank" rel="noopener">Vicious Clay</a>. The multi-instrumentalist plays all the instruments on the album: drums, bass, guitars, vocals, and percussion, and it&#8217;s palpable &#8211; the music here is raw and emotional&#8230; Truly an artist&#8217;s singular vision. Over the course of 10 songs, Silva explores sneering rock &#8216;n roll sounds, dipping into garage tones; retro rock swagger; and bluesy emotions.</p>
<p>&nbsp;</p>
<p>&#8220;Dark&#8221; is a fitting way to start the album &#8211; reminiscent of Stone Temple Pilot&#8217;s &#8220;Vasoline,&#8221; the song begins with a cacophony of swelling sounds before Silva rips a crushing line &#8211; &#8220;Feels so hopeless in the dark.&#8221; The groovy, guitar riffing here feels spindly and spidery, whipping and winding around your eardrums with nimble virtuosity, pairing raw chords with strong, start/stop rhythmic play. &#8220;Dark&#8221; is a fitting way to start the album, but it is certainly the album&#8217;s gloomiest place&#8230; It doesn&#8217;t stay there for long, as Silva launches into the retro rock grime of &#8220;Gimme What I Need&#8221; &#8211; here, Silva&#8217;s guitar settles into a rollicking groove, punctuated by plinking piano chords&#8230; Think equal parts George Thorogood, Kiss, and Van Halen.</p>
<p>&nbsp;</p>
<p>Elsewhere, Silva flirts with the blues &#8211; &#8220;Relapse&#8221; might be the most emotionally captivating guitar work on the album (and gets our nod for album favorite). Silva&#8217;s guitar work is crisp and chimey over lyrics that touch on despair &#8211; &#8220;She&#8217;s walking out the door / I&#8217;m broken to the core / Grey-haired and despaired / confessed all my sins / my time is wearing thin.&#8221; Brutal. If this super tight guitar sound is what you&#8217;re hunting for, give &#8220;Sand Lake&#8221; a spin too. On top of its delightfully springy guitar tones, the mood here is uplifting and light in an album that is mostly full of heady rock &#8216;n roll.</p>
<p>&nbsp;</p>
<p>Silva&#8217;s bread and butter, though, is balls-to-the-wall rock. &#8220;Time&#8217;s Up&#8221; shows off Silva&#8217;s incredible fretwork and will surely appeal to all the shredders out there. &#8220;Mine All Mine&#8221; might fool you at first with it&#8217;s digestible first half &#8211; stick around for the raucous slide-guitar-laden solo around the 2:45 mark&#8230; Warning you now, it&#8217;s tasty. Silva keeps this energy flowing all the way through the end of the album. Best-of-all-worlds offering &#8220;10 Thousand Years Gone&#8221; bridges the gap between all of Silva&#8217;s songwriting talents, while album closer &#8220;If I Had To Say I Told You So&#8221; delves into uplifting, Tom Petty territories.</p>
<p>&nbsp;</p>
<p>This album is a wild ride, but Silva&#8217;s work is startlingly cohesive. It makes for a varied and attention-keeping listen that feels timeless despite harkening back to rock&#8217;s storied roots. <em>Bleecker Street Revisited </em>is available now (November 7th, 2025). Here&#8217;s the <a href="https://open.spotify.com/album/0Qg9SWSe23R6UGL6UmrT6V?si=GVLOft-iSUmhMVSnvgVglw&amp;nd=1&amp;dlsi=6f304f1953d4459c" target="_blank" rel="noopener">Spotify</a> link.</p>
<p>&nbsp;</p>
<p><iframe title="dark" width="500" height="375" src="https://www.youtube.com/embed/midh4lMRZLE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p><iframe style="border: 1px solid #9575cd;" src="https://api.submithub.com/disclosure.html?id=YHe95KuCRCdsaky3k&amp;color=9575cd&amp;text=Published+in+partnership+with+SubmitHub" width="100%" height="50px" scrolling="no"></iframe></p><p>The post <a href="https://buffablog.com/vicious-clay-bleecker-street-revisited/">Vicious Clay – <i>Bleecker Street Revisited</i></a> first appeared on <a href="https://buffablog.com">buffaBLOG</a>.</p>]]></content:encoded>
					
		
		
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