Make sure to follow all of the blog’s year in review coverage throughout the month of December.

​The year is now over, and so much has happened.

Lesionread went on our first full USA 2-month-long tour (see #LESIONREAD_USA2015 for all instatweet videos and phone documentation before I gave up trying to capture all the fun)

Anklepants brought his dick nose to Sugar City, and some asshole called 911 and said there was a hostage situation. So while we were setting up for the show, a G.I. Joe worthy SWAT team busted in holstering shotguns, sniper rifles, and yelling at us to keep our heads down as we sprinted out of the building down Niagra St.  The show ended up running 3 hours late, and other than a dino assault, it was a smashing time. …The #wonksesh is still sitting on my shelf waiting to be edited.

But throughout the year, a lot of great Buffalo music acts have released some seriously good content, that in my opinion, hasn’t been getting enough press.  So I’m flipping this ‘Best of 2015’ series into a ‘Forward thinking Buffalo musicians working with Lesionread that you should get more familiar with when you’re done listening to Kendrick and Sufjan’  List.

The post Guest Picks: Lesionread first appeared on buffaBLOG.

Make sure to follow all of the blog’s year in review coverage throughout the month of December

Cliff Parks
Favorite Album
Father John Misty – I Love You, Honeybear
I don’t want to go with this album, it was my Album of the Year So Far earlier this summer and I loved the latest from Tame Impala, CHVRCHES, and Neon Indian, but with America currently cracking up, Father John Misty’s sophomore album is album of 2015 now more than ever. Between the ascent of candidate Trump and our nation’s mounting multiple existential crises, Josh Tilman’s ode to love, manhood, and getting hitched to that special someone so you can ride out the American apocalypse together seems right on time, all the time lately. It should also be noted that it’s a beautifully produced slice of Americana that your parents would probably love.

Favorite Song
Made Violent – “Wasted Days”
I loved Made Violent’s self titled and self produced debut EP to pieces this year from the first listen, and to be honest- I would’ve loved it if they weren’t from Buffalo. Their whole downtown post punk meets LEGENDS OF UK ROCK sound and stoned out vibe is irresistible, none more so than on the EP’s album closer “Wasted Days,” an anthemic jam that sums up the band’s ethos in a shambolic yet deceptively concise three minute single. It’s all there: Justin’s impeccably timed drum thrashing, Rob’s melodic yet crunchy guitar genius, and Joe’s throbbing bass and rock star vocals, on one super tight single that left me wanting more. The interactive YouTube video for “Wasted Days” is also my video of the year.

Favorite Song
Dan Deacon – “Feel the Lightning”
The best song of the year? That’s easy… uhh… well… there was a new album to be excited about about twice a month… Sleater Kinney came back… tons of bandcamp artists got signed… Kendrick put out one of the most hyped albums ever… so yeah! Easy to pick! I’m going to go with one from February, from an album that instantly became so ingrained in my brain that I forgot it was even from this year. “Feel the Lightning” by Dan Deacon. Dan took the indie music blogs by storm with Gliss Riffer, his seventh full album. “Feel the Lightning” was a tame electronic piece when compared to most of Dan’s stuff, however that may have been the best case scenario, as it was also one of the most intelligent pieces he’s created. Hopefully we don’t have to wait three more years between releases for the next Deacon project.

[soundcloud url=”https://api.soundcloud.com/tracks/185147350″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”166″ iframe=”true” /]

Nick Muldoon
Favorite Album
Jamie xx – In Colour
In Colour feels like the culmination of so much that has lead to it’s creation, not just the work of Jamie xx, but an entire genre, time, and culture of music. It’s an electronic record that feels so refreshingly personal; a heartfelt love letter to a bygone era of rave culture by someone young enough to have properly experienced it. Which is what perhaps makes In Colour such an affecting record, the sounds of an album produced from childhood nostalgia. The music, city, and culture that surrounded and Jamie Smith as a child is beautifully re-crafted into a single cohesive definitive statement. In Colour is the rare album that tells as much about an era of music as it does an artist.

Honorable mentions:
-The Tallest Man On Earth – Dark Bird is Home
–Seth Avett & Jessica Lea Mayfield Sing Elliott Smith

Favorite Song
The Black Ships – “Aurelian Walls”
My favorite song of 2015 came from Saratoga Springs quintet, The Black Ships. Their album came out just a few weeks ago, but I find myself going back to it over and over again, especially the second track “Aurelian Walls.” This song is an 80’s gothpop gem, in the vein of New Order, Q Lazzarus, or Depeche Mode, and it’s absolutely perfect.

The post Staff Picks first appeared on buffaBLOG.

Make sure to follow all of the blog’s year in review coverage throughout the month of December.

Thank you buffaBLOG for having me back for a third installment.

Best Songs

Homeshake – “Heat”*

Don’t waste your time listening to this on laptop speakers. This is a headphone record. Peter Sagar shakes off the DeMarco skeletons and ends up sounding like a fever dream. And don’t forget about 2014’s “In the Shower.” This guy only writes hits.

Harvey – “Midnight”

I’m not sure exactly what separates music that’s “so simple it’s boring” from music that’s “so simple, its great,” but this one certainly falls on the latter end. The only thing that’s almost as good as the songwriting is the production style.

Taxidermists – “Oldie”

If you like Bob Weston, or really, if you even know who he is, you’ll really dig this record. I am always watching out for bands that reference the White Octave and this one takes more than a few cues.

Palm – “Ankles”*

Would have had no idea about this one if it weren’t for Dan Bauer. Thanks for dropping this on me with just enough time to squeeze it on the list. What a record! Defies description so just listen to it.

No Problem – “Cruise 2017″*

I hear my younger self in this band and maybe that’s why it stuck with me so much; like the Brimstone Blondes on tranquilizers. That chorus at 1:20 got its hooks in me, but the whole album and it’s aesthetic are a great listen.

Kainworth – “Birthday Song”

When a song plays and you know right away that its going to be one of the best you hear all year long.

Wylie Something  – “Chinatown Bus”

Do all of you realize the national treasure of a talent we have in Jacob Smolinski? (Yea, we have to share him with Philly, but he’s a Buffalo guy inside.) When we were writing the split together he showed me this song and I thought about how, someday, I could say I knew him and he played this song in my dining room once.

Palehound – “Easy”

A lot of young ladies are tracking this early Cat Power comes out on Exploding in Sound thing and I’m all for it. Watch for the turn around the two and a half minute mark to get an idea of why this band stands out.

The Foetals – “Fine”

I know not everyone had the same experience I did with Oasis. I didn’t hear about the feuding and I didn’t know they ripped off the Beatles. I spent the summer between 7th and 8th grade playing Be Here Now on repeat and wishing I was somewhere else. The Foetals probably did the same thing.

Freddie Nunez  – “Spacing”*

Even though it’s just a track on the best songs list, I think of it as part of one big song that stretches over Freddie’s EP. I used to listen to it when I was riding to work at Record Theatre this summer. Maybe save this one for sad basterd times.

Alice Bowman – “Be Mine” (Jakko Remix)

I stumbled on this one, then lost it when it was deleted from her soundcloud, got was annoyed for a week and then forgot about it until I assembled this list. The original Boman track is ok, kind of over sentimental and dragging, but this remix gives a great melody all the momentum it needs to be a great song.

The Furniture  – “Yr Cards”

At first I thought this sounded too close to bands like Stroke 9 that overwhelmed late 90’s mainstream rock with the goofy beginnings of indie-pop. Normally the logic is, if you don’t like something, you don’t play it over and over but thats what I kept doing with this thing. And then I’d be at work whistling “keeping your cards cloooose.”

Really Big Pinecone – “Adult”

Sometimes I wonder what Beach House would sound like if they had any balls. Probably this.

*Indicates that the whole album is pretty good.

Biggest Surprise

Wilco – Star Wars

https://www.youtube.com/watch?v=TfyIWGTt-AQ

No, I don’t mean the surprise album drop thing. The first and last Wilco record I liked was Yankee Hotel Foxtrot and I’m sure that watching the documentary romanticized it. I figured they were a boring folk band with a fluke-semi-good record but from the opening seconds of Star Wars, I was hooked. And also, in disbelief that this was somehow the same band that usually proved so unwilling to take risks.

Best Music Videos

Show Me The Body – “Veron” (Feat. Wiki)

Juan Wauters – “I’m All Wrong”

Hundred Visions – “Our Ritual”

Best Jazz

Kamashi Washinton – The Epic

Best Jazz Throwback Discovery

Thad Jones – “The Magnificent Thad Jones” (Rudy Van Gelder Ed.)

Best Retro Comp

Nu Yorica!: Culture Clash in New York City – Experiments in Latin Music 1970-77

Best Band to Blindly Disocver While on Tour Through Buffalo

Lushes – “What Am I Doing?”

Best Punk

Bad Noids Yield Side

Best Local Songs

Little Cake – “Good 2 Eachother”

Alex Berkley – “Welcome to Jamestown!” (Day 9)

Jamie and the Debt – “Choke”

Bill Times A Billion – “Terrible Era”

Newish Star – “Mixmaster”

Hot Tip – “Friction” (yet to be released)

The post Guest Picks: Brandon Schlia first appeared on buffaBLOG.

Make sure to follow all of the blog’s year in review coverage throughout the month of December.

Drew Brown

No matter the monumental or tiny shifts in my world – and 2015 was full of ‘em – music was along for the ride. These are songs that soundtracked the journey.

When I was a kid, my father preached listening to music that makes you feel the full spectrum of emotion. So if you’re looking for any semblance of a theme in this playlist, I’m afraid you may not find one.

Full disclosure, I let shuffle mode decide the track order. C’est la vie!

Kevin Heffernan

I teach spin class 3x a week, so Spotify’s new music suggestions have started to revolve around increasing BPM. Living and working in the city would have me second guessing my Sirius subscription with so little time spent in the car, if not for Ch 35 XMU. They rarely disappoint and discoveries made there comprise the majority of this playlist. Enjoy the different waves.

1. Courtney Barnett – “Depreston” (Sometimes I Sit and Think, and Sometimes I Just Sit)

Arcade Fire’s The Suburbs was a very influential album for me back in 2011. This song from Courtney Barnett, about moving out of the city into the suburbs, definitely strikes a cord about two different lifestyles as I see so many friends now leaving the excitement of the city for the comfort and seclusion of the suburbs. When Barnett came onto the scene earlier this year, I couldn’t help but picture her as a broke artist, living in Allentown during the summer, and working three jobs while seeking gigs. After watching a few interviews, I think she’d fit right into our neighborhood.

2. CHVRCHES  – “Clearest Blue” (Every Open Eye)

I’ve liked CHVRCHES since I heard “The Mother We Share” a couple years ago. I remember thinking “hey, this is some 80’s shit!” A subsequent interview revealed that this song was inspired by the hard hitting synth track from the 1984 Ghostbusters soundtrack, “Savin The Day” by Alessi. This latest album came out swinging hard and talking bold. “Clearest Blue” is often on my playlists for the spin classes I teach at Revolution because of the buildup and explosion of fun that goes on from about 1:40 til the end.

3. Jamie XX – “Girl” (In Colour)

Infatuated by the opening dialogue sample, I found out that “You’re the most beautiful girl in Hackney, y’know” was from a British drama called Top Boy. What’s even better is the faint whisper of some girl agreeing, “It’s true.” This is the kind of song that I would use for a montage of a party in a movie. It just doesn’t get old.

4. CRUSHES – “I Miss You” (I Miss You)

You’ve got to include some local music in a top list, especially when that local talent is Laura DJ LULU Robinson. Technically, CRUSHES is a Rochester, NY collaboration. I was thrilled to find their three tracks on spotify, and even more thrilled by the music itself. I’ve always been a fan of Tycho, and to me, this is like improving Tycho with some lyrics and dialogue that doesn’t take away from the instrumentals.

5. Unknown Mortal Orchestra – “Multi-Love” (Multi-Love)

Lead singer Ruben Nielson’s voice is infectious, haunting, and unique. If he were to do some coffee shop gig, quietly starting in the corner, the whole place would come to a halt. Every song from UMO stands is so much different than anything else you’ve listened to that day.

6. The Weeknd – “Can’t Feel My Face” (Beauty Behind the Madness)

I’m sorry. It’s pop. I don’t care. This song is so damn good. On Halloween at Hardware, the DJ played it three times! If he did that with any other song, there would have been outrage! But people were like “oh thank god this is on again!” and proceeded to bust out their best dance moves.

7. Ratatat – “Abrasive” (Magnifique)

While I had been a very loose fan of Ratatat’s, I never looked them up and always assumed they were two German dudes for some reason. That all changed at the Rapids Theatre in Niagara Falls on September 3rd. Shortly before the show, I found out they were from Brooklyn, which explained the four people in their 60’s and 70’s standing in the VIP section to our left when the show started (family from WNY). One uncle came in with an oxygen tank, and halfway through the show, he was grooving and bopping his head back and forth as hard as anyone front and center. What an incredible show and album. This particular track happens to be one of the happiest tracks I’ve ever listened to. Just when you think it’s over, up comes one more wave of warmth.

8. Caribou – “Can’t Do With You” (Extended Mix) (Our Love (Expanded Edition))

There’s something to be said about a long slow buildup in a song. It really makes the full arrival of all sounds and instruments that much more enjoyable. That’s what’s going on in this mix. Why rush through the shorter version? Get comfy and enjoy the ride up to the big drop at 2:45.

9. Neon Indian – “Slumlord” (VEGA INTL. Night School)

This was a very tough concert to miss. I’m still checking websites to find the next trip to anywhere nearby. Sticking through the strange intro is rewarded with a song you’ll find yourself dancing to every single time.

10. Day Wave – “Drag” (Headcase)

This song is almost too mellow compared to what I’ve listed thus far, but it’s got nostalgia powers, taking me back to the insecure days of my late teens. It’s new old school.

The post Guest Picks: Rise Collaborative first appeared on buffaBLOG.

Earlier this week we posted our five close calls and our first half of the top 20.  I am sure there are amazing local songs that aren’t on our radar, but from what we have heard, we as a group have determined below are the blog’s favorite songs of 2015.

10. Tiny Rhymes – “Arrows”

Tiny Rhymes‘ ”Arrows” is an incredibly cherishable tune. It approaches the listener with a coy but welcoming softness, making it feel like a delicate gem that only you are privy to. Atop prime musicianship, singer Sharon Mok’s velvety voice offers the perfect push and pull dynamic throughout the song for an easeful and satisfying journey. – Shauna K. Presto

9. Newish Star – “Casino Run” 

Hey Sonny Baker-  looks like you might have to make room on that ‘busiest Buffalo musician’ throne you’ve been occupying . With their three (3) releases in 2015, pinball punk trio Newish Star gave us plenty of options as far as track favorites go. Obviously there’s going to be some contention among the ranks with so much material to choose from (I was gunning for “Great Scott”), but it’s all good. I say that both figuratively and literally; Newish can do no wrong. “Casino Run” emerged victorious with its face-pounding rhythms and Jordan Nitolli’s signature dryish vocal delivery.

Fun story: I first heard this album while I was showering (I do that), and when “Casino Run’s” crazy intro kicked in, I didn’t know what the fuck was going on. Then the song really dropped and I went back to my frenetic shower air guitaring. No shame, baby. – Ronald S. Walczyk

8. Mink – “Hot Wheels”

Mink unfortunately laid their instruments down and left our world this past summer, but not before gracing us with one last EP. The fiery “Hot Wheels” immediately caught our ears, most notably, Jaz Frasier’s uninhibited yearning for that green Viper with the doors that open and close. Frasier is a powerhouse that soars high and eloquent over the angular indie-punk of this trio. “Hot Wheels” is otherwise packed with interesting rhythms, powerful vibes, and some surprisingly tasteful piano. Eat your heart out Matchbox. – Nick A. Sessanna

7. Aircraft – “Dig a LIttle Deeper” 

Aircraft is one of those bands– you’ve heard the songs, you’ve seen them live, and yet, the psyche rock quartet never fails to be completely magnetic. The songs on their excellent 7 Gems From the Sparkling Void are worth being drawn to, each of them brimming with more personality than the last. “Dig a Little Deeper” capitalizes on a very specific anti-formula to make for one of the freshest takes on space rock psychedelia we’ve heard in western New York. The results–soaring guitars, hypnotic layered vocals, and effects galore–will leave you wondering where this band has been all your life. – RSW 

6. Humble Braggers – “Cold”

2015 was Tom Burtless’ year to step into the synth-pop spotlight with his group, Humble Braggers. “Cold” sounds like it was composed and recorded in an icy cave, finding Burtless  drenched in luscious reverb with a frosty production value. Smooth synth pads lay the framework for piercing, minimalist guitar riffs. Burtless has run the gamut of genres (anyone else miss All Blondes Go To Heaven?), but seems very comfortable in his new shoes as a front man. Look out Michael Angelakos, there’s a new Buffalonian making irresistible synth driven tunes – you can call him Tom Eats. – NAS

5. Damian – “A World of Stone”

Released with just one other tune via Steak and Cake Records, “A World of Stone” is one of my favorite go-to tracks of the year. Singer and mastermind Damian Weber possesses this incredible ability to both write and sing in a voice that feels like your own inner monologue. “All I give, it’s just enough, what I get is what I need in a world of stone…” Weber sings, giving off a vibe of contentment with getting by to get by. This track reminds me so much of The Spinto Band, whose sharp lyricism and nonchalant tone are definitive musical characteristics that Damian has undoubtedly crafted into tools of brilliant self expression of his own. – SKP

4. Del Paxton – “Bad Batch”

By now, Del Paxton is a band that needs very little introduction. Even if you’ve just started to scratch the surface of the local music scene (doubtful, but play along please), chances are that you’ve come across this math punk trio in some form. This April, Delly P put out their first effort since signing with Topshelf (!!) — a split with labelmates Gulfer. “Bad Batch,” half of Del Paxton’s contributions, screams in much of the same vein as their excellent previous material– engaging and intricate pop punk grit with a razor sharp cohesion at its core. Think the jazz emo of American Football meets the unrelenting punk quickness of Tenement, and you’ll be standing at a near-perfect mental crossroad. – RSW

3. Sonny Baker – “Family Tree”

What’s left to say that hasn’t already been said about one of Buffalo’s most prolific musicians? Sonny Baker is a part of so many prominent Buffalo bands, it seems only fitting that our #3 pick of the year comes from his solo act. “Family Tree” finds Baker refining his signature drawl into a rhythmic slur that lays comfortably atop his frantic guitar work. You can feel the 90s surging through “Family Tree,” but this is no grab at nostalgia – with flesh it out, Sonny has yet again created something truly contemporary and unique.  -NAS

2. The Tins – “Summer Jazz”

There are many positive things I can say about The Tins, but one of the most noteable aspects of the band is their ability evolve their sound and grow as artists. In terms of band-life goes, the band is entering their twilight age, after playing with each other for five plus years. Where other bands would have thrown in the towel,  kicked out a member, or added a DJ, The Tins stayed tried and true to their devotion of making indie-pop music. the trio have adapted their sound on every release with Love On Strike being no different.

The first song on the band’s most recent three-song release, “Summer Jazz” is indie-pop rock at it’s finest, combining hazy/sunny 60’s layered vocals, with Tame Impala’s dreamy stylings. The song highlights one of The Tins greatest strengths – vocal harmonies. The band is currently in the midst of promotion for Love On Strike on a national-level, and we are elated that Buffalo is putting one of it’s best feet forward. – Michael J. Moretti 

1. Orations – “Curses”

So here it is. The best of the best, the cream of the crop, the (insert other ‘best’ cliché here.) 2015 has been a startlingly good year for local music, and not only for Buffalo; Rochester, Geneseo, Fredonia, Utica and all of WNY has left me seriously impressed this year. This slot, however, is a testament to what we here at buffaBLOG consider to be the super-premium, a band to listen to and keep an eye on.

I was happy to see that the number one pick this year turned out to be a band that hasn’t really collected extensive blog coverage. I love surprises (don’t we all?), and when Orations quietly put forth their Incantations EP, produced by Jay Zubricky and Derek Prelwitz late this year, I was blown away. Four tracks of post-punk bliss with a reverb thick enough to swim in. Each of the tracks are highlights in themselves, but opening track “Curses” really hit the sweet spot. Channeling strong 80’s goth vibes (think Joy Division or The Cure), “Curses” sits gleaming on the brighter side of the spectrum with its cascading guitars and singer Jess Collins’ uniquely signature vocal work. The song itself is a mesmerizing swirl of reverb that should appeal not only to fans of 80’s post-punk music, but anyone looking to float around in a bit of nostalgia influenced by the decade in general. – RSW 

The post Top 20 Buffalo Tracks: 10-1 first appeared on buffaBLOG.

Yesterday we posted our five songs that ALMOST made the cut.  Here is the top half of our annual top 20 countdown, 20-11.

20. Lesionread – “Addicted”

Lesionread (Shawn Lewis) has had a big year. Between the release of the experimental artist’s excellent Greatest Hits! Volume 1, touring it across the country, and slew of local shows (one of which opening for electronic big shot Neon Indian this fall), it’s hard to believe Shawn has the same amount of hours in his days as the rest of us. Time manipulation aside, Lesionread lit us up this year with “…addicted,” a textured soundstack of a track complete with a danceable house beat and moody, neurotic overtones. There’s a lot going on here, including (and certainly not limited to) a cello sample courtesy of Josephine H. Isom to command that delicious neuroticism. When organic and electronic elements collide like this, the results are nothing short of otherworldly… and nobody in Buffalo is better at ‘otherworldly’ than Lesionread. – Ronald S. Walczyk

19. YLXR – “BOI”

In 2015, R&B producer YLXR burst on the scene with his single “BOI.” The trip-hop  track splicer started off the year strong, with averaging a song a month for the first four months of 2015.  In March, YLXR collaborated with visual artist Malt Disney to debut the video for “BOI,” a single from the ground up, combining ambient vocals, swirling sounds, and growing synths to package into one delicious song. – Michael J. Moretti 

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18. The Naturalists – “Fortune, Always Turning” 

“Fortune, Always Turning” is the grungy track off The Naturalists latest EP Home Honey, I’m Hi. The Buffalo-based trio released the EP this past fall, solidifying their Placebo meets Chevelle sound. “Fortune, Always Turning” encapsulates the best traits from The Naturalists, combining their simple, driving sound with well-thought-out effects and production. The dichotomy between singer Craig Perno’s clean and gravelly deliveries is another particular highlight. – Nick A. Sessanna

17. Jax Deluca – “Dirt in the Ground”

Jax Deluca is equal parts delicate, intentional, and unwavering. On her first official solo-effort, the capturing Wither Without You, the ukulele songstress starts strong with the opening track, “The Dirt is in the Ground,” singing “Oh, the land has changed the game / the game has gone too far.” The track capitalizes on a profound simplicity–just uke, pipe organ, and Deluca’s voice swirl around the space in which it was recorded, a cavernous sounding manuscript museum. In a word–beautiful. In more words, don’t let its initial stripped-down nature fool you, this is one of the most striking tracks (and albums) of 2015. -RSW

16. Cooler – “Saint Bernard”

Cooler’s “Saint Bernard” has the perfect ingredients for a memorable tune — minimalistic but hard-hitting lyrics, dreamy harmonies, and instrumentals that are head-bob worthy. Cooler’s undeniable 90’s grunge flare would prompt a rush of nostalgia for anyone. I’m definitely placing my bets on this band to really do things 2016. – Shauna K. Presto

15. Sixties Future – “Skeleton”

“Sixties Future? What does that mean?” Well, if you’ve been to any of the freshly-formed Buffalo band’s recent string of shows, you know it means one thing. Rock. And. Roll. EP opener “Skeleton” channels the all-American energy of a young Springsteen with the indie rock know-how of The National–screaming guitars, a commanding rhythm section, and the svelte baritone of singer Chris Couche. If “Skeleton” is any indication, it should come as no surprise that Sixties Future has found a commendable degree of success in its first year, from grabbing support in the blogosphere beyond Buffalo, to its packed-house EP release party in November. Look alive, these guys are blazing a trail.  – RSW 

14. Matthew McCheskey – “Principle”

Before Humble Braggers filled Buffalo’s synth-pop void, there were Canary Girls and Early Attic. Needless to say, we were more than happy to hear that Attic’s front man Matthew McChesky was going to surprise us earlier this year with a lush, synth-driven EP. “Principle” is the album’s lead track and also its stand out – McChesky’s soothing delivery (“I’m opening windowwwws”) floats pleasantly above swelling synths that ebb and flow. “Principle” has vibes that fall somewhere between Passion Pit and Washed Out, but would fit comfortably on either album. – NAS

13. dreambeaches – “Trademark” 

In 2015,  former Humble Braggers bassist, Corey Bzibziak, debuted his solo project, dreambeaches, which immediately commanded attention. “Trademark” was the first song Dreambeaches released into the world, and it encapsulates the band’s sound in a nutshell: pretty, sunny, garage-pop. Think the upbeat vibes Reptar,  Beach Fossils’ ability to stick in your head, and the pop-sensibilities of Bombay Bicycle Club and you’ll get the idea.  “Trademark” is song is all about an individual losing their identity, which is ironic because this song is how dreambeaches finds their own. – MJM

12. Passion in Constellation – “Tropical Love”

If you’re searching for an upbeat house track that’ll transport you straight to the tropical shore of Bora Bora, look no further than Passion In Constellation’s “Tropical Love.” With over 17,000 plays, “Tropical Love” is somewhat of a phenomenon in the Soundcloud circuit. There’s no better summer jam, especially when it makes you want to shake your rump and double-fist margaritas by the end of it.  – SKP

11. Fourem – “Mum and Dad

Applennium mastermind Chris Groves’ alter-ego (Fourem) is at it again, this time with the groovy “Mum and Dad.” Groves packs his instrumental jams with a number of ear-catching samples – this time, that fancy sample happens to be a harp. “Mum and Dad” is music for mood-shaping. One thing I will say, it’s easy to get lost in the vocaless space within this track. Key into the ever-so-slightly swung drum beat and relax. – NAS

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The post Top 20 Buffalo Tracks: 20-11 first appeared on buffaBLOG.

Here are five great songs ALMOST made our top 20.

The Slums – “Plain Pine Box” 

The Slums always deliver the perfect thrash song but “Plain Pine Box” might be the most perfect yet. “You can call me first and final nail in a plain pine box, I said I’d keep you separate but I guess that I forgot”, frontman Steven Floyd sings, offering a vaguely haunting comparison to a casket that hangs over the entire tune. With piercing guitar tones, heavy bass lines and a cutting scream to boot, all two minutes and forty-three seconds are raw and potent. Even at such high intensity, this song manages to have really well balanced dynamics throughout, making it a satisfying listen overall. – Shauna K. Presto 

Saint Opal – “Glass Jars” 

This chill-inducing song makes use of both somber and sultry tones to capture your attention in a bewitching kind of way. Though I truly feel like Saint Opal has created a unique sonic identity of her own, I can most closely compare her sound to a marriage of Little Dragon and Jhene Aiko. It’s an incredibly eerie brand of neo-soul that still gives listeners smooth vocal lines and a good beat to hang onto. If this is how powerfully enchanting her first release is, I am unbelievably stoked to hear what else is in store. – SKP 

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Tomoreaux – “Bennington”

Tomoreaux floated into Buffalo’s music scene this year with the ambient swell of “Bennington.” From the ashes of Yesterday vs. Tomorrow, Tomoreaux (see what they did there?) has crafted an epic six minute jam full of shimmery guitar work, rumbling double bass, and rhythmic, almost chanted vocals. “Bennington” is best enjoyed in isolation, so find a dark room, put on your headphones, and open your mind. Their words, not ours. –Nicholas A. Sessanna

Super American – “Nevermind” 

Super American emerged from the ashes of I Can See Mountain and Thick Winter Blud, two acts that were synonymous with Buffalo’s rising emo resurgence (moreso Mountains than Blud, due to Blud only being a project for the first half of 2015). Lead singer Matt Cox is a gifted lyricist and front man, telling a story which on surface level is non-sense, but beyond the topsoil there is always an intricate story. Super American’s debut single “Nevermind” takes a pulsing rhythm and imbues it with clever wordplay. Cox is an expert at polishing his emo politics into sharp, golf-pop gems. –Michael J. Moretti 

M.A.G.S. – “Lay Low”

M.A.G.S., the musical brainchild of Buffalo renaissance-musician Elliott Douglas, hit the scene early on this year with the fun and hook-heavy EP, Cellophane. “Lay Low” represents all that is infectious on the EP–slick and confident guitar work, a move-your-ass chorus, and a sonic symbiosis that just won’t quit. One listen and this indie-pop banger will be swimming its way through your neurons all day long. – Ronald S. Walczyk

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Make sure to follow all of the blog’s year in review coverage throughout the month of December.

Hello buffaBLOGGERS! Boy, wasn’t 2015 one heckuva year? I’ll say! Great tunes, great buds, and other things! And the best is yet to come: a new non-Lucas Star Wars movie, a Lombardi trophy (you gotta Billieve), and a new President (congratulations in advance, Donald Trump, you fucking monster)! Look, I’m done talking about the future. Let’s get talkin’ about the 2,015th best year of all time!

5 Best Songs of 2015 (in no particular order)

“No Happy Birthday” by Hayden
My wife and I saw Hayden perform this song in Toronto at the end of February. He introduced the song by telling the audience that his daughter has autism and cannot speak. This song gives a completely heartbreaking perspective of a father trying to connect with his child. The second verse is particularly gut-wrenching. His daughter starts to talk and can’t stop…but before long he realizes it’s just a dream. And that’s where I start to tear up pretty much every time I hear it.

“Don’t Wanna Fight” by Alabama Shakes
I was sold on this track when I first heard singer Brittany Howard’s screech leading into the first verse. It’s a crazy talented band, but her vocals are definitely what grab my attention in this song. On another note, it makes me happy to hear The Shakes’s song “Sound and Color” appear in a recent iPad Pro commercial. It’s nice to at least have some good music during the breaks of another frustratingly mediocre Bills season.

“Pedestrian at Best” by Courtney Barnett
Barnett’s lyrical capabilities are absurd. Every song seems to be written in a stream-of-conscious rant. However, the end result is a meaningful manifesto, featuring several surprising poetic connections. She compares complex emotions with overlooked daily simplicities, like in verse 2 when she sings, “I’m having an existential time crisis / What bliss, daylight savings won’t fix this mess.” I mean, she’s very clever. And there’s something new to latch onto with every listen.

“Pedestrian at Best” clocks in at just under 4 minutes, but it feels like you just read a Kurt Vonnegut novel. Also, despite my fear and loathing of clowns, the video to this song is just fantastic!

“Eddie’s Wine” by Max Garcia Conover
Max has been writing a song every week this year. That’s a lot of songs! “Eddie’s Wine” grabbed my attention when I saw him perform it at the Great Blue Heron music festival. Max has really nailed everything he’s great at in this song: a strong memorable melody, beautifully finger-picked guitars, and lyrics that make you sentimental about experiences you never had. He even has a full band playing with him! Of course, he also throws in a reference to the smell of grapes in Westfield, and you’re always gonna nab my attention with a good old Western New York reference. Be sure to check out this local expat next time he plays at Sportsmen’s or the Heron or wherever.

“I Love You, Honeybear” by Father John Misty
There’s not much more to say about this song. Everybody beat me to the punch on this one. Even my Mom has probably written a favorable review of this song/album. Love in the face of the apocalypse with a cute nickname like “Honeybear,” who couldn’t love this guy?

5 Best Albums of 2015 (in some particular order)

Club Meds by Dan Mangan+ Blacksmith
I’m not quite sure why Canadian singer/songwriter Dan Mangan is not more successful in the U.S. Club Meds must be one of the most overlooked albums of the year. At least it snatched a spot on NPR’s First Listen series. Despite being on Arts & Crafts, it still seems that Mangan is relatively anonymous outside of Canada. Well fellas, get your butts over to Record Theater or Spiral Scratch or the Internet and pick up a copy of the best album of the year!

Look, I don’t expect you to blindly take my word for it. But actually, that is exactly what I’m expecting you to do. Mangan has come a long way from his sophomore album, Nice, Nice, Very Nice, which is a collection of his best individual songs. The two follow up records, Oh Fortune and Club Meds, are more seamlessly flowing albums. Nothing necessarily stands out as a single, but they are marvelous artistic achievements taken as a whole. Club Meds in particular features Mangan and his band Blacksmith at the top of their game, with dark, critical themes, summed up in lyrics such as, “Takes a village to raise a fool.” It’s not punk rock, and it isn’t depressing. It’s observational and satirical, but more importantly it just sounds good through and through. You’ll like it!

No Cities to Love by Sleater Kinney
Many times when bands get back together after a long period of absence, they end up sounding like a stale cover band of themselves. That’s certainly not the case with Sleater Kinney. The songs of No Cities to Love are tightly composed, yet filled with raw dynamic energy. What does that mean? I don’t know, it’s like on Reading Rainbow, you’re gonna have to read it to find out. Or listen to it. Or just purchase the vinyl to hang on your wall, so when your friends come over you can all talk about how much you love Portlandia.

Beat the Champ by The Mountain Goats
Yeah, I’m a sucker for a good concept album, especially when the concept is something as ridiculous as pro-wrestling. I don’t care about wrestling at all, but the passion, humor, and self-awareness with which John Darnielle wrote this collection of songs is enough to make me understand the people who do. You have your heroes growing up, and often those heroes are athletes. For me, it was Jim Kelly. Then Todd Collins. Then Alex Van Pelt. Then Doug Flutie. And from there I pretty much lost all hope in this cold, meaningless, futile existence. Darnielle had wrestlers like Chavo Guerrero, and that’s pretty cool too.

Divers by Joanna Newsom
I remember waiting with eager anticipation for Newsom’s follow-up to The Milk Eyed Mender, hoping for more softly played harp tunes with a squeaky pseudo-Bjork elf singer. Instead, she delivered something much bigger (the five-song Ys), and then the three-disc Have One on Me. That’s all pretty cool, if not a little overwhelming. With Divers, it seems like Newsom is a little more relaxed with her writing and arranging. It’s not stripped down like The Milk Eyed Mender, but it’s not as soaring and epic as her previous two releases. It fits somewhere in the middle, a solid effort with great melody and thought provoking lyrics. Like singing a New Yorker review of a newly released edition of Beowulf translated by J.R.R. Tolkien. Yes, that’s exactly what it’s like, I’ve nailed it. Next!

I Love You, Honeybear by Father John Misty
Man, everybody was telling me I had to listen to this record for such a long time that I started imagining what it was going to sound like in my head, which was basically like Fleet Foxes. And I’ll admit, upon the first listen when it didn’t sound like Fleet Foxes, I was semi-disappointed. Then my wife and I kept listening, over and over again, until it was about as ingrained in our heads as Sgt. Pepper’s, or every line in Ghostbusters and Beetlejuice. So again, there’s not much more that needs to be said about this, except that it is nice. Super nice even.

Buffalo Bests of 2015 (lacking order entirely)

I moved to South Buffalo this year, which might as well be Antarctica, so I fell off the map a little with local music. But here are a few items that peaked my interest.

Flesh it Out by Sonny Baker
Sonny made a damn fine EP with his brand new full band. There are echoes of Nirvana and Sonic Youth, while maintaining a completely original style. If you have never seen Sonny play live, well, you probably a) don’t live in Buffalo, b) don’t like music, or c) are a jerk, like Donald Trump. Here’s my advice: be more like Bernie Sanders, who I’m assuming has seen Sonny play several times.

A Kinder History EP by Tiny Rhymes
Man, what a beautiful record this is. Finger-picked acoustic guitars, cello, vocal harmonies, even a few bells. When I saw Tiny Rhymes live for the first time at Dreamland, I had my socks blown off. I highly recommend ‘em!

Docking by Bethlehem Steel
I’ve loved pretty much everything Rebecca Ryskalczyk has ever done, and Docking is no exception. Despite being a Buffalo expat, I’ll still count this as a local fave. In particular, check out “87s,” which has been stuck in my head for a few weeks now.

Vulnicura by Rex Ryan

Well, Rex-mania hit Buffalo in January like an unpredictable snowstorm. We all knew he was going to bring a Super Bowl championship to our beloved city, but we had no clue that he was such a talented musician! Early February brought the release of Vulnicura on Rex’s SoundCloud site, in which he covered Bjork’s latest album in the style of Sufjan Stevens. This really could’ve topped several year-end lists, but Rex decided to pull it offline the next day when Sufjan appeared to him in a dream and told him to stick to overly complicated defensive schemes.

Will Rex ever re-release this masterpiece to the world? Maybe when his house in Orchard Park is overflowing with Lombardi Trophies, Rex will decide that it’s time for Bills fans to feast their ears. Until then, we will wait patiently. We are all too used to lowering our expectations.

28 Days of Fun 3: Shuffled by Alex Berkley
Is it too tacky to list my own album here? Oh. Well, never mind then.

The post Guest Picks: Alex Berkley first appeared on buffaBLOG.

Make sure to follow all of the blog’s year in review coverage throughout the month of December.

I was flattered and intimidated when asked to compile a “Best of 2015” list. I’m an outsider to most music and this year in particular, I only attended a handful of shows and stayed blissfully ignorant to many new releases. I am always gravitating to the saturated emotions of melancholy music and that is why my sorted research was based in finding what I consider to be a collection of good sad songs all born in 2015.

OKAY KAYA – “Damn Gravity”
This breakup track is tragic and reminiscent of one of my favorite sad songs of all time: “Scary” by Kelley Deal 6000.

Miynt – “Baby One More Time”
I am a sucker for covers and there are two on my list. This one takes a fantastic pop song by Britney Spears and turns it into a song with purpose and meaning, and it’s all depressing. I love it.

Father John Misty – “Bored in the USA”
Not entirely a fan of FJM, but I do find his ability to bring us down palpable. Reminding me of a mix between Iron & Wine and Red House Painters, the self-awareness and sadness of this song hits home.

Sufjan Stevens – “No Shade in the Shadow of the Cross”
Echoing Elliot Smith and The Weepies this track and whole album is whimsical more than sad, but mesmerizing and trance inducing regardless, reminding me of a track I would put on a mix to write to when I was a teenager tragically in love.

Leon Bridges – “River”
This album sounds like it was produced by Phil Spector and reminds me of the Everly Brothers. This is one of the more stripped down tracks of the album and is slightly Gospel, and I love that damn tambourine so much.

Beach House – “Days of Candy”
From an album titled Depression Cherry, it’s no surprise I found a magically morose song embedded deep within. This song is suspended reality and reminds me of the alien-esque detachment of Annie Lennox or Nico.

Jason Isbell – “Children of Children”
Production on this track feels like classic Americana harkening to Neil Young or Crosby, Stills and Nash, or maybe that one band they were all in together.

Elle King – “See You Again”
Sometimes to really hear the artist beneath the production is to strip it all down and see what you get. Surprisingly for me, this brought a very thoughtful and honest track that drips in inevitable sadness from Elle.

Iron & Wine and Ben Bridwell – “Bulletproof Soul”
Combining the talents of Iron & Wine and Band of Horses is this cover of Sade’s “Bulletproof Soul.” A sucker for the both lead singer’s vocals and the lap-steel means I was rendered helpless to the powers of this droning, sad rendition.

Tom Waits – “Take One Last Look”
Written specially for David Letterman’s farewell, I thank god and the universe for giving us Tom Waits. His song “Martha” will forever be my favorite sad song of ALL TIME. And this tune, with specific purpose to a moment very public resonated so well and gave me goosebumps.

The post Guest Picks: Jon Lewis first appeared on buffaBLOG.

Make sure to follow all of the blog’s year in review coverage throughout the month of December.

The original list I compiled contained 12 shows, 15 albums, and 6 local albums. Here is my attempt at narrowing that list down, a list that contains my favorite musical moments from this year. I’m in no way saying that my opinion matters and/or that these are THE best musical moments. They’re just my favorite.

Favorite Shows of 2015

Dave Rawlings Machine @ Babeville – 11/05/15
This show takes the cake for my favorite of the year. Dave Rawlings is one of those guitar players I could listen to on an endless loop. The harmonies were mesmerizing and talent was endless. No amplifiers. No drums. Only acoustic instruments mic’ed up echoing throughout Asbury Hall. The show included two sets full of covers from Neil Young, Bob Dylan, The Band and Bright Eyes. Several songs from both of Dave Rawlings’ albums, as well as a few Gillian Welch tunes. Rawlings also co-wrote “To Be Young (Is to Be Sad, Is To Be High)” with Ryan Adams and they blazed through their own version.

Blake Mills @ Bearsville Theatre, Woodstock, NY – 7/24/15
For those who are not familiar with Blake Mills, I’ll give you a brief introduction. Blake is a pure virtuoso or a wizard, as Marc Maron called him on his WTF podcast. His guitar playing is absolutely beautiful. He can go toe to toe with any of the greats. For example, he was invited to play Eric Clapton’s Crossroads Guitar Festival in 2013 alongside Jeff Beck, Derek Trucks, Buddy Guy, Robbie Robertson and many more. When he’s not touring with Fiona Apple or producing the newest Alabama Shakes record, Blake’s ripping into songs from his solo catalog. “Break Mirrors” and “Heigh Ho” are incredible records.

On this night, he performed most of those songs, as well as a killer version of “When I Paint My Masterpiece.” Dave Calos (Bearhunter/Applennium) and I were in complete awe watching Blake tear apart his guitars. It was a jaw dropping performance in a small barn in Woodstock.

My Morning Jacket @ Artpark & Playhouse Square, Cleveland, OH – 7/22 & 6/03
I was fortunate to see My Morning Jacket twice this summer. Both of these shows were great. I couldn’t add one without the other. MMJ continue to prove they’re one of the best live bands, period. This was the 5^th and 6^th time I’ve seen the band, and they have never disappointed me.

Alabama Shakes @ Artpark – 9/22/15
Sound & Color happens to be one of my favorite albums of 2015. I was incredibly excited to see Brittney Howard & co. blast the new songs into my face.  I knew the show was going to be great, but I guess I wasn’t prepared for the pure fiery power of the band and Brittney’s unbelievable voice. This show exceeded my expectations and left me feeling like a ragdoll. Incredible.

Ohne–Ka & the Burning River @ Hoyt House – 3/27/15
These dudes rule. I thought about just writing that but I guess I should elaborate. Ohne-Ka are from Syracuse and I believe this was their first show in Buffalo. If Neil Young played guitar in Explosions in the Sky and EITS joined forces with Neurosis and Mogwai then you would have Ohne-Ka & the Burning River. Their songs are beautiful, heavy, sprawling, melodic masterpieces. Being wrapped up in a tornado of their distortion in the basement of Hoyt House was definitely a highlight for me this year. I hope they come back soon.

More awesome shows

Sebadoh @ Mohawk Place

Spoon @ Canalside

Sturgill Simpson @ Town Ballroom

Father John Misty @ Town Ballroom

Paul McCartney @ First Niagara Center

Favorite Albums of 2015

Cloakroom – Further Out
I’ve probably listened to this record more than any other this year. Constantly had it on repeat at work. I love the perfect balance of big drums and big fuzz.

Alabama Shakes – Sound & Color
I wasn’t in love with their first record but this one hits me hard. These songs are much more adventurous than the first record. Brittney Howard’s voice is in prime shape, as well as the songwriting.

Tame Impala – Currents
Kevin Parker hasn’t done any wrong, in my opinion. His work keeps getting stronger and stronger with every release. This album rules.

Wilco – Star Wars
So, yeah. Wilco happens to be one of my all-time favorites and they surprisingly dropped a new album this year. And yes, of course I’m going to put them on this list. Buuut, this album is very cool. Not the typical dad-rock Wilco. I have nothing against the dad-rock Wilco, I love it. This is much looser, relaxed, and adventurous.

My Morning Jacket – The Waterfall
Ok, the same applies here. I love this band.  And I feel like there’s little gems of what make this band great, sprinkled in every song. It’s a platter of MMJ goodness.

More awesome albums

Title Fight – Hyperview

The Arcs – Yours, Dreamily

Jim O’ Rourke – Simple Songs

Jaga Jazzist – Starfire

Kendrick Lamar – To Pimp a Butterfly

Favorite Local Albums of 2015

Newish Star – His Excellent Ray
I’d like to put everything that Newish Star released this year on here. I love it all.

The Naturalists – Home Honey, I’m Hi
Catchy songs. Big guitars. Awesome production from Quiet Country Audio.

A House Safe for Tigers – A House Safe for Tigers

By far, one of the best albums to come out of Buffalo this year. A glorious blend of Yo La Tengo, Beach Boys and Soft Bulletin – era Flaming Lips.

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