Album of the Week

Joe Mason – Joe Mason

May 12, 2014

As technology has gotten more sophisticated and more accessible, it’s become harder to to nail down a bedroom record. I mean that in the sense that it sounds like it was recorded in someone’s bedroom, not in the sense that you could throw it on and screw. Excepting the people who seek out obsolete technologies, the bedroom record is no longer something you whisper into a four-track recorder while your parents are asleep. You get 255+ tracks, a whole Internet full of sounds and samples and maybe your own apartment. Which is great in its own way. I don’t necessarily agree with the notion that more music getting made is an unmitigated good, but I’ve heard some excellent tunes that never would have gotten produced if the cost of recording were greater than zero dollars. That said, some of the best creative advice I’ve ever heard was to “set limitations[...]

Mooses – Tales From The Elephant’s Nest

May 5, 2014

There’s definitely something going on down the 90 in Fredonia. The proximity of Dave Fridmann’s Tarbox Road Studios in nearby Cassadaga, NY has contaminated the water or affected the electromagnetic fields emanating in that area in a way that wildness and psychedelia have become hallmarks of Fredonia’s music scene, which is of course a huge boon for WNY’s music scene. Case in point: Mooses, a young four piece from Fredonia who dropped itsdebut EP, Tales From The Elephant’s Nest, a tight and bold five song collection that sounds sweet in the ears and screams “POTENTIAL,” last week. Mooses get things started with the snarling, schadenfreude and 90’s drenched “Hypocrite’s Fall,” a slow burner that lures you in with restrained buildup before unleashing evocative new wave vocals reminiscent of Robert Smith and stirring Bends worthy guitars. The new wave swagger continues on the exuberant “Bette Davis,” a straight ahead rave up complete with[...]

Pluto Brady- The Beat Tape

April 28, 2014

Rochester producer Pluto Brady balances hazy, melodic textures with sinister elements of trap, bass, and hip-hop on his self-titled debut beat tape. The 18-year-old artist  has been previously credited for tracks on rapper Donzelly’s DMS mixtape as well as Black Kray’s Goth Luv mixtape and various other MCs. Bringing to mind producers like Clams Casino, Ryan Hemsworth, and Suicideyear, Brady’s instrumentals place emphasis on slow paced, patient melodic builds, making for an immersive experience that reveals new layers with each listen. Throughout the tape’s eight tracks, the vibe ranges from ethereal, reverb-laden hip hop on tracks like “Without You” to futuristic r&b on “I Don’t Know What to Say.” The lush “Alone Forever” starts off the collection with a captivating hybrid of menacing trap -inspired percussion and fluid melodic synth swells behind a soulful piano riff. “Internet Eyes” builds around a similar style of elegant keys, but heads in a slightly darker[...]

Nelson-Type – Cycles

April 21, 2014

Nelson-Type is just one of “those” bands. Ever since the duo released 2011’s excellent Grow Homeless, Grow Unbound, we buffaBLOGGERs have been waiting anxiously for their next release. It’s been three long years and, yes… we admit (at times), we believed the rumors that grad school and the comforts of a full-time job had claimed Nelson-Type for good. But for a couple of yes-men who took their name from a man whose trademark is a long, exaggerated “yeeeeeeesssss,” it was hard to imagine a batch of songs going unfinished. Luckily for us, Cycles came out this week. Six songs of pure, unadulterated Nelson-Type glory, ripe for the listening. “Games” kicks off this EP, making use of swirly guitars, high gentle tenor vocals, and about just as much reverb as anyone could stomach. With no accompaniment from any percussion, Nelson-Type opted instead to fill out this song with just a touch of[...]

Delplato & Kujawski – Strings & Chords

April 14, 2014

I am treated to the best of the best of local music from week to week. Over the past few years, I have had an opportunity to objectively review and appreciate a wide variety of music that comes my way. That being said, nothing ever seems to grip me like a release from Anthony Delplato. This time he has a partner, Brad Kujawski. Together, Delplato & Kujawski have put together Strings & Chords. I might have already had a biased opinion going into this review… but let’s just say Deplato & Kujawski didn’t let me down. “We Sail” starts off sounding like We Have The Facts And We’re Voting Yes-era Death Cab For Cutie. Two clean guitars with a slight warble play in sync through most of this song – I was actually expecting nothing more than a pretty instrumental opening track… Not that there would have been anything wrong with that[...]

Mapmaker – Critical Path

April 7, 2014

Mapmaker is probably one of the more underrated bands in Buffalo’s catalog. Their new release is called Critical Path and, while putting the finishing touches on this review on this fine Sunday evening, I realize what a real barnburner it is. The production is lo-fi, but not disarmingly so. It’s equal parts punk, emo, and indie rock. I’d like to compare them to The Gaslight Anthem but it’s not quite Americana enough… and I’d love to make a comparison to The Get Up Kids but it’s a little too punky to be flat-out emo. Maybe I’m allowed to call it “old school emo” like Sunny Day Real Estate or Mineral. Either way, they occupy a unique spectrum in that regard and I really enjoyed this particular Album of the Week for that reason. Critical Path kicks off with “Preoccupied,” an apt opener full of passionate yelps and fast guitars. That’s[...]

Failures’ Union – Tethering

March 31, 2014

When I mentioned to people that I’d be writing up the new Failures’ Union release, Tethering, I generally got one of two responses.  The first was that these guys were staples over at Mohawk Place. The association makes sense: that’s where the band got its start back in 2004. “We started out in a practice space above the bar, and that tiny room, along with the bar itself, were our homes for many years,” said Failures’ Union bassist Jason Draper.  With Mohawk gone, the band and the city are still feeling the hurt. Failures’ Union has only played four local dates since the venue closed its doors. Draper pointed out that some venues, like Spiral Scratch Records and the newly-resurrected Sugar City, have stepped up to the plate since, but that “it’s a band-aid to a problem that needs some stitches.” If the music scene is going to flourish once again, it needs a[...]

Damian – You Don’t Need It

March 24, 2014

“Play ‘Soul Night‘!” There are maybe twenty or thirty people crammed into Damian Weber’s living room. The request came from a guy standing in the doorway, but all over the room, people begin to signal their approval. Up front, Damian Weber, bashfully charismatic, looks down at this guitar and sighs that he isn’t sure if he quite recalls how to play it. But the shouts continue, and Damian acquiesces, playing the song perfectly from start to finish. He remembers every word, and so do many of the people in his house. Camera phones come out to catch the key bits. “I can only dance if my rock ‘n roll is made by a weirdo,” he sings. Through the doorway behind him, I can see two people swing dancing through his dining room. “Soul Night” is the title track from Damian’s debut album. This article is about his new album, You Don’t[...]

Unwelcome Guests – Wavering

March 20, 2014

Scrolling back through our past posts on local favorites Unwelcome Guests, it’s hard not to notice a recurring theme: nobody is quite sure how to place them. On the surface, it seems like it shouldn’t be so hard. Guitars, bass, drums, vocals: this is the stuff of bands since Buddy Holly. But where one person hears the Buzzcocks, another hears the Gin Blossoms. Personally, the first thing I thought when I started listening to their new album, Wavering, was Jawbreaker, and even then, I’m not sure exactly why. Whatever the reason, Unwelcome Guests are the musical equivalent of that thing from Harry Potter that shows you whatever you want to see. This is a good thing. It makes Wavering one of those rare albums that could, potentially, please everybody, at least everybody into rock music (Luke Bryan fans, go home). It mostly sheds the occasional country vibe found on Unwelcome[...]