Latest Posts

Weaves – s/t

July 15, 2016

Buzz Records signees Weaves have released their much anticipated debut album. The Toronto-based indie group’s self-titled effort is an energetic amalgam of noises. It’s a delightful smorgasbord, where you’ll find elements of pop, rock, funk, punk, and indie. The contrasting styles compliment each other well, as Weaves has a penchant for capitalizing on the clash of genres. They turn the weird and the wild into really catchy and melodic rockers. The fuzzy, math-rock esque guitar riffs are a standout, as well as Jasmyn Burke’s irresistibly dynamic vocals. She sings with a carefree attitude, while at the same time possessing a heavy urgency in her voice. Her back and forth melodies are the captain of the ship, giving the record direction, while seemingly being directionless. The whole thing feels like it could fall apart at any moment, but it never does, and that’s what gives it its charm. Lead track “Tick”[...]

Andy Hull and Robert McDowell – Swiss Army Man Original Motion Picture Soundtrack

July 13, 2016

Manchester Orchestra’s Andy Hull and Robert McDowell are broadening their horizons with their latest project. The pair were enlisted by experimental film directors Dan Kwan and Dan Scheinert (known professionally as The Daniels) to record the score for their newest film, Swiss Army Man. Hull and McDowell were given one caveat; every sound must be made solely by the human voice. Though lacking any instrumentation, the soundtrack is unlike any acapella you’ve ever heard. After initially reading the script, Hull immediately recorded the song “A Better Way,” which appears as the final track. It is the only song to feature acoustic guitar, and serves as the anchor for which he and McDowell pulled musical motifs from for the rest of the score. Throughout, repeated “dahs” and “wahs” as well as droning, reverb-laden choruses and layers of various vocal noises define the soundtrack. Stars Paul Dano and Daniel Radcliffe even make[...]

Mitski – Puberty 2

July 5, 2016

While attending SUNY Purchase, indie-rocker Mitski self released her first two albums. After graduating, she signed with Double Double Whammy to release a third. Now with Dead Oceans Records, her fourth studio album Puberty 2 is an earnest look at growing up. She likens the pain and awkwardness of this major transition into adulthood as a second form of puberty. Though slightly more polished, lo-fi production is still at the heart of it all for Mitski. She neatly combines drum machines with rousing electric guitars, and employs a vocal distortion that brings her rich, mid-range voice to life. This effect perfectly compliments the tone of her lyrics, as she somberly details life’s qualms and inevitable loneliness. The arrangements are raucous and range between delicately sparse and all-out in your face, reminiscent of life’s ups and downs. The overall focus of Puberty 2 can be seen as contemplation of meaning and[...]

The Hotelier – Goodness

June 21, 2016

Massachusetts natives The Hotelier are just a little bit lighter on their latest release. The underground emo revival champions’ third record, Goodness, was prefaced with a statement from lead singer-bassist Christian Holden. In it, he indicated a subtle shift from deep introspection to contemplation of outwardly relations, with people and the world. While the album may not be as dark as its predecessor, it is still thematically heavy and packs an emotional punch. Goodness starts out with just Holden softly delivering a spoken-word poem. From there, thunderous drums and heavy guitars take over. He varies his vocal tone throughout, from barely audible quietness to over the top yelling. It is a pure rock record, but with well-varied dynamics that give it its kick to the gut. There are moments where the music builds to a chaotic crescendo, only to be suddenly stripped away to nothingness. It perfectly mirrors and accompanies[...]

Car Seat Headrest – Teens of Denial

June 8, 2016

Recording under the moniker Car Seat Headrest, Will Toledo has self-released eight albums between 2010 and 2015. He finally made his major label debut last year with Teens of Style, a collection of reimagined tracks from his previous albums, now performed with fuller arrangements. This year, he has a new batch of songs with an even more expansive sound for his second album on Matador Records, and tenth overall. Titled Teens of Denial, it is an epic foray into full-tilt indie rock. Toledo is pumping life back into guitar-driven indie, infusing it with the prog influences of the ‘70s and the catchy tunefulness of the ‘60s. He makes use of overlaid spoken word, screamed backing vocals, ornamental synths and horns, and layers upon layers of heavily distorted guitars. There are no tight 3-minute rockers here, as each song is carefully composed and the arrangements are fully fleshed out. The record has an effervescent ebb and flow to it, twisting seamlessly[...]

PUP – The Dream Is Over

May 31, 2016

Toronto punk rockers PUP are back with their second full-length album. The title, The Dream Is Over, is apparently a jab at vocalist-guitarist Stefan Babcock’s doctor. After incessant touring following their 2014 self-titled debut, Babcock’s vocal cords were shredded. His doctor informed him that the dream was, in fact, over. Instead of calling it quits, the group defiantly pushed forward, bringing forth a sophomore album full of dark wit and in your face punk rock. The record opens with a gradual ascension into chaos as “If This Tour Doesn’t Kill You, I Will” asserts a severe and earnest sentiment towards life on the road. From there, it’s a non-stop parade of heavy guitars, aggressive drums, yelled gang-vocals, and self-loathing. The riffs are satisfyingly catchy, suggesting a pop inflection on their unapologetic edginess. The album possesses a drunken swagger and laments life’s many failed relationships and endeavors. The Dream Is Over feels like the youthful melancholy of The Front Bottoms combined[...]

King Gizzard & the Lizard Wizard – Nonagon Infinity

May 20, 2016

King Gizzard & the Lizard Wizard have been on a tear since forming in 2010. The Melbourne, Australia-based psychedelic rockers are now on their eighth full-length studio album in six years, an impressive output considering they are also relentless live performers. Their latest, Nonagon Infinity, is an onslaught of fast tempo, psyched-out rock that shows off their cornucopia of influences. The entire album is intended as a continuous, looped musical piece. Each track flows directly into the next, with the final track (“Road Train”) connecting seamlessly back to the first (“Robot Stop”). If you were to put the album on repeat, it would continue forever. Of course, you could do this with any album. However, there would be a clearly defined and discernible beginning and end. With Nonagon Infinity, you don’t know where one song ends and the next one begins, as you are lead on a never-ending sonic journey.[...]

Sam Beam & Jesca Hoop – Love Letter for Fire

May 10, 2016

Singer-songwriter heavyweight Sam Beam (know mostly as Iron & Wine) has released another collaborative work, titled Love Letter for Fire. After 2015’s joint effort with Band of Horses’ Ben Bridwell, Beam has teamed up with singer-songwriter Jesca Hoop, who is known for her experimentation with different genres. The result is a record of imaginative and heartfelt acoustic indie-folk that is both lively and melancholy. Their unique perspectives as composers compliment each other well. Musically, Beam’s jazzier tendencies are on display alongside Hoop’s experimental indie side. They find common ground with their inherent passion for both classic and modern folk music, offering floating arrangements with fingerpicked acoustic guitars and soft strings. Both singers posses a tender and soothing voice that gently cradles their poetic lyricism. Every composition is raw and rustic, featuring sparse percussion, complimentary violin and ornamental piano as add-ons to the predominant base of guitar and vocals. Tracks like[...]

Wylie Something – untitled, unfinished, yet mastered?

May 2, 2016

The latest offering from Wylie Something is a compilation called untitled, unfinished, yet mastered?, presumably a take on Kendrick Lamar’s untitled/unmastered. Wylie Something is the moniker for Buffalo-native turned Philadelphia-based college student, Jacob Smolinski. If you have been exposed to Smolinski’s other works (The Cascos, or most recently Local Onlys), then you know the musician is keen to writing features catchy and danceable indie rock. Released through local label Steak & Cake Records, it consists of songs he wrote over the past few years but didn’t know what to do with, assembled and mastered by producer Brandon Schila. Schila’s work extends beyond the production. He lends a hand on the compositions as well, taking on the role of bassist and drummer. Also present are backing vocals from Maggie Maloney. These contributions help round out the songs and bring Wylie’s tunes to life. Virtually every song is tight and compact, with[...]

Tonight: Freddie Gibbs

April 27, 2016

Tonight, the Shadow of a Doubt Tour will be making a stop in Buffalo. Gary, Indiana native Freddie Gibbs is bringing his aggressive and personal style of rap to Mohawk Place for an intimate evening with the rising artist. Fans of hardcore hip-hop are sure to enjoy the rapper’s versatile blend of influences (ranging from DMX  to ODB), something he displayed on his most recent release, Shadow of a Doubt. Two local rappers will join Gibbs tonight. Short Moscato is coming off of his 2015 release of laid-back hip-hop, Whatever | Forever. Opening the show is Lucky Seven, who founded local label Howhood University Records, under which he has released several mixtapes. Doors are at 7pm at Mohawk Place. Tickets are $17 in advance and $20 at the door.

Kevin Morby – Singing Saw

April 25, 2016

After a stint in the group Woods and a short lived side project The Babies, singer-songwriter Kevin Morby is now on his third solo record, titled Singing Saw. He has grown with each album, establishing a unique voice in a musical realm of familiarity. With pristine instrumentals and a storyteller-like prose, Singing Saw may be his best work yet. Nothing here is overly groundbreaking but, much like Tobias Jesso, Jr., he has managed to take the influence of well-traveled sounds and ideas and make them feel fresh and all his own. At moments throughout the album, you can draw lines back to the likes of Bob Dylan, Leonard Cohen or Lou Reed, but not without a deep look through Morby’s own lens. He expertly weaves together folk, rock, and Americana, pairing it with vintage and folksy lyricism. His signature hushed baritone voice gives everything a calming, almost hypnotic feel. Singing[...]

Harmonica Lewinski Releases Video for “The Slug”

April 19, 2016

Rochester garage-rock group Harmonica Lewinski has released a strange new video, on par with the act’s established demeanor. Harmonica Lewinski has made a name for itself with this aesthetic of lo-fi and trippy rock ‘n’ roll. Their latest single ‘The Slug” is the first taste of their forthcoming album Head Honcho, and their newest material since last year’s Naked Brunch. It calls to mind the sounds of the underground surf rock of the sixties combining it with modern garage punk influences. The single’s video companion really helps bring to life the slimy, DIY nature of the tune. Sure to be a hit at your next sleazy basement party, check out the video below.

Tonight: Worriers

April 12, 2016

Brooklyn’s Worriers will be making a stop in town tonight, headlining a basement show that should thrill punk fans who love all things heavy and loud. Joined by three Buffalo bands, Worriers are promoting their 2015 LP Imaginary Life, a record filled with Against Me! influenced indie-punk jams released via Don Giovanni Records. Two of the other acts featured will be celebrating new releases. Local punkers Basement Rat is releasing a cassette version of their album Pura Mujer. Also on the bill is On the Cinder, who will be celebrating the release of their latest album The Fight Against Ourselves. Rounding out the lineup is Grain Assault, who offer a chaotic brand of fast-paced punk. The show starts at 7pm at Hoyt House. Cover is $6 at the door, or free/pay what you can for under 18.

Tonight: Baio

April 8, 2016

While we wait patiently for the next offering from Vampire Weekend, their bass player Chris Baio (performing under the stage name Baio) is testing the waters of a solo career. For fans of the indie-rock group, his stop at the Waiting Room tonight is not to be missed. 2015 saw the release of Baio’s solid debut solo record The Names, featuring the catchy and danceable lead single “Sister of Pearl.” The album sees him stepping away from the familiarity of Vampire Weekend, finding his own unique voice and a sound that is all his own. Joining the lineup will be a pair of local Buffalo bands. Energetic indie-rockers M.A.G.S. and  kicking off the night is indie-pop act Parade Chic. For those hoping to score a last minute ticket, the show unfortunately is sold out. For everyone lucky enough to grab one, doors are at 7pm at the Waiting Room.

Ray LaMontagne – Ouroboros

April 4, 2016

On the latest from folk-rock veteran Ray LaMontagne, he takes his sound another step farther from his earlier material. Ouroboros is his sixth full-length studio album, and the sonic palette is as expansive as it’s ever been. The singer-songwriter has enlisted alternative rock favorites My Morning Jacket to serve as his backing band on the record, with their lead singer Jim James serving as producer. It’s James’ unique voice as producer that lends a helping hand in taking that next step. Musically, LaMontagne draws on the same influences that informed the cosmic rock of the early ‘70s, which combined elements of rock ‘n’ roll, blues, psychedelia, soul and folk. He claims that the album came to him in a dream, and therefore he needed to present it as one cohesive record. Much like his influences from the ‘70s, he utilizes the album format as an artistic vehicle. It’s not quite[...]